Posted in: Disc Reviews by Michael Durr on December 1st, 2011
My parents were always an oddball lot when it came to music. My mom liked the crooners and if she ever did touch rock and roll, it was something very light and airy. My dad however was a totally different animal. He listened (and still does) to Led Zeppelin, the Moody Blues and Queen. But perhaps one of his favorite albums of all time is Paranoid by Black Sabbath. The front man for Sabbath is the one and only Ozzy Osbourne. I find myself in a fortunate position where I get to review his documentary, God Bless Ozzy Osbourne.
As we open up this documentary, we are told that the makers of this movie have spent the last two years on the road with Ozzy Osbourne. Nearly everyone survived. We visit Argentina as one of Ozzy’s tourstops. We get a very candid look at Ozzy as he puts on makeup, exercises his body and his voice and his slow walk to the stage. He seems to be an everyday normal heavy metal singer but this person who is always been labeled as “Rock n Roll’s definitive crazy person” has a special tale to tell.
Posted in: Disc Reviews by Gino Sassani on November 30th, 2011
The Disney magic faded for a little while during the 1980s. There were still animated features, but they weren’t the groundbreaking triumphs of the studio’s golden age. All of that changed as we entered the 1990s. The Little Mermaid is considered the first of the new wave of Disney classics. It certainly signaled a change in the direction of animation at Disney. While the change may have begun there, I believe it was Beauty And The Beast that started a wave of productions that would peak with The Lion King. With Beauty And The Beast, everything is cranked up a notch from the mediocre affairs the studio had been churning out for a time. Beauty And The Beast had the epic proportions, fluid animation, and bright colors that set the Disney Express back on track.
With that much importance, is it any wonder that the folks at Disney kept the theme going for as long as they could? There was a television series that featured a live-action Belle who would sing stories to children and teach valuable lessons along the way. There were also some direct-to-video follow-up stories that took us back to the days in the middle of the original animated feature. That in and of itself isn't all too extraordinary. Disney, like any other studio, knows how to milk a cash cow. What is quite extraordinary in this business, even for Disney, is that they kept the original voice cast pretty much intact. It was a bold move that likely cost a few more dollars but was well worth the extra effort. With the return of Jerry Orbach, David Ogden Stiers, Jim Cummings, Robby Benson, and Paige O'Hara, the connection between this holiday film and the original material is unmistakable.
Posted in: Disc Reviews by Gino Sassani on November 30th, 2011
"The party is most definitely on."
This direct to video sequel of Disney's Beauty And The Beast is a much more low-budget affair than The Enchanted Christmas was to become. While the film did use the voices of many of the original cast including Jerry Orbach, Robbie Benson, Paige O'Hara, and David Ogden Stiers, the production values show the economy of the project.
Posted in: No Huddle Reviews by Archive Authors on November 30th, 2011
A baby’s soft and contented voice is heard over a white screen as the credits begin. Two young teenage boys dote over the happy child. These are the opening moments of Submarino, which quickly devolves into a story of total despair. It turns out the mother is a worthless and degenerate alcoholic. These two well-meaning boys are forced to be the parents. They wake up in the morning and the baby is blue and lifeless.
Danish cinema has carved a unique niche for itself. It is governed by a world class lunatic, Lars Von Trier, who grandly put forth a rigid artistic school of thought under the heading of Dogma. It had very specific rules for naturalistic use of lighting and music and behavior. The director Thomas Vinterberg is one of Von Trier’s confederates, and Submarino follows these artistic rules, more because it suits this material than any adherence to rules anyone bothers to follow any more. Von Trier doesn’t follow the rules of Dogma any more in his most recent films. This film, though, also follows a tradition typical of Scandinavian films in general, which is that it is intensely dour and depressing. One would have hopes that Denmark would be something of a utopian society, but not by what we see of their cinema. And this film is particularly sad.
Posted in: Disc Reviews by Michael Durr on November 28th, 2011
For those who might not already be aware, I am currently living in the state of Texas. I would say great state of Texas but my lack of a straight face would give that away. “Go back to where you came from”. Well, I would love to go back to North Carolina and perhaps the Minnesota transplant that is using four letter words against me can do the same. However, I am very interested in how some of these states got their shapes. Perhaps the first season of “How the States Got Their Shapes” can help.
Most people take the shape of their states for granted. However, the shapes of the United States of America have went through a library list of changes to get to their current shape. Often, the story of that shape is far more interesting than the cracks and bends that many states currently possess. Thankfully, we have our host: Brian Unger who is willing to be our Johnny Cash of cable television and “Walk that Line”.
