Posted in: Disc Reviews by Archive Authors on November 25th, 2006
Synopsis
The concept of JAG is pretty simple, I mean, it’s A Few Good Men on the small screen, using sets and footage from other recent armed forces films and hopefully enough pretty people that viewers will enjoy it. However, that wasn’t the case initially, but JAG is one of those shows that helps prove how sometimes you’ve got to give enough time for people to catch onto it before it takes hold.
Posted in: Disc Reviews by Archive Authors on November 22nd, 2006
I thought Pen & Teller were magician-comedians. When did they get a T.V. show? Call me out of touch, but I hadn�t heard of Pen & Teller: Bullsh*t! until this third season set was sent my way to review.
Obviously, I�m in no position to make comments like, �season three of Bullsh*t! (for short) is by far the best yet.� I can say it�s the finest season of Bullsh*t! I�ve ever seen in my entire life, but that means jack-all since I�ve already explained that it�s the only season of Bullsh*t! I�ve watched.
Posted in: Disc Reviews by Archive Authors on November 22nd, 2006
I thought Pen & Teller were magician-comedians. When did they get a T.V. show? Call me out of touch, but I hadn�t heard of Pen & Teller: Bullsh*t! until this third season set was sent my way to review.
Obviously, I�m in no position to make comments like, �season three of Bullsh*t! (for short) is by far the best yet.� I can say it�s the finest season of Bullsh*t! I�ve ever seen in my entire life, but that means jack-all since I�ve already explained that it�s the only season of Bullsh*t! I�ve watched.
Posted in: Disc Reviews by Gino Sassani on November 17th, 2006
The more things change, the more they stay the same. Season 5 of CSI saw really the first shake-up of any kind on this CBS anchor series. While there weren’t any serious cast changes, the team was split up. It’s apparent that idea didn’t work out very well. Modest ratings decline and vocal dissatisfaction from the internet fans and even many of the cast members were heard loud and clear. Now Season 6 brings the team back together again. It doesn’t take long for the old team chemistry to remix, and CSI returns to th...t comfort zone it has ridden for so many years. That comfort zone doesn’t necessarily mean same old stuff. The two-parter Bullets In Motion is one of the most action packed episodes of CSI ever. With an opening like Saving Private Ryan, the bullets are flying and the sirens are wailing. In the aftermath of this gang shootout with the cops, we have a dead cop and a lot of evidence to sift through. Fortunately for them, and us, the old crew’s back together and on the case.
There are some very nice moments in Season 6 to look for. Faye Dunaway stars as the corpse of the week in Kiss Kiss Bye Bye. This is also a good episode for the often underused Greg character. Werewolves is an amusing episode with some great moments for another underused character: David Berman’s Dr. Phillips. Even your Thanksgiving dinner will never look the same again after Dog Eat Dog. Fortunately you don’t need to use your imagination to figure this one out.
Posted in: Disc Reviews by Archive Authors on November 17th, 2006
Synopsis
I’m not even going to try to summarize this, as that would mean pretending I had the faintest idea what was going on, and who was who. I know, I know, I’m revealing my cultural deprivation – I haven’t been following the series. What I will say, though, is that even with that ignorance, the quality of this chronicle of the ups and downs of a New Jersey mob’s lives, loves and deaths, is undeniable. But then, you knew that, or you wouldn’t be reading this. Do note, of course, that this is only ...art 1 of the season, so you’ll be looking at the best part of 200 smackers for the whole thing when it becomes available. Ouch. But what superb work.
Posted in: Disc Reviews by Archive Authors on November 15th, 2006
Written By Jeff Mardo
The final season of Lois and Clark: The New Adventures of Superman has finally hit store shelves, and it couldn't have come at a better time for the franchise. The Big Red S is everywhere these days, between a new feature film that is coming soon to DVD, a boxed-set re-release of all the Christopher Reeve-era films and an all new video game, the hero seems to be everywhere. It's only fitting that the final season of the modern series should be hitting the streets as well.
Posted in: Disc Reviews by Archive Authors on November 15th, 2006
Written By Jeff Mardo
The final season of Lois and Clark: The New Adventures of Superman has finally hit store shelves, and it couldn't have come at a better time for the franchise. The Big Red S is everywhere these days, between a new feature film that is coming soon to DVD, a boxed-set re-release of all the Christopher Reeve-era films and an all new video game, the hero seems to be everywhere. It's only fitting that the final season of the modern series should be hitting the streets as well.
