Genre

Peter Jackson is a true visionary. In most circles, such a statement is agreed upon if the subject is the Lord of the Rings trilogy, or his brand new King Kong remake. There are also those who'd rather remember him for his schlocky, disgusting, and dangerously enjoyable efforts Braindead and Bad Taste. Of course, either camp will love his work. It's just a matter of preference as to which type of film they love more. I'd say most find his latest efforts to be superior to those low budget e...rly works. But none of his modern genius would have been possible without The Frighteners, his breakout studio film, which garnered respect and financing from Hollywood heavyweight Robert Zemeckis. By the same token, one might say The Frighteners would have never been possible without his terrific Heavenly Creatures. The debate can rage on for as long as it needs to, but the heart of the matter reveals this: Peter Jackson makes great films, and while he may not be a perfectionist, his work argues to the contrary -- The Frighteners being no exception.

This two-hour director's cut treats its viewers to a hefty 14 minutes of extra footage, and most of it is easily recognizable to those who have seen the theatrical release a couple of times, or once recently. By recognizable, I mean you'll know it's new when you see it. Right away, I want to mention a mild concern I have for the director's cut, and it's the same kind of problem other critics have pointed out about his latest effort King Kong. Most of the deleted scenes add a stigma of excess to the film. It's longer than it probably should be. But at the same time, you find yourself so in love with the picture Jackson puts together that you don't really mind the more meandering pace. In fact, you kind of enjoy it because the new scenes add more of the same rowdy horror-comedy fun, and come across as visually endearing. This film is eye candy, but it also doesn't forsake characterization and plot for the sake of its mayhem.

Synopsis

The oppressive Parliament controls human civilization, willing to engage in any atrocity for the sake of a dubious greater good. A teenage girl, developed as a psychic super-weapon and traumatized by some mysterious event, is broken out of Parliament custody by her brother, and the two become part of the fractious crew of the mercenary ship Serenity. This crew is made up of veterans of independent colonies who fought in an unsuccessful war against the Parliament. Captain Malcolm Reynolds is ...eluctant to stick his neck out for the two refugees, but events eventually force him to take a stand.

Synopsis

Pooja (Kirti Reddy) dreams of being a film director, but the old boys at the ad agency she works for are constantly brushing her off. When she meets singer Kabir (Abhishek Bachchan), she thinks she could use his talent, but he is hoping for a more romantic relationship. She, meanwhile, is attracted to her boss’s son, but then things become further complicated when she has to pretend to be engaged to Kabir in order to save her job.

Just in time for the mega release of Peter Jackson’s King Kong comes a slew of Kong-related merchandise determined to cash in on the hoopla. Like long lost relatives only interested in you after that big lottery win, these forgettable items are giving it one desperate shot on DVD. Among this sub-par schedule of releases is the new feature-length cartoon Kong – King of Atlantis. In this outing, Kong is a new gorilla descended from the original King Kong. He has inherited the size, but is still struggling...to find his way into mental maturity. Hampering his journey is a trio of mostly clueless human allies that really bog down the action in spite of the elements that are actually there to recommend it. While most children will delight at the sight of Kong, his speechless bear cub friend, and a friendly overgrown tiger (reminiscent of He-Man’s Battle Cat), the human element will stop any further interest flat in its tracks.

Rather than bringing kids into the action through relatable human involvement, the creators have conjured up three whiny, obnoxious caricatures that will leave all children young and old begging for another shot of Kong and his animal friends. Not helping the likeability factor among the three human stars is a lurid opening musical number – to the best of my knowledge, it’s called “De-cide Now” – which will make even the most open-minded fan of family entertainment cringe in despair until it’s finally over.

