Posted in: Disc Reviews by Archive Authors on September 20th, 2005
The great thing about DVDs produced under the Criterion moniker is that they can't really be compared to much else. Usually, I can just whip out a peppy little monologue about the film I have just watched, but Criterion always makes things a bit more difficult... which is great for film fans that have seen it all before.
Naked is, of course, no different. There is no easy summation for this piece of art, which won awards for Best Actor and Best Director at the 1993 Cannes Film Festival. This is ... simply fantastic dark comedy, filled with superb performances and brilliantly witty dialog. While many American audiences live and die by the easy-to-follow plot, this is more of a collection of character studies, with Johnny (played by David Thewlis) serving as the tour guide. Microcosms of relationships, criminal minds, malicious intent and the curse of intelligence are all explored here, in a film that may severely expand the viewer's beliefs about those that live on the fringe of society, and their own lives.
Posted in: Disc Reviews by Archive Authors on September 20th, 2005
Synopsis
In the rural south of the 1930s, a black man is charged with the rape and beating of a white woman. Defending him is Atticus Finch (Gregory Peck), and the events surrounding the case are seen through the eyes of Finch’s two children. The film is thus just as much about children’s fears (embodied by Boo Rradley [Robert Duvall], the boogeyman next door) and perceptions of the world as it is about race and unequal justice.
Posted in: Disc Reviews by Archive Authors on September 19th, 2005
Synopsis
Robert Redford is a small-time con man who swindles a runner working for big-time gangster Robert Shaw. When Redford’s partner is killed in retribution, Redford swears revenge, and hooks up with Paul Newman, a veteran at the con game who has fallen on hard times. They put together a veritable army of operators, determined to bring Shaw to his knees in the ultimate con.
Posted in: Disc Reviews by Archive Authors on September 19th, 2005
Synopsis
A young boy murders his mother’s abusive lover while his little sister watches the act in a mirror. Years later, the siblings are grown up. The brother is mute, and the sister (Susanna Love) is haunted by nightmares of that night. Seeking to purge the past, she revisits her old home, and sees the lover in the mirror. In terror, she smashes the mirror, thus unleashing the evil contained therein. Wherever fragments of the mirror show up, terrible deaths occur.
Posted in: Disc Reviews by David Annandale on September 17th, 2005
Synopsis
Seth Brundle (David Goldblum) is on the cusp of perfecting an functioning teleporter, a device that will transform the world. Eager to share his creation with someone, he strikes up an acquaintance with science journalist Geena Davis. She is initially skeptical, but is soon converted, and as the work progresses, the two fall in love. Then, in a fit of misplaced jealousy (he believes that Davis is seeing ex-boyfriend John Goetz), Goldblum teleports while drunk, not knowing a fly is also in th... machine with him. Their DNA is fused, and the man slowly starts transforming into a fly, his relationship and his identity crumbling along with his flesh.
Posted in: Disc Reviews by Archive Authors on September 16th, 2005
Fever Pitch is an American-ized version of the Nick Hornby novel and subsequent British Film. American-ized usually means “watered downâ€, and there’s no doubt a lot of the bite from the original source material is missing. But I am a big fan of the movies High Fidelity and About a Boy. Instead of soccer, the protagonist’s obsession, in this Fever Pitch is baseball (in particular the Red Sox). This obsession gets in the way of having healthy relationships. I think the change of...sport still works; pitch is an apt baseball term. And the correlation between heartbreak in love and heartbreak in Red Sox fans is also relevant. But how is the movie?
Well, the movie is directed by the Farrelly Brothers. So there’s the typical physical and gross out humor one might expect from the fraternal duo. But this is a more, shall we say, “mature†work? The Farrelly’s are really subdued here (sometimes bordering on tepid). Shallow Hal this ain’t. But the material doesn’t lend itself to their hi-jinks. Jimmy Fallon and Drew Barrymore are the stars of this truthful romantic comedy. After the embarrassing Taxi, Fallon shows some range here. Barrymore also surprises with the degree of emotional truth in some scenes. The movie gains steam as it goes along, much like a baseball season, and the combination of smarts and schmaltz (from veteran writers Lowell Ganz and Babaloo Mandel) did win me over in the end. And I’m a Red Sox fan.
Posted in: Disc Reviews by Archive Authors on September 15th, 2005
The classics become the classics for a reason. True, this may be a collection of classic cartoons, but they are classics all the same. This disc contains four different cartoons that introduce children to the stories of “The Ugly Duckling”, “Ferdinand the Bull”, “The Country Cousin” and “The Wind in the Willows”. Parents can rest easy by putting their children in front of something like this for an hour, as children will not only be be entertained, but they will learn a little something along the way as well. These s...orts are from the golden age of Disney animation, back when everything was drawn by hand, and the true creative artists practiced their craft. This is animation as an art form.
Audio
Posted in: Disc Reviews by Archive Authors on September 14th, 2005
Synopsis
Val Kilmer is found, shot in the head and near death, outside the middle-of-nowhere desert town of Blackpoint. When he comes to in the hospital, he has total amnesia. But as flashes of his memory return, he becomes convinced that an attempt will be made to kill the President. No one believes him, including Neve Campbell, who shows up claiming to be his fiancee. No one, that is, except perhaps Sheriff Sam Shepard, who wonders if there might not be something to this man’s beliefs after all.
Posted in: Disc Reviews by Archive Authors on September 14th, 2005
I am a foreign film fan, so I was quite excited to find this disc in my queue of DVDs to review. From the cover, this looked like just the kind of thing that I typically enjoy. Unfortunately, as the saying goes, you shouldn't judge a DVD by it's cover... or something like that. The plot of this film sounds reasonable enough; a couple of documentary filmmakers set out on a quest to try to find out what happened to a beautiful missing girl. Now, this is not a film shot in a “mocumentary” style, it is just a fictional f...lm that happens to feature documentary filmmakers.
Only it's not, really. This is a film that seems to be suffering from multiple personality syndrome. On the one hand, it presents itself as a movie about the filmmakers' search for the truth. On the other hand, so much of the film includes scenes presented “flashback style”, that the segments with the documentarians are the ones that seem out of place. This is a story that would have worked much better if it had followed a more basic storytelling style, instead of dragging extraneous characters into the mix.
Posted in: Disc Reviews by Archive Authors on September 14th, 2005
Synopsis
There was a huge amount of anticipation over the American adaptation of the British sitcom hit of the same name. The original version, with Ricky Gervais as the office manager David Brent, won a series of Emmy equivalents in England and Gervais even won a Golden Globe for his work on the show. And with Steve Carell (Anchorman) appearing in the American version as Brent’s counterpart, expectations were high from more than a few people.
