Genre

I can only imagine what it might have been like to be a child during the heyday of Disney’s live films division. Going to see The Parent Trap or Mary Poppins as a young girl must really have been exciting. Experiencing Pete’s Dragon or Chitty Chitty Bang Bang in the theater must have been a thrill for young lads.

Unfortunately, Disney has not lived up to those high standards in its later days. Part of the wonder of those films was that they were not children’s films, as much as s...andard feature films that were easily accessible to children. While there is nothing wrong with films such as Angels in the Outfield, The Mighty Ducks or George of the Jungle, they just don’t have the same classic quality that the older Disney films had. The genre grew into a direction that made these modern films a little more sterile, and a little lower quality than your average Hollywood production.

MGM keeps rolling out the Best Picture award winners. A few weeks ago it was Mutiny on the Bounty, this time it’s The Great Ziegfeld . I think Ziegfeld belongs in the category of those Best Picture winners that aren’t necessarily the best films for that year (Driving Miss Daisy?? C’mon). I actually prefer Frank Capra’s Mr. Deeds Goes to Town and Gregory La Cava’s seminal screwball comedy My Man Godfrey (starring Ziegfeld’s own William Powell). The Great Ziegfeld al...o picked up Best Actress for Luise Rainer. She has excellent presence, some nice moments (the phone call scene, most famously), and those eyes. But for my money, I would’ve given it to Carole Lombard for My Man Godfrey. The Academy has always been a sucker for Big Emotion, and Rainer gives the audience spoonfuls of it. But then there are the well deserved Oscar Winning dance sequences by Seymour Felix.

The story follows the rise and fall of Flo Ziegfeld, broadway producer extraordinaire. We see the highs of lows of Ziegfeld’s life in “biz” and in love. It’s a Hollywood bio-pic, so you know some events will be glossed over. And the clichéd ending is, of course, completely ridiculous. But Powell’s portrayal of Ziggy tries to reflect some of the flaws in this “diamond” of a man. It’s a nice well rounded performance. If you enjoy his work, check out Criterion’s excellent DVD presentation of My Man Godfrey. And there are the Thin Man films, of course.

MTV is getting used to productions about provocative love affairs. Just look at Justin Timberlake and Janet Jackson at this year’s MTV produced Super Bowl. So in their production of a modern updating of Emily Bronte’s novel “Wuthering Heights”, MTV throws in everything but the nipple.

“Wuthering Heights” is a benchmark of Gothic Romantic literature. It tells the tale of a doomed and frenzied love between the two protagonists, Heathcliff and Cathy. “Wuthering Heights” has been adapted for film and tel...vision umpteen times, in different styles and different languages. The most notable adaptation is probably the first in 1939, with Larry Olivier and Merle Oberon in the title roles.

Ah….Armand Assante…what happened to your career. You were so brilliant in Sidney Lumet’s Q & A (rent it, people). I guess things happen. You have bills to pay. A family to raise.

Consequence is a made for cable HBO film. The opening voice-over, in classic film noir tradition, sets the table for a lurid crime melodrama. Unfortunately, Assante’s awkward southern accent makes the voice over, like the film itself, a bit off putting. The story involves a dentist (Armand Assante) who decides...to start a new life by impersonating his long dead brother. Facial surgery and dental records all come into play here. There are other plot twists involving money, double crossings, mistaken identities, and murder. Oh and there’s a “dangerous woman”, played with forced sensuality by Lola Glaudini. Rick Schroder also comes along for the ride, as the corrupt “best friend” (when is Silver Spoons – Season One coming out on DVD by the way).