Posted in: Disc Reviews by Archive Authors on April 5th, 2006
First things first; there was a big hullabaloo about the fact that this is not the first season of Beavis and Butt-Head, but merely the first volume. Turns out, there are some episodes that Mike Judge has decided he didn't care to see again, so now nobody can see them again. Personally, for a show like this, it really makes no difference to me. If you are the kind of person who is going to be bothered by that, however, then consider yourself warned.
Also gone are the music videos, which is a bigger deal to me. Some of the best parts of the show were hearing the fellas' comments about Alice in Chains or Bono from U2. There are a fair number of music videos included with the DVD release of this title, but they are conspicuously missing from the UMD release.
Posted in: Disc Reviews by Archive Authors on April 5th, 2006
I am unsure of what the greater tragedy is: a man losing over ten years of his life for a crime he didn’t commit (and very nearly being executed for said offense), or the fact “documentaries” such as Fahrenheit 9/11 enjoy more commercial success than the excellent Errol Morris work The Thin Blue Line. On the surface, the former may seem far worse than the latter, but consider that it’s so-called journalism like that found in F 9/11 that colors false perceptions of reality and bears blame for guys...like Line’s Randall Adams staying incarcerated and unnoticed for over ten years. (I’m dealing in principles here, of course.) But when the impact of the media and its devotion to crap before truth is considered, the success of Moore’s film to Morris’s is disturbing – even frightening. And while Morris’s documentary was released in 1988, it still holds relevance today. I need to think only of the state trooper in Arkansas, who will probably get off Scott-free for murdering an unarmed mentally handicapped boy because he “thought” he was an escaped convict from Michigan – despite the fact that one brief comparison of photos calls to the contrary. People don’t like to admit the authorities watching over them at night are capable of the atrocious behavior presented in Morris’s documentary. And it’s that kind of indifference and lack of caring for facts that allow people like Adams to experience injustice to the extent he did from 1976 to 1988, as detailed in the film.
The Thin Blue Line played a large role in Adams’ eventual release. In the world of documentaries, that would make it the go-getter brother that rises from obscurity to achieve great things. F 9/11, much like its director, is the big fat disgusting slug that does nothing, but finds more favor with Mom and Dad because he refuses to get a job and move out of the house, thus delaying Empty Nest Syndrome, where they actually have to face the reality of life instead of the fantasy. With that said, I think Line fails on one front. Morris wants this to be an argument against the death penalty, but it isn’t. An argument against injustice perpetrated by the system? An argument against police and judicial corruption? An argument against quack doctors and faulty eyewitness testimony? Yes, on all counts. But to say the death penalty should be abolished for what Adams endures is like saying we should stop sending people to jail for fear of locking up the wrong guy. No, Line is effective and expertly crafted, but it’s more about questioning authority than altering punishment.
Posted in: Disc Reviews by David Annandale on April 5th, 2006
Synopsis
Maria Bello Arrives in Wales with teen daughter Sarah in tow to visit estranged husband Sean Bean. Relations between mother and daughter are tense, to the dismay of the father, who senses something is wrong but can’t divine what it is. Then tragedy strikes, when the duaghter disappears, apparently drowned. While Bean searches frantically for her (or for her body), Bello becomes convinced that Sarah has been abducted into the Welsh land of the dead, and that another girl, dead these fifty yea...s, has returned in her place.
Posted in: Disc Reviews by Archive Authors on April 4th, 2006
For those Flintstones collectors out there, the ride is almost over. Season five of this show's six season runis now available on DVD. Of course, this show will never completely go away, and for good reason. The Flintstones was quite progressive for its day. Not only was it the first prime time cartoon program to develop a following, but it also has other things in common with modern animated sitcoms. It is easy to see traces of the characters of Homer Simpson and even Peter Griffin in these episodes. F...ed means well, but it is abundantly clear that Wilma is the brains of the family. This is a plot device that has almost been taken for granted today.
There are 26 episodes in this season, and each one includes some great laughs that easily translate to today's modern lifestyles. Though the show was created in the 1960's, it is still funny to see Wilma hang clothes on a clothesline with birds, or to see Barny fix the garbage disposal by poking it in the hindquarters with a stick. Our tools may have changed, but the personalities still ring true today.
