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Most fans of the NBA have strong feelings about Allen Iverson. While some feel that he his the most dominant player in the game today, others feel that he is selfish, a player who is more concerned with his own numbers than the welfare of his team. Iverson is usually embroiled in some sort of controversy, and I suspect that he likes it that way. While it is true that his rough image is probably not what the NBA has in mind as a league player, his talent simply cannot be denied.

This hour-long documentary ha... really swayed my opinion of Iverson. I admit, I didn’t really know a lot about him before viewing this piece, except for the fact that he was constantly in some sort of trouble either with the law or with the NBA. This feature, while clearly shining the most positive light on every situation, does a good job of helping to explain his troubles both on the court and off. This is a player who knows that he has made mistakes in the past, and who is willing to do whatever it takes to be a winner in the future.

This is not your father's cop show. Even if you’re father watches NYPD Blue.

The Shield may just be the show that puts F/X on the map, if it can stay on the air long enough to do so. This is a series that pushes all the boundaries. It features a level of adult language that is comparable only to South Park, fleeting nudity that rivals that of the previously mentioned NYPD Blue, and violence levels never before seen on a network television series. The weekly plots also push the li...its, with the main character being a crooked cop that is happy to get the bad guys off of the street… as long as it serves his best interests.

The League of Extraordinary Gentlemen (LXG) might best be described as a Movie of Bizarre Moments. Attempting to blend Gothic Batman imagery with an Indiana Jones cast, director Stephen Norrington shows his relative newness to directing. The film is at times awkward and unbalanced, but overall entertaining and visually impressive enough to justify watching.

The Plot: The story of LXG is an interesting one. A band of miscellaneous folk hero’s and mythological urban characters are brought together to f...rm a “Special Forces” commando squad for turn of the century (that is the prior century – 1899) Britain. Their task – prevent the warmongering terrorist activities of the mysterious villain “The Fantom.” Apparently this is all based on a comic book from some number of years ago, and you have to approach the movie ready to acknowledge that it is a fantasy in a more aggressive sense than in Indiana Jones – the laws of physics, the technologies employed, and the existence of some of the characters have to be taken as they are. This plot is Mission Impossible style over-the-top, and by end I was ready for a break from last minute twists.

Law and Order was never really driven by the actors and their roles. The “ripped from the headlines” stories, along with a decision to avoid the relationship clutter of most cop shows, was the defining edge. Note that not one actor or character from the original series’ first season remains. Criminal Intent is vastly different. Dick Wolf readily admits that the third Law and Order series was intended as a modern day Sherlock Holmes. Vincent D’Onofrio was enticed away from a successful film career by the opportunity to create a unique character. The detail and quirks of his Detective Goren make this a compelling show to watch. Never before in TV has there been such a complicated character, at least not in a primetime drama. If D’Onofrio decides to call it quits, Criminal Intent will not survive as its sister shows have.

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Ben Franklin once said that two things one should never see being made are sausages and laws. So far there haven’t been any pilots occurring in a meat factory. Politics aside, Aaron Sorkin has created a first-rate TV show. The real success here is the casting. I’ve always preached to whoever would listen that its character chemistry that makes for good drama. Star Trek was successful not because of the f/x. The character triumvirate of Kirk, Spock, and McCoy was everything. Sorkin appears to know that lesson. The actors chosen for this show feel like they really have been together for years from the very first episode. Martin Sheen seems to be having the time of his life in what many actors would view as a demotion. As a high school government teacher, I was always impressed with the way subtle facts about American government were blended into the show. It was downright educational at times. The writing is the other star of this powerful drama. It amazes me that a couple of actors walking down halls could be so damn interesting. Truth be told, The West Wing has drifted from its wonderful roots in the last two years. This first year was some of the most compelling TV ever.

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Tim Allan is back as Santa Clause, and this time he is on a mission… to find a wife. The Santa Clause 2 is a good family Christmas tale, and though it is not as effective as its predecessor, it still has Christmas charm and a number of cute scenes. The story is a little flawed, and many scenes rely on childish antics to survive, but those elements add to the family-friendly nature of the film.

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