Disc Reviews

All I needed to hear was that James Spader was involved, and I was all in. And as expected, he makes his presence known from his first moments on screen. He brings a quiet reserve and intensity as the more than slightly unhinged hitman Lee. However, Spader isn’t the only familiar face involved with 2 Days in the Valley, as the film also features the likes of Terri Hatcher, Danny Aiello, Charlize Theron, Eric Stoltz, Jeff Daniels. Even Michael Jai White makes a brief cameo in the beginning as a car thief with a heart of gold. The film is marketed as a neo noir crime story depicting the butterfly effect of a single event and the mayhem that ensues as a result. In concept and partially in execution, I would categorize the story as a success. However, as I said, only partially in execution. In a sense, there are too many moving parts, and some avenues were not properly concluded to my satisfaction. The main storyline line is excellent, but the events interwoven into the events of the main story diminish the overall quality of the film.

In the main story, we are introduced to Lee, a singularly focused individual who is also quite calculating. He is a hitman who brings along a desperate mafioso, played Danny Aiello, on his latest job for reasons that are later discovered. It is clear very early on that Lee is merely tolerating Aiello’s character as a means to an end. That end is discovered to be to make him the patsy in his latest contract, the killing of a former Olympic athlete’s ex-husband. Things appeared to be going according to plan until it becomes clear that the mafioso is not as dimwitted as he appears and survives Lee’s attempts to kill him.

"All right, listen up, ladies and gentlemen; our fugitive has been on the run for ninety minutes. Average foot speed over uneven ground, barring injuries, is four miles per hour. That gives us a radius of six miles. What I want from each and every one of you is a hard-target search of every gas station, residence, warehouse, farmhouse, hen house, outhouse, and doghouse in that area. Checkpoints go up at fifteen miles. Your fugitive's name is Dr. Richard Kimble. Go get him."

The Fugitive, since its’ original release in 1993, has always been seen by a majority of people as the defining thriller of the 1990’s. The film stars Harrison Ford as Dr. Richard Kimble. Kimble, a very well known Chicago doctor, has just been framed for killing his wife. He claims a one-armed man killed her, which prompts nearly everyone to laugh at him. Kimble is immediately arrested and sentenced to death in a cold courtroom scene that doesn’t even give Kimble time to defend himself.

"Oh, what are people afraid of? That AI is gonna replace real writers? That Hollywood is gonna become just a bland recycling of old ideas? It already is!"

I suspect that when we are all dead and gone there will be two things we can count on continuing beyond the end of human civilization. The cockroaches will inherit the world, and they will all be watching South Park, the only television show still running. It's already been 22 years, and doesn't it feel like 50? I don't mean that in a mean way. I love South Park, but I'm starting to find it hard to remember what life was like without it. I'm convinced it will survive us all, and AI versions of Parker and Stone will be producing it until the planet is finally vaporized ... and I'm not sure even that will stop this show.

"This is 3 Rock Con Camp. We fight fires all over the state of California. As you can see, there are no fences. You want to run, I can't stop you. But I need you to know this. You won't get far. And when we catch you, not if, when, you go back to that concrete jungle, and time will be added to your sentence. Ready to check out your new home?"

For Max Thieriot, it's quite a new home. For over six years he was a Navy Seal on the David Boreanaz series SEAL Team. He was pretty much the eyes and ears of the audience, as he was the new guy on the team when the show started. The character certainly evolved, and before long he was one of the more solid members of the team. His character's name was Clay, and in the sixth season he ended up suffering some devastating injuries. It looked touch-and-go for the character, and indeed it was. But it wasn't the fictional doctors on the show that would determine Clay's fate. It was the powers that be over at CBS. You see, Max had a dream, and that dream was Fire Country. He co-created the series and was number one on the call sheet. It was just a question of whether the show would get picked up. If it did not, then Clay would recover from his injuries and carry on with his brothers on SEAL Team. If the show did get picked up, it meant bad news for Clay, and he would be killed on the show. If you're reading this, you know which way it ended up going. That meant a funeral on one show and a newborn series for another. It's the television circle of life, and you won't need Elton John to explain it to you. And now the first season of Fire Country is in the can and released on DVD from CBS Home Entertainment.

By JC.

Cinematically speaking, the name Eli Roth has been synonymous with murder and mayhem. The director is best known for his work in the horror genre, bursting on the scene with 2002’s Cabin Fever and upping the ante with Hostel and Hostel: Part II a few years later. So it was a bit surprising to hear he’d be taking on a remake of Death Wish — the iconic 1974 Charles Bronson revenge flick — until I started thinking about the bloody possibilities. If the Hostel films gained notoriety as prime examples of “torture porn”, then it seems like Roth has graduated to “revenge porn” with this slick and (intentionally) silly re-imagining.

"Streaming services make everything suck."