Posted in: Disc Reviews by Gino Sassani on November 10th, 2006
In the wake of cable television’s recent success in the horror anthology genre, TNT brings us 8 tales from the mind and pen of Stephen King. Showtime’s hugely popular Masters of Horror series set a high standard while proving that this time-honored method of storytelling could survive. Cable’s unique ability to circumvent many of the censorship problems that plague network television puts them at a distinct advantage. Here it’s easier to tell compelling stories, with limitations, for the most part, only in the imag...nation of the story teller himself. And oh, what an imagination to cultivate, that of Stephen King. In his garden some of our most frightening nightmares are tended like the fragile leaves of a new basil plant. Here our fears are planted in fertile ground indeed, as fertile as graveyard dirt. These stories are what set apart this series from the many that have come and gone before. Most of the stories carry a feel very much like the 1990’s Outer Limits episodes we saw on Showtime a decade or so ago. You can almost hear the controller’s voice delivering a sober moral as each piece fades away. There are 8 episodes, each about 45-50 minutes spread out over 3 discs.
Disc 1
“Battleground” The teleplay is by Richard Christian Matheson, son of the great Richard Matheson who brought us many Twilight Zone adventures as well as “I Am Legend”, basis for a third version starring Will Smith, coming soon. The father also wrote the teleplay for the famous “Prey” segment of Trilogy Of Terror. This story is very much an almost remake of that episode. The story is unique in several ways. The most obvious is that there is no dialogue in the entire hour. I found it slowed the story down quite a bit, particularly in the overlong setup. Here William Hurt plays an assassin who slowly breaks into the headquarters of Morris Toys, where he apparently was hired to kill Morris, the owner. He commits his dirty deed and steals a music box dancer as a souvenir. Back at his plush penthouse apartment, we see he has collected many of these trophies over the years. In Battleground, we find that payback’s a bitch. A mysterious package arrives by carrier. Inside is a chest full of plastic army men and play equipment. These guys are pretty much like the versions we all had as kids. The toy regiment comes complete with choppers and jeeps as well as a “surprise item”. Our killer’s apartment becomes the titular Battleground when the toys come to life and terrorize the man. The f/x here are simply amazing as the toys wage a war with our gunman. There are even shades of another King classic, “The Ledge” from the Cat’s Eye collection here. After that slow start, things move at a brisk pace now that the battle is on. The Zuni Doll from the original Trilogy Of Terror episode also makes a cameo in this story. It acts as a nice moment of foreshadowing. Hurt has to carry the story, at least until the real action kicks in. You’ve just got to have some patience and it will finally be paid off.
Posted in: Disc Reviews by Gino Sassani on November 9th, 2006
Ultraman is a huge part of Japanese culture and pretty much has been since the original live action show in 1966. Perhaps Godzilla started the ball rolling, but Ultraman brought us these monsters on a regular basis. In Japan, Ultraman is like our Superman. He’s an iconic hero and a huge part of the pop culture. Since the 60’s he has appeared in many forms, most of them animated. But it is this 1966 series that made a ton of us kids fall in love with him and an entire genre. Yes, there were many from the era: Space ...iants featured a giant fighting robot who fought monsters sometimes converted into a spaceship (yes, before transformers were ever thought of); Johnny Socko had his giant robot; and the list goes on. But it was Ultraman that started it. Eiji Tsuburaya, who created the original Godzilla, formed a new company outside of Toho Pictures. Ultraman was pretty much the first thing out of the new shop.
Ultraman was a space being who was chasing an escaped monster. When his spacecraft collided with that of Science Patrol Officer Hayata, he inadvertently killed the young man. To make up for his mistake and also offer Earth a way to fight the endless row of monsters unleashed, he merged his life with Hayata. Now, whenever a monster threatens, Hayata uses his “beta capsule” and morphs into Ultraman. Complete with martial arts moves and an array of ray weapons, Ultraman fights these creatures in hand to hand combat. The downside is that Ultraman’s solar energy diminishes rapidly in Earth’s atmosphere. As he weakens, a light on his chest flashes. A narrator reminds us each time that if it stops, Ultraman will die.
Posted in: Disc Reviews by Gino Sassani on November 8th, 2006
One of the longest running and most successful television sitcoms came to an end on February 28th 1983. It was an event to end all events. Goodbye, Farewell, and Amen was perhaps the greatest series finale in television history. It was certainly the most watched. Night workers called in sick. Some businesses either suspended work or offered sets for workers to see this long anticipated conclusion. What a fitting end it was. Each character was given what amounted to the best moments in the run. More serious than fun...y, this 90 minute movie explored the end of the Korean War and the effect it had on this family of people who spent eleven long years away from home. Of course, the actual war lasted only a fraction of that time. Still, this collection is worthy of owning, if only for that single episode..
Not that there wasn’t a wonderful collection of MASH moments to be had in the final year leading up to this dramatic conclusion. Trick or Treatment was a hilarious Halloween show. Paranoia sets in when BJ announces the greatest practical joke of all time will be played in just a day’s time in The Joker Is Wild. An Enemy Mine relationship develops in Give and Take. Everyone involved knew from the first episode of the season that MASH was going to end in the spring. Rather than go through the motions as too many “lame duck” series have done, MASH never let up for a second. It was the professionalism from the writers to the actors that allowed the team eleven years on the air and the chance to go out in style. Mission accomplished.
