Posted in: Disc Reviews by Gino Sassani on July 27th, 2011
I’ve seen some dysfunctional families on television over the years. Haven’t we all? It’s fun to laugh at someone else’s flaws. Along comes Showtime, and it’s rather hard to classify the series The United States Of Tara. This one takes dysfunction to a whole new level. Tara (Collette) suffers from multiple-personality disorder. Laughing yet? She has managed to control the problem by using medications and attending frequent therapy sessions. But the medication is sapping her creative ability. You see, Tara was once a gifted artist. She painted murals and was somewhat critically acclaimed. The meds put an end to all of that. With the blessings of her family, Tara goes off the meds, and the family grows by the multitude. Yes, there are multiple “alters” as she calls them inside of Tara’s body. Now they are all coming out to play.
The first thing you have to understand about this show is who the alters happen to be. We learn over time that they were constructed by Tara’s mind to protect her from a traumatic moment in her life. Tara can’t remember the event, but from time to time, the alters offer up little clues to what might have taken place. She is totally aware of the alters and their personalities. The family has developed some protection techniques of their own. Husband Max (Corbett) is not allowed to have sex with the alters. They’ve decided that would be cheating. How about just f***ed up? The kids are to treat the alters as they are, not as Mom. I’ll introduce you to the “real” people later. Here are Tara’s alters:
Posted in: Disc Reviews by M. W. Phillips on July 25th, 2011
“Look, you got what you wanted, I'm officially out of control.”
Based loosely on (Executive Producer) Mark Walberg’s meteoric rise to fame, Entourage has always been a male bonding fantasy; it plays like a boys-will-be-boys version of Sex in the City. Following Vincent Chase (Adrian Grenier) and his posse’s misadventures through the decadent lifestyles of the hyper-rich and fabulously famous carried with it a certain insider’s credibility and made for fun, if not slightly debauched TV voyeurism. HBO sweetened the deal by liberally mixing in hard body nudity with jaw-dropping self-satirizations from a slew of Hollywood cameos the like not seen since The Larry Sanders Show.
Posted in: Disc Reviews by William O'Donnell on July 23rd, 2011
I have never been a huge fan of Tyler Perry's creations. Particularly, House of Payne is something I really don't care for. Mostly this is due to the fact that the original story that made the household dynamic of mixed family members what it is throughout the series came from a story about a woman who was a crack addict and arsoned her own house. After seeing this story, and the completely insensitive way it handled drug addiction struck me as so foul that I have yet to find forgiveness. So here I stand, weighing my possible bias' versus my standard issue journalistic neutrality as a reviewer, and hoping my opinion remains respectable.
This bundle of 24 episodes continues the series' usual path of melding corny humour with major issues such as theft, drugs, racial topics and so forth. As much as it tries to be poignant, the setup and execution of each story is too unnatural to be ever be taken seriously. As well, there are just far too many negative black stereotypes being used for my own comfort level. I'm not asking it to be like the Boondocks and try to explode stereotypes while displaying them, but there certainly could be a lot more efforts made to not fall into such ugly situations or characters (none of which I shall honour by repeating here...if you are a masochist, investigate the show yourself).
Posted in: Disc Reviews by Gino Sassani on July 21st, 2011
The fourth season of The Virginian was a milestone year for the groundbreaking western. Four of the show's regular characters would be appearing in their final episodes. Lee J. Cobb was never completely happy doing the show, and while he always acted professionally, his castmates all knew he wanted to leave. Cobb finally left halfway through this season even though he would remain on the opening credits for the entire year. This would also be the first and last year for Diane Roter as Jennifer Sommers, the Judge's niece. She was a replacement for Roberta Shore's Betsy, who left the previous year but would return for one episode in year four to offer the character closure. Roter was a kind of Annette Funicello lookalike and only really appeared strongly in a handful of episodes. Finally, this was the last season for Randy Boone as Randy Benton. It's your last chance to hear a riff from the young character's guitar.
Posted in: Disc Reviews by Archive Authors on July 17th, 2011
Dog the Bounty Hunter: This Family Means Business is a six episode DVD special release. The series chronicles the Chapman family as they chase down fugitives in scenic Hawaii. The show has been on A&E for seven years now and has become a flagship series for the network. The show introduces a fugitive, investigates the fugitive, and catches the fugitive. The show has a strict formula that it adheres to and rarely differs from. This particular special release arrives to celebrate the show crossing the two hundred episode threshold.
I will say that I was never a huge fan of this series. However, I find Dog Chapman to be a compelling figure. His family is very interesting with their outfits and colorful language. Dog wears his hair long (mullet) and his clothing is usually always trailer park chic. However, much like his tan, his schtick never fades. Dog recently went through some legal trouble which I found problematic as he continues to preach to fugitives the importance of being law abiding. However, the success of the show is undeniable. There is no series that runs for seven seasons that does not have a rabid fan base.