South Park still hasn't completely recovered from the COVID-era issues. There still has not been a complete 10-episode season, and the slack is still being taken up by specials. Not sure if that's a good thing or not, but at least it's kept us in Cartman and the gang even as other shows have closed down. The longer form also gives Parker and Stone a chance to really let an idea play out. I think they have tended to run out of gas somewhere in the back half of the second part. When you think about it, you're really looking at four episodes in length, and Parker and Stone have a pretty spotty record when they've tried to run an idea for that long. The Streaming Wars Specials suffer from just that affliction, but that doesn't mean there's not a ton of clever South Park to be had here.

Warner Brothers has done an impressive job when it comes to their live action DC Universe television shows.  Everything from Arrow, The Flash, Swamp Thing, Doom Patrol, Pennyworth  and Titans have been fun entertaining experiences, but after a decade of television, it seems the powers that be have wanted to bring all the DC shows to an end.  When I first heard about Titans, I wasn’t sure what to think, considering I wasn’t much of a fan of the animated series, but I’m so glad I came into this show with an open mind, because this show is jam-packed with coolness.  Since this was made for a streaming service and not broadcast television, not only do we get superheroes dropping F-bombs, but we get some edgier storytelling along with some violent action you may not expect.  Seriously, this one is not for the kids.  And with this being the final season, it shouldn’t come as much of a surprise that that the gloves really come off in this series to deliver a satisfying conclusion to its 4-season run. 

“When the blood moon is full, the world will fall to evil.”

Hopefully, most of you reading this review enjoyed my breakdown of the 1st part in this series.  I honestly haven't been this vested in a two part series since Batman's Long Halloween.  That one had the added sting that we had to wait a full year until we got the complete 4K version.  At least in the case of Justice League and RWBY, we get the full 4K splendor from the get-go.  However, as I alluded to in the first review, there was certainly room for improvement.  We shall see if the creators can correct those issues now that the series shifts into the Justice League's world.  Let's take a look.

Last time on Justice League X RWBY, the Justice League and RWBY teams had fought off Kilg%re and his army of superhuman Grimm.  It was actually revealed that Remnant was nothing more than a simulation to eradicate the two teams, and it nearly succeeded on that front.  A portal was then opened up, which returned Justice League back to Earth and RWBY back to the real Remnant.  However, just because both teams are returning back to their home doesn't mean that everything is fixed the way it should be.

Hopefully, most of you reading this review enjoyed my breakdown of the 1st part in this series.  I honestly haven't been this vested in a two part series since Batman's Long Halloween.  That one had the added sting that we had to wait a full year until we got the complete 4K version.  At least in the case of Justice League and RWBY, we get the full 4K splendor from the get-go.  However, as I alluded to in the first review, there was certainly room for improvement.  We shall see if the creators can correct those issues now that the series shifts into the Justice League's world.  Let's take a look.

Last time on Justice League X RWBY, the Justice League and RWBY teams had fought off Kilg%re and his army of superhuman Grimm.  It was actually revealed that Remnant was nothing more than a simulation to eradicate the two teams, and it nearly succeeded on that front.  A portal was then opened up, which returned Justice League back to Earth and RWBY back to the real Remnant.  However, just because both teams are returning back to their home doesn't mean that everything is fixed the way it should be.

"It's called the Impossible Mission Force for a reason."

I imagine this is how it happened. It's January of 2019, and Tom Cruise has just popped into the bathroom to shave. He opens up that can of Barbasol just to make sure there isn't any dinosaur DNA left in the can, but as he takes off the cap, an authoritative voice begins to speak: “Good morning, Mr. Cruise. Your mission, should you decide to accept it, is to make a two part film of the Mission Impossible franchise. It won't be easy. That's why only the IMF team can be counted on to complete this task. There are agents out to stop you before you even get started. In China there is a virus code-name COVID, and this virus will spread to pandemic levels just as you're starting to get your production crew together. Elements within our own government will take measures to shut you down.  Delays will cost an extra $100 million and necessitate crucial cast changes. They'll be serious injuries, and your release date will be July of 2021 ... I mean November of 2021 ... Would you believe May of 2022? ... Let's shoot for July 14, 2023. You will have to deal with nefarious crew members who will attempt to sabotage the project by standing closer than two meters apart. You may use over-the-top rants to attempt to intimidate these factions into compliance. Beware that said rants don't end up released by the press to the world. Somehow through all of these challenges you must create a Mission Impossible film that will be bigger and better than anything that came before. And remember, Tom, if your film fails to bring in a billion or more, the studio will disavow your team, and your movie will go straight to streaming ... or worse, get shelved as a tax write-off. Good luck, Tom. This message will self-destruct in 10 seconds.” There's a swoosh of fog, and Tom Cruise is sitting in his bathroom with no shaving cream to complete his original task. I figure that's how it must have gone.