Posted in: Disc Reviews by Archive Authors on October 13th, 2009
Written by Adrienne Ambush
Before there was American Idol, before there was So, You Think You Can Dance and definitely before there was Dancing with the Stars, there was Fame.
Posted in: Disc Reviews by Gino Sassani on October 9th, 2009
Medium made a jump in its 5th season. NBC axed the show, but the folks at CBS decided to pick it up and continue the series. It’s not a huge leap, actually. CBS was already showing the similar and better Ghost Whisperer, and the series was produced by the CBS parent company, Paramount. That means that the production team pretty much stays intact and the show doesn’t really suffer any kind of transition. The same can be said for the release. The packaging and production values are pretty much identical to the previous four years.
Medium was based on a real person with alleged psychic powers who apparently has helped out various law enforcement agencies in some actual cases. If you’ve seen the series, you might find that hard to believe, and the episodes are obviously fictional adventures and not based on the real Allison Dubois’s experiences. At first glance it might be easy to lump Medium in with Ghost Whisperer or The Dead Zone. Actually there are almost no similarities to any of those shows. Allison does not gain any understanding through touching, and while she does see ghosts at times, that aspect of the show has been made to play in only a small percentage of the episodes. Allison accesses her powers through dreams. These nightmares are usually vague and often provide additional clues with each recurring dream. The formula for the show is that she must interpret these images and signs in time to do whatever it is she needs to do. Now that her secret is out, she’s not able to continue her work at the DA’s office. Joe’s career is also in jeopardy, so the show is going through some changes here. The strike likely did some damage, so we may never know exactly what was in store.
Posted in: Disc Reviews by David Annandale on October 7th, 2009
This season finds the protagonists well beyond high school, now having adventures in the adult world. So writer Lucas, in the midst of promoting his book, proposes to Peyton. Brooke fights to save her clothing business from the clutches of her mother From Hell. Piece of work Dan is flattened by a car and then finds himself in the hospital, helpless, badly injured, and at the mercy of a sadistic nurse out for revenge. Basketball player Nathan doesn't know that his mother is having an affair with one of his friends. And on we go, and I haven't even mentioned the episode that's a fantasy construction of Lucas', relocating the entire cast and setting to the 1940s.
Posted in: Disc Reviews by Gino Sassani on October 6th, 2009
“You know those shows that say don’t try this at home? This is one of those.”
Scare Tactics is really nothing new. In 1948 one of the very first television shows to air on network television was a converted radio program originally called Candid Microphone and renamed Candid Camera for television. It was the brain child of Allen Funt, who began the idea while in the armed services, secretly recording fellow servicemen in awkward positions for his Armed Forces Radio program. The idea was a hit and was television’s first hit program. Funt would hide his 16mm cameras and put people in awkward situations with the intent to make them feel and appear foolish. The stunts in those days were pretty simple. A talking mail box or strange acting workers. It was all in good fun and everybody got a laugh.
Posted in: Disc Reviews by Archive Authors on October 6th, 2009
Written by Adrienne Ambush
Growing up, I wasn’t really a fan of the cartoon Transformers; I was actually more of a Muppet babies kind of girl, but the minute I hit play on my DVD player I was instantly transported back to a time when nothing else mattered to me except for what was on TV and what time dinner was going to be later that night.
Posted in: Disc Reviews by Gino Sassani on October 5th, 2009
The idea of a British television series being adapted for American screens is really nothing new. Lately a lot has been written about the phenomenon as if it’s some recent trendy invasion of English telly. We’ve been watching British hits since at least the 1970’s. In those days it was the sit-com that got the most attention from across the pond. Till Death Do Us Part and Steptoe And Son became All In The Family and Sanford And Son, respectively. Both shows became even bigger hits here in the states and are remembered by more folks on both continents than the originals today. The latest hit from England was The Office. Unfortunately, Life On Mars was never destined to join those Anglo/American success stories.
