Genre

Synopsis

Being as I’m rather baffled by what’s going on, as once again Mr. Late-to-the-Party, here’s how the box summarizes what’s up this season: “discover Bree’s new life without Rex, Lynette’s chaotic return to the working world, and what becomes of Susan’s on-again, off-again relationship with Mike.” And that’s just for starters, of course. Let’s not forget the descent of Rex’s OTT mother on Bree, and Eva Longoria’s fight with the nun in the church.

The second season of USA Network’s The 4400 picks up one year after the events of the four-part season one. This time around, we know the 4400 once-missing people were not returned from alien abduction, but rather from the future.

That revelation aside, this series is still chock full of mystery. What is the nature of the fate the 4400 are meant to save us from? How were they selected? What impact will their return continue to have on the collective future of humankind? Will the government’s role be one of interference, or protection? And if protection, of the 4400 from the rest of the population, or vice-versa?

Synopsis

As one who has a brother that is (or was) a bit of a Stephen King fanatic and loves goofy King adaptations like Pet Cemetery, I’d never seen The Dead Zone, and I’m a Christopher Walken (True Romance) fan. I’m also a David Cronenberg (Dead Ringers) fan. And now that I’ve finally seen The Dead Zone, I can consider myself having a fairly complete existence now.

Synopsis

The film opens with the Senate pornography hearings of the 1950s, which cracked down on bondage-movie purveyor Irving Klaw. As Bettie Page (Gretchen Mol) waits to be called to testify, she flashes back to the events that brought her to this point. After an abusive childhood in Tennessee, a failed marriage and a gang rape, she flees to New York, where she becomes first a glamour model, and eventually the most highly sought-after bondage queen.

Synopsis

Thankfully, some of the larger studios are beginning to produce films that are either good old-fashioned family films, or are films touting religious value and piety. Walden Media, who were behind such films as Holes and How to Eat Fried Worms, have produced and released another film with similar concepts behind them, a charming little piece of celluloid entitled Hoot.

Synopsis

I can honestly say that a one-hour standup special might result in my shortest review ever, but if that’s how the chips fall this time, so be it. Bob Newhart is certainly not without his admirers, he’s been an established comedic force for decades. He didn’t get his big break until the ‘60s, and parlayed that success into television shows in the ‘70s and ‘80s, and aside from the occasional movie appearance, shows up from time to time with late night talk show hosts that run out of material.

Synopsis

Following the success of The Cartoon Network’s entertaining Space Ghost: Coast to Coast, someone decided to include one of the characters from the show as part of a spinoff series. The Brak Show recalls the encounters of the space cat of sorts, as he’s placed in a home with a loving mother and father, sort of in the vein of a Leave it to Beaver scenario.

The Fast and The Furious: Tokyo Drift is not as solid as the previous two in the Furous series, but the addition of a totally new local does add quite a bit to the film’s strength. Anyhow, Sean Boswell (Lucas Black) is your typical high school character. He loves fixing his car, racing and subsequently gets into a lot of trouble. After ‘gawking’ at the girlfriend of Clay (Zachary Ty Bryan), an immediate race occurs through the backlot of a new development. Chaos ensues and the police, due to Sean’s high...trouble rate, end up sending Sean to live with his father in Tokyo. So let me understand this… If I were to get into a lot of trouble and my father lived in a foreign country, I would avoid jail time and get to go stay with him? Riggghhhttt.

Anyhow, besides this minor story flaw, Sean soon arrives in Tokyo and promises his father he won’t do any street racing. Obviously Sean quickly becomes involved in an underground “drifting” racing scene (which is totally new to him) after meeting Twinkie (Bow Wow). For some reason, Sean gets to prove himself by racing the ultra famous Drift King (Brian Tee) who goes by DK. Han (Sung Kang), one of DK’s friends, (Sung Kang) lets Sean borrow his vehicle. It being Sean’s first time “Drifting”, he ends up destroying Han’s car. To repay his debt, Han enlists Sean as his new boy. The two quickly develop a friendship and Han decides to have Sean become one of his racers, but first Sean must learn the art of drifting.

Synopsis

Adam Sandler plays Michael Newman, stressed-out workaholic who, overwhelmed by his job though he is, is allowing it to interfere with his family life. At the end of his tether one night, he sets out to buy a universal remote, but Christopher Walken (apparently playing Christopher Lloyd) sells him a truly universal remote.

Synopsis

Boy, this haunted technology stuff is getting out of hand. Seems a body can’t touch a single appliance or toy without some evil spirit emerging in smite-mode. In this instance, the problem is a survival-horror video game called Stay Alive, which not only refuses to let you stop playing, after your character dies, you die in the same way. At the root of it all is the Countess Elizabeth Bathory, who has been the subject of many a film already. Unaware of this, our usual batch of charact...rs (the Regular Guy, the Regular Girl, the Goth Chick, Her Annoying Brother and the Nerd) must try to beat the game in real life before it beats them.