Posted in: Disc Reviews by Gino Sassani on November 18th, 2010
They’ve been called The Greatest Generation, and who are we to argue the point? Sitting here writing reviews from my comfortable seat in a state-of-the-art home theater, I’m in no position to lay claim to the title. They fought in the bloodiest conflict in modern human history. Over 20 million were killed. That’s a staggering number. If you’re like me, it’s not even real. I can honestly say that those facts have never really reached home as much as they did while watching this footage.
World War II has been a favorite topic for Hollywood films since before the war itself ended. There have been some truly remarkable efforts and some equally unremarkable disasters. Many of these films have been long forgotten. Heck, many of them deserve to be forgotten. But something that should never be forgotten is the stuff of this footage. To do so would be a sacrilege of the worst kind. But these war films, no matter how startling the scenes, no matter how real we might think they are, no matter how visceral the experience might appear, nothing can ever capture the reality like this footage has done.
Posted in: Disc Reviews by Gino Sassani on November 18th, 2010
"My name is Bob Baer. I used to be a CIA agent stationed in Lebanon during the Civil War. It was chaos. Bu, the real threat was always the car bomb."
Posted in: No Huddle Reviews by Gino Sassani on November 18th, 2010
Mention the name John Cazale and most people will shake their heads and answer, "Who?" But mention Fredo from The Godfather and recognition is sudden and complete. Bring up Sal from Dog Day Afternoon and you're liable to get an "I remember that guy" response. He was known by Stan in both The Conversation and The Deer Hunter. Meryl Streep was impressed enough with him to get involved with the unknown actor. She lived with him up until the day he died. John Cazale was only in five movies. But every one of them received an Academy Award nomination for Best Picture. Three of them won the prize. You may not know the man, but you know his movies; everybody knows his movies.
Cazale worked with some of the best actors of his age. The names include Al Pacino Robert De Niro, Gene Hackman, Meryl Streep, Marlon Brando, Christopher Walken, and Robert Duvall. He worked for some of the best directors including Francis Ford Coppola and Sidney Lumet. All of them considered him one of the best actors they've ever worked with. His name didn't stand out because he could make a part so completely his own that the line between actor and character was lost so absolutely in the portrayal. He became that role. John Cazale was never the focus. He was generous to other actors. He was always willing to build up his co-stars and take the dark spot just to the side of the spotlight. One can only imagine what films he would have made had he not died of lung cancer at just 42 years of age.
Posted in: Disc Reviews by Archive Authors on November 18th, 2010
Written by Diane Tillis
On the outskirts of Reno in 1976, a pink building complex is illuminated by neon lights that read ‘The Love Ranch’.
Posted in: Disc Reviews by Gino Sassani on November 17th, 2010
It was in 1843 that celebrated writer Charles Dickens created one of the most iconic symbols of Christmas with his publication of A Christmas Carol. It was a cautionary tale for an industrial revolution that was getting caught up in its material worship. Dickens intended the story both to entertain and to put the spotlight on what he considered already then was an over-commercialization of the Christmas season. Little did he know that his very story would become a huge part of that commercialization. While the writer gave us many memorable characters like Oliver Twist, David Copperfield, and Little Nell, perhaps none have become so well known as Scrooge and Tiny Tim. It's certainly true that no other story has been used as much in film, television and on the stage.
For most modern folks it all started in 1951, almost 100 years after the story's publication, with the definitive film staring Alastair Sim. That movie has captured the hearts of several generations. But it didn't begin nor did it stop there. The three Christmas ghosts have haunted over 100 film and television versions over the years. Even Fred Sanford was visited by the specters, resulting in at least a temporary temperance of his biting grouchiness. With such a classic tale, it was only a matter of time before the computer-animated genre and the motion-capture technology were used to deliver a new movie for the holiday masses. Thank our lucky stars, my gentle reader, that it was Walt Disney Studios that took up the task. The results could have been rather unfortunate.
Posted in: Disc Reviews by Gino Sassani on November 17th, 2010
"My name is Sam Tyler. I had an accident and I woke up in 1973. Am I mad, in a coma, or back in time? Whatever happened, it's like I've landed on a different planet. Now, maybe, if I can work out the reason, I can get back home."