Posted in: Disc Reviews by Archive Authors on April 4th, 2006
Synopsis
I have to write an open letter to those who are (deep breath) fans of teen idol used-to-bes Scott Baio and Willie Aames. What the hell is wrong with you people? Did the online petition have THAT many signatures that it had to be recognized and acted upon? Did you really need to have the theme song to Charles in Charge on DVD? I admit, it’s a little bit catchy, but if you watch all 22 episodes in one setting, you need to up your lithium dosage. I know and understand that Universal is catering...to the VH-1 “I Love the ‘80s” crowd by releasing shows like this onto disc, but let’s exercise some sort of restraint, huh?
Posted in: Disc Reviews by Archive Authors on April 4th, 2006
Synopsis
I’ve gotta admit that for a long time, Four Weddings and a Funeral was in a category of movies that I had no intention or curiosity to see because of the title, the cast and the story. Hugh Grant was a significant step down towards the emasculation of man, where are start wearing large sweaters, hang out in pseudo-Starbuck coffee shops and talk about what happened on American Idol or some lame thing along those lines.
Posted in: Disc Reviews by Gino Sassani on April 3rd, 2006
When it absolutely positively has to be there by next month.
ABC made an effort to bring back the western in 1989. But The Young Riders was more of an extension of the popular Young Guns films than the traditions of Gunsmoke or Bonanza. I didn’t catch this show on its original run, so the DVD’s were a particular treat. A chance to see something new. Still, I never could shake the feeling that I’d seen it all before. Give ABC credit for a decent cast of upcomers. The production values were also far great...r than one usually finds in a network drama series. The major flaw was to base the series on the Pony Express. The premise required the characters to be out on runs for nearly a month at a stretch, which would leave very little time for the interaction and continuity necessary for an ongoing series. The Young Riders solved that problem the old fashioned way. They simply ignored it. The result was a show increasingly less about the Pony Express and more about life on the station’s ranch. The action was more or less provided with the cast helping out damsels in distress and fighting bad guys. It’s a wonder any mail got delivered at all. In an effort to forge some name recognition, the characters are made up from mostly misplaced western legends. If you are at all annoyed with glaring historic inaccuracies, this is not the show for you.
If you can get past the flaws of the premise, there really is some quality television to be found here. The locations are a treat for the eye. John Debney’s music is a wonderful fusion of Western and modern sounds. The cast is also quite a treat. Anthony Zerbe creates a compelling character with his Teaspoon Hunter, the station manager and father figure for the young recruits. Homicide’s Melissa Leo counters as the matriarch figure on the ranch. She is joined by her future Homicide partner’s brother, Stephen Baldwin, as Buffalo Bill Cody. Another famous brother, Josh Brolin, played Wild Bill Hickok. In one of the film’s greatest believability stretches we find Yvonne Suhor as Lou, a girl passing unconvincingly as a boy. Ty Miller plays the enigmatic “The Kid”..
Posted in: Disc Reviews by Archive Authors on April 2nd, 2006
There may have never been a more aptly-named television show in history than Jackass. For those who don't know, this show is comprised of a collection of short clips of “stunts” that push the limits of common sense and decency. While the majority of these stunts amount to little more than idiots with a camcorder, and some are just downright disgusting (do I really need to see some guy throw up a goldfish?), some of the segments honestly are quite funny. Giving your buddy a Billy Ray Cyrus haircut will always b... funny. Having two broken arms and asking total strangers to “help you out” by unzipping your fly is the stuff of classic set-up shows like Candid Camera. However, for the overwhelming majority of this disc, the clips on this disc can best be described at a lame brained attempt at humor.
Audio
Posted in: Disc Reviews by David Annandale on April 2nd, 2006
Synopsis
Music journalist Tre (Andre Royo) arrives at the Hamptons home of his cousin Sky (Chenoa Maxwell) and her cad of a husband (Blair Underwood). Tre is here to interview Summer G (Richard T. Jones), megastar rapper, who has just bought a home in the area. Sky and G have past, and old embers flare to life when they see each other.
Posted in: Disc Reviews by Archive Authors on March 31st, 2006
Synopsis
Lie With Me is proclaimed in its trailer to be a film in the tradition of Y Tu Mama Tambien and Sex, Lies and Videotape. But at its core, it’s more along the lines of another one of director Clement Virgo’s film influences, Bertolucci’s Last Tango in Paris. The characters in Lie With Me experience each other rather provocatively at the start of their relationship, and work their way outwards.