Television

The Alvin Collection is another group of episodes of The Chipmunks from their popular Saturday Morning series, Alvin And The Chipmunks. The shorts are not theme related as some of the other recent sets have been. The stories range from the film inspired Romancing Miss Stone to the globe trotting episodes like Maids In Japan or The Curse Of The Lontiki. They aired originally between 1983 and 1987, but many of them have sprung up in syndication up to the present day. There are 14 episodes in all, lasting a little over 20 minutes each.

 

Duckman began life as an underground comic created by Everett Peck. It gathered to itself quite a cult following, and like all such things caught the attention of Hollywood. The USA Network took a chance on the quirky property and cast Seinfeld’s Jason Alexander to voice the crude character. And so Duckman’s wife was killed, and he was forced to rent his own house from his sister-in-law who was left the estate by Duckman’s wife. His life pretty much sucked. Not only was he renting in his own house, but he was also living with his overbearing sister-in-law and his grandma, who basically just sat around and farted all day long. Duckman considered himself an ace private detective and ran an agency with his partner, Cornfed. Cornfed was voiced by Gregg Berger and was a Jack Webb Sgt. Friday clone. He was the actual brains behind the partnership. Crimes either got solved because Cornfed solved them or Duckman literally stumbled into the answer.His conscience would be found in two talking teddy bears he kept at the office, Fluffy and Uranus. Like Kenny on South Park, the bears would often meet grisly demises, only to return again in the next episode as if nothing at all had happened. Women, particularly damsels in distress, were often depicted as large breasted and somewhat dimwitted. Most of the humor was decidedly adult. It was not a cartoon intended for children.

 

It’s unfortunate that the writers’ strike interrupted the second season of Brothers & Sisters. I was looking forward to finding out if the writers were going to live up to the amazing on camera talent they had speaking their words. What I found was pretty much more of the same, and a quickly eroding patience with the series. I guess the writers had a little more on their mind this year. More’s the pity.

 

I've got this great idea for a new show: it's about a group of people stranded on a mysterious island after a plane crash. I'll call it Where Are We? It's gonna be the biggest ratings hit ever for whichever network is lucky enough to lavishly reward my creative genius.

On the other hand, it might seem like a complete ripoff of Lost, a rehash, old news that will never live up to the glory of the original. You know, like Cashmere Mafia, the Lucy Liu vehicle modeled gene-by-gene on HBO's mega-hit Sex and the City. It might only last seven episodes before it's axed. Now on DVD for the first time, Cashmere Mafia: The Complete Series is further proof that the entertainment industry is all out of fresh ideas.

The Chipmunks began life oddly enough as a singing group, of sorts. They were the brainchild of struggling songwriter Ross Bagdasarian and were named after the three chief executives at Liberty records. His own alter ego David Seville’s name came from his World War II Army station in Spain. The Chipmunks first appeared in a 1958 record called The Witch Doctor, but wouldn’t officially become The Chipmunks until later that year when The Chipmunks Christmas Song was released. It is for that Christmas music that I most remember the group. They first appeared as puppets on The Ed Sullivan Show. Alvin and the boys got their own television show in 1961. When Ross died in 1972, the Chipmunks would continue on under the guidance of his son. In 1983 The Chipmunks had yet another popular cartoon show and had appeared in countless specials and films. Today they are pretty much a hallmark at the holidays, and a Christmas song collection just wouldn’t be complete without them.

 

There are some significant changes in season 4. The interns now have interns of their own. It’s actually a little fresh to see them struggle with circumstances we only recently watched them deal with from the other perspective. All except George, who is forced to repeat after blowing off his final exam to help Izzie. There are also many cast changes. Gone are Washington and the baggage he carried with his gay bashing slur. Also gone is Kate Walsh, as her character has moved on to her own spin-off, Private Practice. There were also 3 major additions to the cast. To replace Washington, Brooke Smith has come on to play new head cardiologist Dr. Hahn. Smith plays a rather abrasive character who has it in for Yang. She believes Yang has gotten her mentors’ attention by sleeping with them in the past. She spends a lot of the season going out of her way to make Yang’s life miserable. Chyler Leigh joins the show as new intern and Meredith’s half sister Lexie. Meredith isn’t really thrilled with her half sister and tries to ignore her attempts to get to know her. Leigh adds a great deal of energy in her performance and instantly becomes a standout. Finally, Lauren Stamile plays Nurse Rose, who becomes Shepherd’s next love interest.