I kind of did things a little backwards. I saw the single-season American version of Life On Mars quite some time before I managed to get my hands on the two seasons of the original British version of the show. The idea of a British television series being adapted for American screens is really nothing new. Lately a lot has been written about the phenomenon as if it’s some recent trendy invasion of English telly. We’ve been watching British hits since at least the 1970’s. In those days it was the sit-com that got the most attention from across the pond. Till Death Do Us Part and Steptoe And Son became All In The Family and Sanford And Son, respectively. Both shows became even bigger hits here in the states and are remembered by more folks on both continents than the originals today. The latest hit from England was The Office. Unfortunately, Life On Mars was never destined to join those Anglo/American success stories.
Posted in: Disc Reviews by David Annandale on November 17th, 2010
The teenage soap opera sensation of the 90s came to an end with this, its 10th season. As one would expect, in a season all about wrapping up storylines, along with various assorted crises, romantic and otherwise, weddings are in the offing. One is supposed to be between Kelly (Jennie Garth) and Matt (Daniel Cosgrove), but is complicated by the brooding presence of Dylan (Luke Perry). Will Kelly and Dylan sort out how they feel about each other (and I note with amusement that the jacket copy describes the relationship between these two twenty-somethings as “age-old”)? Perhaps more promising is the wedding between David (Brian Austin Green) and Donna (Tori Spelling), which provides a reason for most of the cast, past and present (minus the problematic Shannon Doherty) to reassemble for the grand finale.
This was always a pretty slick package, and for all that it was about terminally pretty people, the series did delve into some heady topics (gay bashing is one that is handled this season). But the overpowering odor of cheese was never far away (I remember a particularly hilarious studio-set version of Paris that the gang visited), and how did anyone ever take Perry's Poor Man's James Dean impression seriously? This will be an enjoyable nostalgic trip for fans, though, and a startling reminder of how many cast members became household names, only to plunge into the Where Are They Now File within seconds of the series' cancellation.
Posted in: Disc Reviews by William O'Donnell on November 17th, 2010
A 911 operator returns to work after suffering the loss of her child during delivery, only to start suffering what seems like hallucinations of a lost girl and a menacing man. Obsessed with what she sees, she starts a journey from New York to Pennsylvania to discover the truth behind her visions.
Catherine Bell is solid as the lead but the supporting cast is less than stellar, placing the weight of the film onto her shoulders. Sadly, the pacing does nothing to help her. The building of this film's mystery could have been edited down to fit within a hour as if it were a prime-ime drama. Granted, the conclusion is interesting enough but the path getting there contains too many scenes of filler dialogue that seem only there to get it closer to a feature length of an hour and a half (which it still doesn't quite make). So all in all, Bell is largely left stranded while everytone else plods through the motions, and we the audience are left less than riveted (Fun Fact for Geeks: Keep an eye out for actor George Buza, who might be recognized from Sinbad or as the voice of Beast from the X-Men).
Posted in: Disc Reviews by William O'Donnell on November 17th, 2010
Based on the books by Jan Guillou this film is in fact the merging of two epics produced in Sweden. It also happens to be Sweden's most expensive production thus far. It tells the tale of a boy raised in a convent and trained to become a warrior by a former knight Templar. He falls in love and has a child with a young woman named Cecilia and the two are forced away from each other. Cecilia must pay penance living as a nun while Arn is sentenced to 20 years fighting in the name of God as a Knight Templar in Jerusalem.
This is indeed a huge production, and a beautifully shot one at that. The director of photography deserves any credit he recieves for making this film look as big and epic as it wishes to feel, allowing it to rub shoulders with the monster budgets of Kingdom of Heaven and Braveheart.
Posted in: Disc Reviews by Archive Authors on November 17th, 2010
Written by Diane Tillis
Sociopathic serial killer James Bennett (played by Silas Weir Mitchell of Prison Break) has escaped a maximum security mental hospital after being incarcerated for nine years. Two FBI agents team up with a Federal Marshall to figure out where Bennett is heading next by investigating clues left behind in Bennett’s cell. They also turn to the mental hospital’s director Dr. Green (played by Gail O’Grady of Boston Legal) for insight into Bennett’s mind. What they don’t know is that Bennett’s first order of business is to return to his childhood home. Meanwhile six graduate students are traveling to Bennett’s childhood home for inspiration to finish their thesis. When Bennett arrives, the students begin to disappear one by one.
![The World at War [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/the-world-at-war-blu-ray-large.jpg)
