Posted in: Disc Reviews by David Annandale on December 22nd, 2003
Synopsis
Our quartet continue to get laid, or not, depending on the ups and downs of decreed by thefates. There is a baby among them now (whose baptism or not is a point of contention), andCarrie gets a book deal. As the appeal of this series remains utterly mystifying to me, I shallrefrain from further comment.
Audio
The audio is in 5.1 and 2.0, but hardly strains the capabilities of either format. The music getnice treatment, but it is virtually the...
Posted in: Disc Reviews by Gino Sassani on December 15th, 2003
Show
It would be a boldfaced lie to say that Alias is the best show of its kind on television. The truth is that it is the ONLY show of its kind on television. Alias certainly contains writing that rivals even the award-gobbling Sopranos. The photography is film quality. The character chemistry, which I rank as the most important element in any show, is wonderful. The characters are compelling. You really start to care about these guys; even the villainous Sloan demands sympathy at times.
Posted in: Disc Reviews by Archive Authors on December 7th, 2003
MASH (Mobile Army Surgical Hospital) is one of the most memorable TV series ever produced. It was on the air for 11 years (much longer than the Korean War in which it took place). For those of you that have never heard of the show, it followed the trails and tribulations of the 4077th, a battlefield hospital for the American Soldiers in the Korean War. Military settings don’t exactly make one think of a comedy series but it worked. The writing on the show was and still is amongst the best in television history – and ...
Posted in: Disc Reviews by Archive Authors on November 27th, 2003
This is not your father's cop show. Even if you’re father watches NYPD Blue.
The Shield may just be the show that puts F/X on the map, if it can stay on the air long enough to do so. This is a series that pushes all the boundaries. It features a level of adult language that is comparable only to South Park, fleeting nudity that rivals that of the previously mentioned NYPD Blue, and violence levels never before seen on a network television series. The weekly plots also push the li...
Posted in: Disc Reviews by Gino Sassani on November 25th, 2003
Law and Order was never really driven by the actors and their roles. The “ripped from the headlines” stories, along with a decision to avoid the relationship clutter of most cop shows, was the defining edge. Note that not one actor or character from the original series’ first season remains. Criminal Intent is vastly different. Dick Wolf readily admits that the third Law and Order series was intended as a modern day Sherlock Holmes. Vincent D’Onofrio was enticed away from a successful film career by the opportunity to create a unique character.
Posted in: Disc Reviews by Gino Sassani on November 25th, 2003
Ben Franklin once said that two things one should never see being made are sausages and laws. So far there haven’t been any pilots occurring in a meat factory. Politics aside, Aaron Sorkin has created a first-rate TV show. The real success here is the casting. I’ve always preached to whoever would listen that its character chemistry that makes for good drama. Star Trek was successful not because of the f/x. The character triumvirate of Kirk, Spock, and McCoy was everything. Sorkin appears to know that lesson.
Posted in: Disc Reviews by Archive Authors on November 23rd, 2003
So, it’s like a… Space Western?
Having never seen this show, this was the question posed to me by my wife halfway through the pilot episode. Honestly, I wasn’t sure myself. It certainly appeared to be a space western, but the characters were randomly speaking in Chinese. It was drama, yet it was dark humor. This was a truly odd program indeed.
By the third episode, however, we were both hooked. The genius of this show is that it was a typical sci-fi show with one major twist; sitcom-quality...
Posted in: Disc Reviews by David Annandale on November 18th, 2003
Synopsis
Any synopsis is probably beside the point. If you haven’t been watching Buffy by this season,your chances of understanding what the hell is going on will be severely curtailed. Highlights ofthis season include Buffy’s encounter with Dracula, and the moving episode (“The Body”) aboutthe death of her mother.
Audio
The sound is 2.0, but is a pretty energetic mix all the same. As with most television shows,the music dominates the mix, especially at the s...
Posted in: Disc Reviews by Gino Sassani on November 13th, 2003
Dick Wolf reinvented the cop drama with the original Law and Order. That flagship program is the longest running drama currently in primetime. There does not seem to be an end in sight. This second version has a bit harder edge; dealing with sex crimes, it was important that the new show didn’t degrade into a “pervert” of the week scenario. The writing is top notch. For me, the addition of Richard Belzer as Homicide’s John Munsch was a stroke of genius. Belzer’s deadpan characterization is a perfect fit for such a sensitive subject.
Posted in: Disc Reviews by Archive Authors on November 2nd, 2003
The Tick was a live action show based on the wildly different super-hero of the same name. He was also featured in an incredibly funny animated series in the early 90’s that also ended way before it’s time. The Tick follows the comedic adventures of a muscular, but dim witted 300 lb powerhouse whose duty is to clean the city of evil-doers while shouting inane phrases such as the always catchy “Spoon!”
When I first heard that they were going to make a live action version of the Tick, I was very skeptical ...