Written by Clayton Self

The Polar Express is a milestone in digital film making. Making use of “performance capture” (little attachments connected to the body to mimic human movement) and green screens, Robert Zemeckis (Back to the Future) has created a stunning visual world that is sure to find its way into homes of millions to be enjoyed during the Holiday season. Labeled by some as creepy because of the not quite real, yet not quite fake digital characters, The Polar Express is nothing more than an epic Christmas a...venture to be enjoyed by kids and adults alike.

Synopsis

During the Cold War, a vaguely defined group breaks into a Romanian church and the cavern beneath it for vaguely defined reasons. They accidentally trigger a landslide, trapping themselves beneath the earth. Jump forward thirty years, and the cavern has been rediscovered. A team of cave divers headed up by Cole Hauser descends into the depths, and soon find themselves up against vicious bat-winged monsters. A parasite enters into Hauser’s blood, and he slowly starts to transform into one the...e beasts himself, raising the question as to whether he will retain his humanity long enough to save the people for whom he is responsible.

The spoof film means something different to audiences today than it did in the early 80's. Anything, if done enough times over, starts to become stale. For instance, the first Scary Movie, while having a couple of really lame scenes, was actually pretty funny overall. With each sequel, however, came diminished returns. At this point, I wouldn't be surprised to see a film that spoofs spoof films (though I'm not sure how one would do that).

Airplane!, however, was the first of the genre. Not onl... that, but the argument could also be made that it is the best. This film, from the people responsible for the hilarious Kentucky Fried Movie, was a send-up of the popular airplane disaster films of the 60's and 70's. At the time, nobody really knew how to do a film like this, or even how to describe it. In fact, it was pitched to the studio as "Animal House on an airplane", which of course it was not. However, the studio bought in to the idea, and a comedy classic was born.

Let’s face it. Hollywood isn’t taking enough chances these days. In the era of film franchises, sequels and remakes, Hollywood has become too predictable, leading to mediocre reviews for most big releases and even worse box office returns. Many film goers have looked to independent and foreign films to challenge them, and for good reason. Foreign films march to the beat of their own drum, use complex themes and imagery to tell their story, and they usually keep you guessing until the very end. The same can be said f...r Sympathy for Mr. Vengeance.

Sympathy hails from Korea, a country not known for its movie making abilities until Chan Wook Park’s Oldboy showed up on the radar last year. Being that Sympathy for Mr. Vengeance is part of the “Vengeance Trilogy” that includes Park’s Oldboy and Lady Vengeance, Sympathy is surely going to gain some late momentum as curious fans of Oldboy start digging beneath its surface and find this 2002 film.

Synopsis

Courtney Cox is a photography instructor struggling to put her life back together. A month earlier, on November 7, her boyfriend (James Le Gros) was gunned down during a convenience store robbery. Cox is unable to move on, and is suffering from crippling headaches. One day, a mysterious slide shows up in her carousel: it is a photograph of the exterior of the store during the actual robbery. Cox brings the picture to the attention of the police, hoping they might track down the photographer....They do. And then...

Stargate is something of a cult phenomenon among sci-fi buffs. It is so popular, in fact, that it produced not one, but three spin-off TV shows. It is amazing that the big business of the Stargate franchise started with a quirky little film. Now there are some big fans of this movie that will surely have strong words of disagreement for me, but this is really not a very good film. The premise alone is enough to make most moviegoers roll their eyes. An Egyptian historian cracks an ancient code on a strange artifact, and discovers a method by which to travel to the other side of the universe. Accompanied by token military-types, the whole crew jets off to a strange and distant land, where they find an alien slave camp run by an Egyptian god and... oh, what's the point. This is all really just the stuff of a 16-year-old geek writing stories in his parents' basement. The real story here is that, for some completely unexplainable reason, the movie actually kind-of works in an odd action adventure sort of way. If viewers can suspend belief and go into this with low expectations, you might find an exciting flick to fill an afternoon.

For those that wish the story in this action thrill ride made more sense, this disc includes the extended cut of the film, though unfortunately this cut extends the film by only five additional minutes. Still, with a film like this one, every little bit helps.