Detective Sam Tyler (O’Mara) is hot in pursuit of a serial killer who has abducted his partner and lover. When he steps out of his SUV he is struck by an oncoming car. On his ipod David Bowie is singing his obscure track, Life On Mars. When Tyler wakes up he can still hear the song in the background. But this time it’s coming from an 8-track deck in a mint vintage 1970’s car. Turns out there’s a reason the car is so cherry. It’s actually brand spankin’ new, and Tyler is no longer in 2008. It’s 1973. Strangely, he still has his identity here. A police officer identifies the car as his. At his 125th Precinct, he’s recognized as the transfer from Hyde. His disorientation earns him a few introductory sucker punches to the gut by his new boss Lt. Gene Hunt (Keitel) who doesn’t like people coming into his station house barking out orders. It turns out he’s joined a special forces kind of team that also includes Detective Ray Carling (Imperioli) who feels passed over by Tyler. He was in line to be the new second in command. Detective Chris Skelton (Murphy) is a green detective who warms us fastest to Tyler. Also working more or less for the team is policewoman Annie Norris (Mol) better known in the squad as “No Nuts Norris”, because she acts more like a man, believing that a woman can be a detective. It seems whatever powers that have planted Tyler here have thought of everything. He has an apartment with a free spirit hippie neighbor named Windy (Ferrin), appropriately named as she kind of breezes her way in and out of his life. Eventually Tyler decides to temporarily accept his situation, hoping to figure out why he’s here and how he can get back home.
Posted in: Disc Reviews by Gino Sassani on October 2nd, 2009
“In the future, a computer program called Skynet will declare war on the human race. Machines have traveled back in time taking human form to terminate John Connor, the future leader of the resistance; Sarah Connor, John’s mother, teacher, and protector; Cameron, a terminator reprogrammed to defend them at all costs; Derek Reese, John’s uncle and a commanding officer with the resistance. Together they fight to stop Skynet from ever being created. The battle for our tomorrow starts today.”
Well actually, to be perfectly honest, it started back in October of 1984 with the release of James Cameron’s blockbuster Terminator. It was the story of a future Armageddon and a machine sent back in time to make sure it happens by killing the mother of the unborn leader of a future resistance. No one saw the success coming, but come it did. With just over a $6 million budget the film brought in over $38 million in the domestic take. That’s not a lot by today’s mega tent pole release standards, but it was huge in 1984. Add another $40 million in overseas box office, and you get quite a return on that money. And so as inevitable as the film’s prophesized Doomsday, a sequel was unavoidable. The film also made a star of an Austrian born bodybuilder who had only television and one film to his credit by that time. A star and a huge franchise was born. The man behind the film, James Cameron, was just as unknown, having helmed a cheesy Piranha sequel as pretty much his only calling card. Who knew then that Arnold Schwarzenegger, James Cameron, and the Terminator universe would all go on to become household names. Cameron would go on to bring us Aliens and Titanic. Arnie would become THE action star of the 90’s and end up, of all places, as the Governor of California. Only in America.
Posted in: Disc Reviews by Gino Sassani on September 30th, 2009
“There’s always a story. You just have to find it.”
What happens when you’re a popular murder mystery writer and someone starts to use your stories and ideas to kill people in the real world? At first you become the prime suspect, particularly if you’re found to be completely self centered and annoyingly arrogant. That’s where a pretty good alibi might come in handy. Is playing poker with the Mayor and the Chief of Police good enough? So, you’re no longer a suspect. Now what do you do? You sign on as a consultant for the special crimes squad of the police department, and you help catch the real killer. Only instead of looking for him O.J. style on golf courses and steak houses, you team up with the cops and nab that good for nothing plagiarist. The problem with that is you might just find that you like it. Even worse, it might end up curing that writer’s block you got after killing off your lead character and proverbial golden goose, much to the chagrin of your publisher who also happens to be your ex-wife. Follow any of that? If you did, you now have the set up for one of the better premiere series from last season, Castle.
Posted in: Disc Reviews by Archive Authors on September 30th, 2009
Written by Alexis Quinn
Despite the outrageous plotlines and mediocre acting, Ugly Betty is one of those shows you can’t help but watch—it’s so bad it’s almost good. And this season is no different. Even with a primetime budget and well-known cast, the show stays true to its telenovela roots as an adaptation of the Colombian telenovela Betty la fea, mimicking the production value of your everyday soap opera.
Posted in: Disc Reviews by Gino Sassani on September 29th, 2009
Few television situational comedies have produced the stable of A-list stars that this one did. Every one of these cast members were relatively unknown at the time that Taxi was taking fares on our television sets each week. Not so today. The cast was so remarkable that it is here that I decided to spend much of my review. The episodes were often funny, even more often hilarious. But after all of these years, it is the characters that are most remembered by the fans. Yeah, we all have our favorite moments. Many of them in this release. And, I’ll get to those moments, but first:
Playing the hard-nosed and lecherous dispatcher for The Sunshine Cab Company was Danny DeVito. He spent most of his Taxi days sitting in a cage barking orders and insults with equal frequencies to the crew of drivers in the garage. Each of them had dreams beyond the yellow sedans, and Louie took great pleasure in watching them try and ultimately fail to achieve their dreams. Of course, DeVito went on to star in a boatload of feature films and never looked back.
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