 

 

Medium was based on a real person with alleged psychic powers who apparently has helped out various law enforcement agencies in some actual cases. If you’ve seen the series, you might find that hard to believe, and the episodes are obviously fictional adventures and not based on the real Allison Dubois’s experiences. At first glance it might be easy to lump Medium in with Ghost Whisperer or The Dead Zone. Actually there are almost no similarities to any of those shows. Allison does not gain any understanding through touching, and while she does see ghosts at times, that aspect of the show has been made to play in only a small percentage of the episodes. Allison accesses her powers through dreams. These nightmares are usually vague and often provide additional clues with each recurring dream. The formula for the show is that she must interpret these images and signs in time to do whatever it is she needs to do. Now that her secret is out, she’s not able to continue her work at the DA’s office. Joe’s career is also in jeopardy, so the show is going through some changes here. The strike likely did some damage, so we may never know exactly what was in store.

I love CSI and have been an avid fan from day one. I think it brought a fresh look to the procedural crime dramas that have long ago become just a little stale and predictable. The problem is that the series has gone the Dick Wolf route of branching out so that the final product might be a little diluted. Unlike the Law & Order franchise, each version of CSI has attempted to take on a unique look and style to reflect the location without giving up those elements which are the tradition of the series. CSI: Miami is by far the inferior of these three shows. In trying to create a slick glitzy Miami feel, the show has gone the way of style over substance. While the oversaturated colors and bright locations might make for a more visually stunning series, it tends here to overshadow the meat and potatoes of CSI, the stories. I get the impression that the show wants badly to recreate the Miami Vice accomplishment of trend setting fashion and style. Those days are long gone, and CSI has an entirely contrary mission that is weakened weekly by this overboard attempt to look good. The show is also beginning to adopt the 24 style of multi frames for no other reason than they think it looks cool. The show doesn’t respect the audience enough to believe they will buy into the series without all of these high tech distractions. It’s a shame, really, because I had higher hopes for this version of CSI, as I happen to live in Florida. Unfortunately most of CSI: Miami is shot in L.A. with the exception of a few overused establishing shots. Let me tell you, L.A. doesn’t look anything like Miami. Perhaps the show should consider dropping all of the fake glitz and move to location where they can take advantage of the city in a far more realistic way.

 

Wings was one of those unusual sitcoms that depended more on the characters than the situations they were in. While the setting was a small Nantucket airline owned by two brothers, most of the episodes had very little to do with flying. Rather, the writers populated this small airline with very distinctive personalities and let these interactions be fodder for the funny. The characters were played by more than competent actors, many of whom have proven themselves beyond this quaint sitcom. Timothy Daly played Joe Hackett, the older, more responsible brother who was often the show’s straight man. His rather adolescent sibling Brian was played by Steven Weber. I wouldn’t exactly say this was Oscar Madison and Felix Unger, but their conflicts over maturity fueled the characters. The airline’s love interest was Helen Chappel, played by Crystal Bernard. She was an aspiring symphony cellist who worked the airport’s lunch counter. For much of the show’s run she had an on again off again romance with Joe. By far the most animated character was mechanic Lowell Mather, played by Thomas Haden Church. It’s still amazing to me that this rather unintelligent character was played by the same guy who brought us Sandman in the latest Spider-Man film. Finally there was cabbie Antonio Scarpacci, played by the current Adrian Monk, Tony Shalhoub. Antonio is an Italian immigrant who has trouble understanding things most of the time, leading to some of the better moments in the series. Fay, played by Rebecca Shull, is the mothering member of the cast. And Roy Biggins (Schram) runs the rival airline and is often engaged in one underhanded scheme or another.

I’m going to admit from the beginning that I had a lot of trepidation going into watching Desperate Housewives. I’ve never seen the show on broadcast television, and frankly don’t know anybody who’s a big fan. The closest I ever got to any of this was the famous T.O. Monday Night Football towel incident that featured the woman from the show lusting after Owens while he was with the Philadelphia Eagles. And like Owens’ tenure with the team, Desperate Housewives was just one of those things I figured we just didn’t talk about. Certainly I’ve seen the hype, and believe, me I’m well aware of the show’s popularity. But I admit to dismissing it as something of a trendy phenomenon and more or less a “chick” show. Now that I’ve finally seen the show I guess I can see what the hype is all about, but my opinion hasn’t changed much. I still think it’s a “chick” show. Not that there’s anything wrong with that.