Posted in: Disc Reviews by Archive Authors on August 9th, 2006
Well, there’s nothing quite like your first, and when producers Albert Broccoli and Harry Saltzman decided to bring about a barely 30 year old Scotsman named Sean Connery, whose most recent work was as a British soldier in The Longest Day, into the film version of Ian Fleming’s James Bond novels, who had any idea that Dr. No would become a culture landmark, let alone a movie franchise?
Now, one of the first things that comes to mind when you watch Dr. No, if you haven’t watched it in aw...ile (or at all) is that Michael Myers seems to liberally steal from this film when it comes to the Austin Powers trilogy. Connery (as Bond) goes to Jamaica to discover the reasons behind a disappearance of a colleague. There he meets his American CIA contact Felix Leiter (holy crap, that’s Jack Lord from Hawaii Five-O!) and with the help of some of the locals, they meet a mad scientist named Dr. No (Joseph Wiseman, Viva Zapata!), and he captures Bond and a female companion named Honey Ryder (Ursula Andress, Clash of the Titans), feeds them a lavish dinner while telling them about a plan to destroy the world for money, and James and Honey get out of the trap to eliminate them while James saves the world while telling Michael York about it (wait, stumbled into the wrong film there).
Posted in: Disc Reviews by Archive Authors on August 8th, 2006
Synopsis
A group of masked criminals, led by Clive Owen, take over a Manhattan bank and hold everyone there hostage. Denzel Washington arrives on the scene as police negotiator, and he rapidly finds that his opponent is extremely clever, and appears to know every move the police will make even before they do. Complicating matters further is the arrival of Jodie Foster, an ice-cold fix-it woman hired by bank-owner Christopher Plummer to protect his interests: there is a safety deposit box he desperate...y wants to avoid having opened.
Posted in: Disc Reviews by Archive Authors on August 8th, 2006
Synopsis
Here we go again. Punky Brewster (Soleil Moon Frye) is pretty comfortably ensconced in the home of Henry Warnimont (George Gaynes) now. The season follows Punky through the usual round of problems at school, with friends, with boys, and so on. Will she do her homework and get to a rock concert? We await the answer on the edge of our seats. Frye is a few years older now, and so is moving from precocious youngster to tiresome tween. Lessons are learned in the most painfully didactic and mundan... fashion. The laugh track kicks in mechanically everytime Punky moves. This is sitcomus moronicus at its most depressing.
Posted in: Disc Reviews by Archive Authors on August 4th, 2006
Synopsis
Robin Williams is struggling to keep his job, and struggling to keep his sanity in the face of his teenage children (particularly daughter Joanna “JoJo” Levesque). This all becomes more difficult when his boss forces him to cancel a trip to Hawaii and head off to Colorado instead. Williams rents an RV, packs his family in, and hits the road for misadventures and hijinx.
Posted in: Disc Reviews by Archive Authors on August 3rd, 2006
Synopsis
Well, Mark Dancer’s review of Season Two of Bridezillas pretty much echoes my general thoughts on the show. Now, for those of you who haven’t read his review, go there. Come back, and see what I do with it.
Posted in: Disc Reviews by Archive Authors on August 2nd, 2006
Kathy Bates and the late Jessica Tandy star in Fried Green Tomatoes, a wonderfully surprising film about four strong women finding friendship, loyalty, and strength in each other. Sounds boring, right? I thought so, too, until I actually sat down and gave the extended anniversary edition a chance. The film, based on Fannie Flagg's novel Fried Green Tomatoes at the Whistle Stop Cafe, is really two stories in one. Bates plays an unhappy Southern woman stuck in a marriage routine, which doesn't favor her n...eds at all. She is underappreciated, despite her calm, sweet demeanor, and routinely thrown out of her husband's aunt's room at the nursing home. It's during one of these rejections that she meets Nanny Threadgoode (Tandy), a positive old woman determined to get her house back, and eager for the chance to talk about her past.
But it isn't her own life that Nanny wants to tell her new friend about - it's the friendship of two women, Idgie (Mary Stuart Masterson) and Ruth (Mary-Louise Parker), whom Nanny used to know, that gets the old woman talking. Be forewarned. There are some hanky moments, but they're all handled with great care. Also, the racial elements of the backstory and an intriguing murder mystery amp up the drama to a reasonably tense and captivating level. Director Jon Avnet keeps the film from ever getting too hoky or melodramatic, though I will say it can't escape predictability. There are some pseudo-surprises you should see coming from a mile away, and even a touch of morbidity toward the film's conclusion. But it all works, thanks in large part to great source material, a strongly adapted script, and the amazing performances of all four women.
Posted in: Disc Reviews by Archive Authors on August 1st, 2006
We Were Soldiers unfortunately, was a film that didn’t really find its audience, and was also a casualty of the 9/11 attacks. Whereas Black Hawk Down was released in late December 2001/early January 2002 and made almost $110 million, We Were Soldiers was released six months later, and made $30 million less. Figure in the then-recent surge of big studio films of that genre in recent years, notably Saving Private Ryan and Band of Brothers, perhaps We Were Soldiers was the film ...hat the moviegoing public wanted to take a break from.
Whatever the case may be, the film didn’t really get a fair enough look in its theatrical release. One of the differences between it and Black Hawk Down was the increased focus placed on the families in this film, including the initial delivery of casualty notices by taxicabs, an event that did occur for a period of time until the Army developed a group specialized in breaking that unfortunate news. Perhaps the focus on families, or family life, may have reminded some of scenes from The Deer Hunter, but this is still a movie full of emotion and heartache.
Posted in: Disc Reviews by Archive Authors on August 1st, 2006
Synopsis
In 1930, the animation department at Warner creates three characters: the Warner Brothers and their sister, Dot. The siblings run riot, however, and are finally caught and imprisoned in the Warner water tower. Flash-forward to today, when they escape to once more wreak havoc.
Posted in: Disc Reviews by Archive Authors on July 31st, 2006
Synopsis
Jon Voight is a rogue director in the National Security Agency. When politician Jason Robards stands in the way of dangerous bill that would give the NSA almost unlimited powers, Voight has him killed. The murder is captured on tape, and a disc containing the incriminating evidence winds up in the hands of attorney Will Smith. The next thing he knows, his life is turned upside down as Voight sends high-tech minions after him. He seeks the help of retired surveillance whiz Gene Hackman.
Posted in: Disc Reviews by Archive Authors on July 30th, 2006
Synopsis
I’m probably one of the few remaining “critics” that wasn’t familiar with the Showtime original series Weeds, and when Mary-Louise Parker (Fried Green Tomatoes) won a Golden Globe for Best Actress, like some other people who haven’t seen it, my response was “what the hell for?”
