Posted in: Disc Reviews by David Annandale on July 16th, 2003
Synopsis
Marina Sudina is Billy Hughes, a make-up artist on an American film being shot in Moscow.She is also mute. Accidentally locked in the studio after hours, and unable to call for someoneto let her out, Sudina stumbles upon the making of a snuff movie. Pursued by the murderers, sheescapes, but her problems are only beginning. The snuff-makers are highly connected, andSudina soon doesn’t know whom to trust. The heroine’s muteness is deployed for maximumsuspense, and the first h...
Posted in: Disc Reviews by David Annandale on July 16th, 2003
Synopsis
Amy Locane thinks she has found her soulmate in William McNamara, but in reality he issimply using her in a complicated kidnapping scheme. He fools her into believing that she isbabysitting a young girl, when in fact she is the unwitting accomplice of the kidnapping. Howwill she escape and save the child without running afoul of the police herself? Though blessedwith some stylish (if derivative) flourishes, the film is sunk by flat performances and the jaw-dropping banality...
Posted in: Disc Reviews by David Annandale on July 4th, 2003
Synopsis
Drugged-out, hyper-aggressive street punk Nikita (Anne Parillaud) is recruited (whether shelikes it or not) by a top-secret government agency. The first act of the film sees her rebelliousnature gradually being channelled by Tcheky Karyo, and Nikita becomes a glamorous assassin.The action scenes are terrific (so much so that John Badham replicated them shot-for-shot in theremake Point of No Return), and the flick, as with all Besson pictures, has style to burn. I’venever be...
Posted in: Disc Reviews by Gino Sassani on July 4th, 2003
Synopsis
We are in the last five days before the Rodney King verdict will set LA on fire. Movingthrough the mean streets is one mean cop -- Eldon Perry (Kurt Russell). Perry is very much avintage Ellroy character: hard, mean, utterly corrupt, but still possessing the glimmerings of asoul. He is contrasted by his younger partner Scott Peedman, who still has ideals and wants tobe a good cop, and his boss Brendan Gleeson, who is a complete monster in the Dudley Smithmould. Investigatin...
Posted in: Disc Reviews by Archive Authors on July 3rd, 2003
Synopsis
Nick Tellis (Jason Patrick) is an undercover narcotics officer who is placed on suspension after a shootout with a dealer gone very wrong. He is brought back to active duty to shadow another officer who might have had something to do with the death of his partner.
Henry Oak (Ray Liotta) is a short tempered renegade cop intent to find out who killed his partner. AS they start to dig deeper into the life of Oak’s partner we find that things are not as they may seem. We see some intere...
Posted in: Disc Reviews by David Annandale on July 3rd, 2003
A Ranger training exercise goes horribly wrong. The instructor (Samuel L. Jackson) and halfthe cadets are missing. There are two survivors. One is injured, and the other was seen engagedin a firefight with one of the other cadets. Investigating are Connie Nielsen and John Travolta,who bounce back and forth between the two survivors as the stories they tell keep changing,Rashomon-style. The twists pile upon twists, and so few are motivated by anything in the storythat audience good will is soon exhausted, despite the decent atmosphere and performances.
Posted in: Disc Reviews by Archive Authors on July 2nd, 2003
Film
To film fans, the clause “Directed by Alfred Hitchcock” has almost become an adjective in and of itself. It has come to mean suspense created by using the viewer’s imagination and mind as a part of the film, first and foremost. These films didn’t have the freedom of CG, and consequently had to invent ways to achieve visual effects (Watch the documentary on Birds or Rear Window for example). Besides the lack of freedom of creation that digital filmmaking now provides, the filmmak...
Posted in: Disc Reviews by Gino Sassani on June 26th, 2003
Synopsis
Humphrey Bogart leads a trio of cons who have violently broken out of prison. On the run,they randomly select a suburban house in which to hole up and take hostages. This happens to bethe home of Fredric March, and a tense battle of wits and wills ensue. March’s dilemma issimple: if the police show up, Bogart will make sure his family dies. But if he doesn’t get help,what guarantee does he have that Bogart won’t kill them all anyway? Though film adaptations ofplays are ofte...
Posted in: Disc Reviews by David Annandale on June 21st, 2003
A serial arsonists is terrorizing the Los Angeles area. Investigating are veteran John Orr (Ray Liotta) and his junior partner Keith Lang (John Leguizamo). Before long, it appears that the arsonist is actually a fireman. The synopsis on the case implies that the film is a mystery: whois the arsonist, Liotta or Leguizamo? In fact, this isn’t really a mystery, since the film is based on a well-publicized case, and when was the last time Liotta didn’t play a weasel? In fact, Liotta becomes the prime suspect quite early on, and we see both his double life and the tightening net.
Posted in: Disc Reviews by Archive Authors on June 15th, 2003
Synopsis
A knock on your door in the middle of the night can change your life forever for Kathryn Lyons this knock comes after her husband’s plane crashes off the coast of Ireland. As the investigation starts to piece together that there was an explosion on board and that her husband may have had something to do with it here perfect life starts to unravel. As she starts to look into her husbands life in an attempt to clear his name she starts to discover that she really did not know her husband at al...
