Posted in: Disc Reviews by Archive Authors on August 25th, 2004
Sometimes, the craziest ideas are the best ones. In the world of television (and movies as well), there seems to be a constant struggle between playing it safe and gambling on a big return. For instance, when it comes to sitcoms, stories about a family plus one or two outside characters are sure-fire hits. Just look at Family Matters, The King of Queens, The George Lopez Show, Cosby, Frasier and My Wife and Kids. Shows about work, such as Newsradio, Suddenly Susan, Veronica’s Closet, Scrubs and < ...>Working are quite popular as well. As is the case with most things in this world, moderate success can be obtained by sticking with what has worked in the past.
Occasionally, however, the networks will let a show that goes against the formula slip onto the air. Often times, these experiments end in disaster (does anyone remember Cop Rock?), but occasionally the risk pays off, and we get extraordinary shows like Seinfeld, Northern Exposure, Friends, The Soprano’s… and Soap.
Posted in: Disc Reviews by David Annandale on August 19th, 2004
Synopsis
Posted in: Disc Reviews by David Annandale on August 19th, 2004
Synopsis
Posted in: Disc Reviews by Archive Authors on August 16th, 2004
Jeff Foxworthy has experienced something of a renaissance as of late. In the early 90’s, this loveable redneck burst on to the comedy scene with his southern style of humor, driven by the ever-popular series of “…you might be a redneck” jokes. Living in the south myself, I was both entertained and angered by his routine. On the one hand, it kind-of made me angry that he was making Southerners sound so stupid. On the other hand, it was funny because it was true. Such is the dilemma of living in the South.
An...way, as I understand it, the swift life of an instant celebrity was a little more than Foxworthy was able to handle, so instead of ruining his life with wine, women and song, he disappeared from the spotlight for a while. After some time away, he has re-emerged as a member of the Blue Collar Comedy Tour, and the spotlight is back.
Posted in: Disc Reviews by Archive Authors on August 15th, 2004
While Sliders may not rank in the upper echelon of sci-fi/fantasy series like Buffy the Vampire Slayer, Angel or its predecessor Quantum Leap, it is a very watchable show with endearing characters and witty writing at times. Quinn (Jerry O'Connell), a brainy San Francisco physics student, has perfected a device – in his mom's basement, no less – that opens up a temporary wormhole between alternate Earths. By leaping into the wormhole, one can "slide" between worlds; but of course there's ... catch, which is the foundation of the show's appeal. It seems there's no way to return back from whence you came, so Quinn, along with his college professor Maximillian Arturo (John Rhys-Davies), Wade (Sabrina Lloyd), and, through an odd turn of events, fading R&B singer Rembrandt "Crying Man" Brown (Cleavant Derricks), are left to slide from alternate world to alternate world each week, finding themselves in some very strange places trying to find their way home.
Each episode finds our heroes exploring alternate realities - What if the Americans lost to the British during in 1776, what if the atomic bomb was never invented, what if modern medicine never discovered penicillin—those are some of the scenarios Quinn, Arturo, Wade, and Crying Man find themselves in; once you get past the all too convenient plot reliance on having one of the main characters just happening to be a key character in the alternate world (or one of their friends), you can focus on the fact that the writing is generally a whole lot smarter than most if the sci-fi series out there.
Posted in: Disc Reviews by Archive Authors on August 15th, 2004
While Sliders may not rank in the upper echelon of sci-fi/fantasy series like Buffy the Vampire Slayer, Angel or its predecessor Quantum Leap, it is a very watchable show with endearing characters and witty writing at times. Quinn (Jerry O'Connell), a brainy San Francisco physics student, has perfected a device – in his mom's basement, no less – that opens up a temporary wormhole between alternate Earths. By leaping into the wormhole, one can "slide" between worlds; but of course there's ... catch, which is the foundation of the show's appeal. It seems there's no way to return back from whence you came, so Quinn, along with his college professor Maximillian Arturo (John Rhys-Davies), Wade (Sabrina Lloyd), and, through an odd turn of events, fading R&B singer Rembrandt "Crying Man" Brown (Cleavant Derricks), are left to slide from alternate world to alternate world each week, finding themselves in some very strange places trying to find their way home.
Each episode finds our heroes exploring alternate realities - What if the Americans lost to the British during in 1776, what if the atomic bomb was never invented, what if modern medicine never discovered penicillin—those are some of the scenarios Quinn, Arturo, Wade, and Crying Man find themselves in; once you get past the all too convenient plot reliance on having one of the main characters just happening to be a key character in the alternate world (or one of their friends), you can focus on the fact that the writing is generally a whole lot smarter than most if the sci-fi series out there.
Posted in: Disc Reviews by David Annandale on August 11th, 2004
Synopsis
Posted in: Disc Reviews by David Annandale on August 10th, 2004
Synopsis
Posted in: Disc Reviews by David Annandale on July 29th, 2004
Synopsis
Posted in: Disc Reviews by Archive Authors on July 27th, 2004
Garfield has been hunting lasagna, out-witting his clueless owner Jon, and frolicking with his intellectually challenged partner in crime, Odie since 1978. While the recent big screen release failed to capture the attention of the public, the animated series from 1988 did everything that the movie failed to do. It made the viewers laugh. The animated series was cleverly written, very witty and in a way similar to the Simpsons, had the ability to make both kids and adults laugh.
Garfield first appeared on T... in a special in 1982. He make a few other special appearances but in 1998 he was granted a weekly Saturday morning cartoon. But it wasn’t just Garfield, Odie and Jon that appeared. Each episode was divided into 3 segments: 2 with Garfield and one with the characters from U.S. Acres in “Orson’s Farm” (another albeit less famous creation by Garfield creator Jim Davis) – Orson the pig who is the leader of the group of farm animals, Wade, and anxiety ridden duck who wears an inflatable ring at all times in case he actually encounters water, Roy, an entitled rooster, Lanolin, a smart sheep, Booker, a baby chick who mainly focuses on eating worms, and Sheldon, another chick who never quite came out of his shell (Get it? “Shell-don”). The U.S. Acres stuff wasn’t too bad but paled in comparison to everyone’s favorite fat cat.
