Posted in: Disc Reviews by Gino Sassani on February 2nd, 2011
When a film is successful enough, it’s a relatively natural assumption today that a sequel will follow. In that sequel we expect more of the same and hopefully something new as well. Unfortunately, there is a disturbing sideline for the animation sequel. Because the actors aren’t really on camera at all, there is the temptation to replace them so that you can do a much cheaper, often direct-to-video sequel. The folks who did Madagascar didn’t go that route, but the folks who did Open Season did. Gone are the likes of Martin Lawrence, Gary Sinise, Ashton Kutcher, and Debra Messing. These voices are replaced by Matthew W. Taylor, Diedrich Bader and Kirk Baily.The result is a decidedly inferior film that was relegated to the Wal-Mart bins instead of the box office.
Boog is upset because no one wants to join him for guy's trip. Even Elliott has backed out of the annual camping trip. So he sets off on his own. He sees a sign for a circus that is coming to town and decides to check it out. There he runs into a circus bear Doug, who is looking to get out of the circus and live with the animals in the woods as the king of the forest. When Boog encounters Doug, he gets conned into switching places with the bear. Of course, both discover the grass really isn't always greener on the other side.
Posted in: No Huddle Reviews by Archive Authors on February 2nd, 2011
Written by Diane Tillis
Like Dandelion Dust is a compelling drama that focuses on the complexities of parental love towards a child. There are two families at the center of the film. The Porters are a blue-collar couple that gave their newborn up for adoption after struggles with domestic violence and alcoholism. The Campbells are a privileged couple who raised the newborn as their son for six years in a loving, nurturing environment. There is no distinct hero or villain in Like Dandelion Dust. Each character has their distinctive strengths, weaknesses, and flaws.
Posted in: Disc Reviews by Gino Sassani on February 2nd, 2011
This series from Comedy Central began as a low-budget film hosting show in a small television station in Minnesota. It was the brainchild of Joel Hodgson. It ended up running for 11 years and a feature film version.
Mystery Science Theatre is an acquired taste. For me, I’ve really got to be in that certain mood to watch it. That’s the beauty of these DVDs. You pop them in when you’re ready. The idea is pretty whacked. Depending on the season you’ve got, Joel or Mike is trapped in space on the “Satellite of Love”. Doomed to spend his life watching very bad films, our hero makes the best of a bad situation. He uses his resources to construct a couple of robot pals. There's Crow T. Robot (Beaulieu), Tom Servo (Murphy), and Gypsy (Mallon). Part of an experiment together, they watch the films from the front row, constantly ranting throughout. If you’re like me, you’ve invited a few friends over to watch a schlock festival. The movies weren’t as important as the banter you created while watching. That’s exactly what you see here. The silhouettes of our host and his robots dominate the lower portion of the screen, where they provide alternative dialog and sometimes witty commentary on the action. The two evil station owners/mad scientists send them a new bad film each week to observe their reactions to the bombs. The films are broken up by off-the-wall skits and fake commercials to alleviate the tedium. This DVD collection is better than some because it includes films from four different seasons to give you a good sample of the overall series.
Posted in: Disc Reviews by Gino Sassani on January 31st, 2011
"Hello. I want to play a game."
Posted in: Disc Reviews by Gino Sassani on January 31st, 2011
"He paws fiercely, rejoicing in his strength and charges into the fray. He laughs at fear, afraid of nothing. He does not shy away from the sword. The quiver rattles against his side, along with the flashing spear and lance. In frenzied excitement, he eats up the ground. He cannot stand still when the trumpet sounds."
Disney has a grand tradition of putting out a certain kind of sports film. You know the type well. There is a champion that must overcome incredible odds and usually their own flaws to rise to the top of their game. Secretariat fits that mold, but only to a point. Usually the movie centers on the athletes themselves, and it's something from within that must change or conquer. With this film, the champion is a horse, and while that often doesn't stop the folks at Disney from allowing us to hear from their perspective, this is based on a true story and remains firmly planted into a reality, of sorts. But, we can't hear from Secretariat himself. Instead this is really the story of his owner Penny Chenery, and it's not a very flattering story at all. I'm afraid that I didn't find myself cheering for the hero this time, and therein lies the fatal flaw of Disney's latest rise-of-a-champion story.
Posted in: Disc Reviews by Gino Sassani on January 31st, 2011
"Contestants are experienced marksmen operating on a closed course. Do not attempt this at home."
Posted in: Disc Reviews by Gino Sassani on January 31st, 2011
"No young man, no matter how great, can know his destiny. He cannot glimpse his part in the great story that is about to unfold. Like everyone, he must live and learn. And so it will be for the young warlock arriving at the gates of Camelot. A boy that will, in time, father a legend. His name ... Merlin."
Merlin. You know the name. It conjures up images of a white-haired old man with a long gray beard and a long pointed hat. His story is indeed legend. In the myths of Arthur and his Knights of the Round Table, he is destined to be the mentor to the King of Camelot. We've all heard the stories of the Sword in the Stone and the Age of Chivalry. Perhaps it is totally appropriate that this telling of Merlin come from British television. England is, after all, the origin of the fanciful legends.
Posted in: Disc Reviews by Michael Durr on January 29th, 2011
Westerns are fun movies to typically review because they usually don't deviate much from a basic formula. There is usually a criminal and there is usually a good guy out there to shoot that varmint. Technically, that is all there is to it. Furthermore, the budget (unless big stars are involved) is small, making for some creative storytelling. Today, we get to review an Australian western: Red Hill. Let's see if it differs from the typical American one.
We overlook a lush Australian landscape (aren't they all this way?) and pause to look at some horses. Suddenly, there is a disturbance in the distance and the horses run. Dun dun dun. Scene shift. Shane Cooper (played by Ryan Kwanten) is up and getting ready for first day of work. His wife, Alice (yes...Alice Cooper, played by Claire van der Boom) who apparently got her Frankenstein fed is very pregnant. They talk about his first day and soon he goes off to work.
Posted in: Disc Reviews by Michael Durr on January 27th, 2011
As most fans of this site know, I’m the resident video game expert on the site. Which means? I play lots of video games. So by default, whenever something video game related comes to this site, it goes to me. Good, bad or indifferent. Many video games these days do the cross-promotion thing whether it would be books, movies or even games before the actual game. One of these I received recently was Dead Space: Aftermath on Blu-ray to promote the launch of Dead Space 2.
Space. We enter to see the USG O’Bannon come into view. Suddenly we see a bunch of dead bodies all around the ship. Something is very wrong. Soon, the scene shifts to inside the ship where there is a rescue crew investigating for life signs. They find four blips on their equipment and then the engine starts up without warning. The crew rushes and finds the four life beings.
Posted in: Disc Reviews by William O'Donnell on January 27th, 2011
A young man wants to stimulate the economy of his tiny community, mostly for the sake of his parents struggling motel, and inadvertently welcomes what would become the original Woodstock festival into his back yard (literally).
Based on the true origins of this music festival that changed the world, we do not see the happenings of the stars onstage like other Woodstock films might. From beginning to the end, we only witness the muddy setup of the campsites and the infamously congested highway leading to the stage.