Posted in: Disc Reviews by David Annandale on November 28th, 2011
It is 1979. While filming a Super 8 horror movie, a group of young friends on the cusp of adolescence witness a spectacular train wreck. They later discover that they accidentally captured evidence that there was an alien creature on the train, and it is now loose in their small town. But if the mysterious disappearance of dogs, engines and (increasingly) people wasn’t trouble enough, the military descends upon the community with an agenda far more merciless and inhuman than that of the alien itself.
I was 12 in 1979, and I was shooting Super 8 monster movies, so I get the nostalgia that writer/director J.J. Abrams is going for here, and this is an utterly unapologetic exercise in nostalgia. Abrams is is out to recreate the experience of a Spielberg movie from that era, and with the man himself acting as producer, the mission is accomplished. Super 8 plays like the Lost Spielberg Movie, with all the wonder, thrills, and sentimentality one would expect. There is so much here that works beautifully. The young cast is terrific, the dialogue crackles, the effects are spectacular, and the creature is both menacing and sympathetic, like some unholy version of ET reworked by H.P. Lovecraft.
Posted in: The Reel World by Gino Sassani on November 24th, 2011
"It's time to play the music. It's time to light the lights. It's time to meet the Muppets on the Muppet Show tonight…"
What do the following huge stars all have in common: Elton John, George Burns, Peter Sellers, Don Knotts, Bob Hope, John Cleese, Madeline Kahn, and Milton Berle? They all were guests on The Muppet Show. It would be pretty hard to argue that the seriesdidn't became the in place for A-list entertainers to have a little fun. Like a neighborhood clubhouse, the top stars would come to the show and allow themselves to be often upstaged by Henson’s cute little creatures. They would place themselves in ridiculous situations and often allow themselves to be lampooned and ridiculed, and they always appeared to have a blast while they were doing it. Elton John singing his Kiki Dee duet, Don’t Go Breaking My Heart, with Miss Piggy has to be one of television’s most memorable moments. Not only do you have a guest list that would make Saturday Night Live envious, but you have something they never had, namely Kermit, Miss Piggy, Fozzie and Gonzo providing their special brand of Muppet madness.
Posted in: Disc Reviews by M. W. Phillips on November 23rd, 2011
“You can blow out a candle, but you can't blow out a fire. Once the flames begin to catch, the wind will blow it higher”
Peter Gabriel, the flamboyant original front man for Genesis from 1967 to 1977, left that band to pursue recording his own solo albums. Although none of his early albums scored a top 40 hit, they were deeply loved by the art house music crowd. Gabriel’s penchant for exotic world musical instruments, dark moving lyrics, and complicated arrangements built on his fiercely loyal following.
Posted in: Disc Reviews by M. W. Phillips on November 23rd, 2011
Let me get this out of the way first off: I am not a big fan of emo-pop, so maybe I’m not the best person to review Placebo. The whiny nasal vocals and amazingly repetitive hooks tend to drag, and I find myself just wanting to slap the band and tell them to man up. That said, I should think if you are a fan of the band, you will love this nearly three hour concert disc filmed at London’s Brixton Academy in September 2010 during the band’s tour for their album Battle for the Sun.
Placebo is not a band that has achieved the same level of popularity in North America as they have abroad. Their “emo” stylings have spawned numerous top ten singles in the UK. The three-piece band is very tight on stage, and their sound is pristine live. The striking stage visuals are complemented by all sorts of digital post effects seamlessly inserted into transitions (maybe a few too many post tricks, as it seems to detract from the show, drawing attention to the video editor instead).
Posted in: No Huddle Reviews by Archive Authors on November 23rd, 2011
By Natasha Samreny
Funny how movies sometimes offer a more real perspective of life than experience itself. Sexual politics change and sometimes improve over time, culture and geography. But watching Rape Squad made me sick in disbelief at how disgusting, clueless and misogynistically men could treat women in mainstream America at the country's social climax of the women's lib age of the 1970s, and get away with it.
![God Bless Ozzy Osbourne [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/god-bless-ozzy-osbourne-blu-ray-large.jpg)
![Peter Gabriel: New Blood - Live in London [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/peter-gabriel-new-blood-live-in-large.jpg)
![Placebo: We Come In Pieces [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/placebo-we-come-in-pieces-blu-ray-large.jpg)