Posted in: Disc Reviews by William O'Donnell on July 16th, 2011
Somewhere between Spike TV and the Discovery Channel lies the History Channel's take on nature programs. Underwater Universe is the collision of sensationalist and informative television. 5 episodes profiling the deadliest attributes of the Oceans, all told with melodramatic statements, fast editing but still plenty of experts offering scientific analyses to the “hows” and “whys” of what each episode is featuring.
Each episode is a compilation of CGI recreations, interviews with experts and those that have encountered deadly animals or elements, and stock footage of those same animals and elements at work. The subjects (and episode titles) are “Killer Shockwaves,” “Predators of the Deep,” “Fatal Pressure,” “Tides and Currents of Death.”
Posted in: Disc Reviews by Michael Durr on July 12th, 2011
My childhood was full of cartoons from all walks of life. There are classics such as the Jetsons and Daffy Duck (notice I did not say Bugs Bunny) and then more recent products of my time period like Transformers and X-Men. But I always had an eye out for those cartoons that were anything but conventional. I recently got the chance to review Thundercats and I hoped that my childhood memories would hold up. Thundercats, HOOOO!
We are aboard a spaceship flying away from a planet. Jaga, an elder tells a younger Thundercat, Lion-O to watch as their home planet, Thundera explodes and is no more. The spaceship represents the last of the creatures as they try to find a planet that is like theirs in air quality. Jaga also introduces the young cat to the Sword of Omens which contains the legendary Eye of Thundera.
Posted in: Disc Reviews by Gino Sassani on July 11th, 2011
It sounds like nothing new. Hard-boiled detective uses computers and other forms of technology to solve cases. It isn’t anything new, except the detective in question is Joe Mannix, and the series started in 1967. The computer that Mannix used took up an entire room and was queried using cardboard punch cards. This wasn’t science fiction. We’re not talking some newly discovered Irwin Allen series. Mannix didn’t go after aliens or robots. This was a down-to-earth gritty detective show. Mike Connors played the tough-as-nails detective. He was perfect for the part and blended into the role seamlessly for 8 years.
The show was created by the team of Link and Levinson, who later gave us the detective in the rumpled raincoat, Columbo. It was groundbreaking in so many areas. While it might not be remembered today as one of the top detective shows, there can be no argument about the impact Mannix had on the genre. A decade later one of my favorite television detectives, Jim Rockford, would borrow rather heavily from Mannix. Like Rockford, Mannix was getting beat up a lot. They both had the same sense of style, wearing rather ugly sport jackets. Neither was afraid to bend the rules, or the law, when necessary. Again like Rockford, Mannix often falls for the wrong girl at the wrong time. Mannix was good with a gun and equally adept with his fists. The show received a ton of controversy from the start for the amount of violence it employed. Tame by today’s standards, Mannix was quite aggressive for its time. The joke was that the show’s producers mandated a fight or car chase every 15 minutes whether it was needed or not. I’m sure that wasn’t true, but nonetheless the show opened the floodgates for the detective shows that followed. In this first season, Mannix worked for the enigmatic detective agency, Intertect. They supplied him with the latest in modern technology and with his cases. His main company contact was Lou Wickersham, played by Joseph Campanella. Now Mannix is on his own and begins to resemble more and more these detectives that would eventually follow in his tire tracks.
Posted in: Disc Reviews by Archive Authors on July 11th, 2011
Oh, how the rich can get into mischief. This DVD set is smack dab in the middle of Dynasty’s successful nine season run. The mudslinging, both literal and figurative, was at its height in this fifth season, and no $200 haircut or $1000 outfit was left unruffled by the various scandals and plots set into the web of these wealthy Denver residents. In fact, this season was the one and only time this series won a Golden Globe for best TV drama.
Both my age and lack of interest from the time I was between the ages of 1 to 5, when this show originally aired, betray any memories I may have of this program. Approaching it these days, I can clearly see how it was derivative of Dallas, its CBS rival (Dynasty having aired on ABC). If these wealthy folk are not in each other’s faces, they’re in each other’s beds.
Posted in: Disc Reviews by William O'Donnell on July 4th, 2011
The story begins with the immediate validation of superstition. Anesi Gebara is the head of an illegal lottery and so numbers are crucially linked to his life, both in his work and in the aforementioned superstitions that haunt his life.
The first episode features Gebara's dearest son, Anesinho, killing himself, and the rest of the series follows his remaining 3 sons as they vie to take Anesinho's respected place. As seems to be customary with the majority of HBO programs, dark secrets about each character's past come to light before our eyes. Said secrets often involving lurid sex and death (again, staples in the HBO realm).
![Entourage: The Complete Seventh Season [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/entourage-the-complete-seventh-sea-large.jpg)
