Suspense / Thriller

Nicolas Cage and Laura Dern are the last-word in star-crossed lovers. Pursued by theminions of Dern’s psychopathic mother Diane Ladd, they engage in a nightmarishly picaresquejourney across the American south, encountering one grotesque after another (most memorablyWillem Dafoe’s deeply creepy Bobby Peru). The over-the-top sex and violence is held togetherby a narrative that is a dark remake of The Wizard of Oz.

This was David Lynch’s follow-up to Blue Vel...et, and with this he earned a Palmed’Or at the Cannes Film Festival. It is filled with memorable characters and scenes, but thelunatic humour prevents the movie from being as intense as its predecessor. For that matter, Ifind Lost Highway a more satisfyingly committed descent into weird nightmare (though Iacknowledge being in a minority on this). Nonetheless, flaws aside, this is spectacularfilmmaking.

Synopsis

William Baldwin is the leader of a group of friends in New York’s Hell’s Kitchen area. Theyare all on the periphery of the crime world, and the local kingpin is Armand Assante (with a mostsinister scar on his cheek). Two of the five become involved in a scheme that has them passingincompetently counterfeited hundred-dollar bills, and Assante demands their lives. Baldwininvestigates the death of one of them, and gradually realizes the depth of the betrayal.

Synopsis

Let’s start with the two biggest titles in the collection, which have a life outside thiscollection. North by Northwest is arguably Hitchcock’s greatest exercise in sheer roller-coaster thriller entertainment. As in so many of the director’s films, an insane chain of eventsis set in motion by the smallest of actions, in this case Cary Grant signalling a bell boy just asthe latter is calling out a name. Grant is thus misidentified by the villains, and he is suddenlyrunning fo... his life with no idea why people are trying to kill him. The crop-duster scene is oneof the most famous in all of Hitchcock’s oeuvre.

Duel was the first “ made for television” movie directed by Steven Spielberg. This thriller could best be described as a cross between the Rutger Hauer classic, “ The Hitcher,” and the Steven King inspired “Maximum Overdrive.” Dennis Weaver plays David Mann, a salesman on his way home from a cross state trip. During his return, he passes a rusted out old gasoline truck on the highway without giving it much thought. As the film unfolds, the truck begins to pursue him and initially just appears to annoy him on the r...ad, however, by the end of the first thirty minutes of the film, the truck driver has made an attempt on Mann’s life.

The pace and intensity of the film increases as it moves on with a total of 3 serious attempts on Mann’s life. Dennis Weaver does a fantastic job portraying a normal guy who comes to the startling realization that his survival can only come at the cost of his pursuer’s life. The anxiety and paranoia are visceral in his performance, particularly the scene in the lounge where he tries to identify his pursuer. Spielberg does a masterful job of increasing the intensity using very basic techniques – lots of first person perspective and quick cuts during the chase scenes. The most effective tool used in the film was the fact that he never reveals the identity of the truck driver – the truck itself is the bad guy (very reminiscent of “Maximum Overdrive” without the cool Green Goblin face on the front).