Posted in: Disc Reviews by Gino Sassani on June 19th, 2009
A group of amateur ghost hunters armed with cameras and other equipment pose as documentary producers for the Discovery Channel. They head for the isolated town of Goldfield, where an abandoned haunted hotel is rumored to be one of the 7 portals to “the other side”. Their car breaks down just outside of town near an old cemetery in the middle of the night. A local bartender appears to be the caretaker for the old hotel and the town’s historian. He gets the exposition that sets up the story for the kids. He hands out the keys to the hotel, but warns them not to go into room 109. Of course, I don’t have to tell you where they go.
The film shows the past events in sepia tone flashback sequences. A woman was brutally tortured and killed in the hotel many years ago. One of the kids has a connection. Her grandmother was involved in the tragic events. Mostly, the kids stumble around drinking, having sex, and pinching a few of the hotel’s antiques. Until the ghost decides to join the party.
Posted in: Disc Reviews by Gino Sassani on June 17th, 2009
“You may only see it once but that will be enough.”
That was the marketing slogan for the first Friday The 13th film in 1980. Apparently they couldn’t have been more wrong, because most of us have seen the film countless times, and no, it was never enough. The franchise would thrive with over 10 sequels or affiliated films, taking us right up to the present remake/reboot of that very first outing at Camp Crystal Lake. No, my friends, once was never going to be enough.
Posted in: Disc Reviews by Gino Sassani on June 17th, 2009
Back in 1998 there was a very promising television series on the Fox Network. Unfortunately, the network never gave it a fighting chance, and it was soon gone as quickly as it had appeared. It was called Brimstone. The idea was that a dead cop (Horton) went to Hell for killing his wife’s rapists. He gets a second chance when the Devil (Glover) offers him his life back if he would become Hell’s bounty hunter. He would capture souls who had escaped from Hell. I loved the show and even participated in its attempts to be reprieved. I never did get to see the return of Brimstone, but the concept would return in the lighter Reaper. Reaper is like Buffy The Vampire Slayer meets Kids In The Hall.
Sam Oliver (Harrison) is a young guy who works at The Work Bench with many of his high school friends. The Bench is basically a Home Depot clone. One day the Devil (Wise) shows up in his car. It appears that his parents sold Sam’s soul to him, and now that he’s turned 21 it’s time to collect. Sam’s job is now to collect and returned escaped souls back to Hell. For each job he’s given a vessel that is, in some way, appropriate to the soul he’s tracking. The vessel can be a vacuum cleaner or an 8-track tape. Failure is not an option, as the Devil doesn’t take rejection lightly. To help him in his tasks he recruits his two best friends and co-workers. Sock (Labine) looks and acts a lot like Jack Black. He has crazy pointed hair and is basically a slacker. He’s always looking for the easy way out or the scam that will pay off for him, regardless of who gets hurt. He really does have a good heart and comes through just when Sam needs him to come through. Ben (Gonzales) is always coming up with crazy ideas like a self sucking straw. He’s hungry for attention and lacks in self confidence. He’s somewhat of the team tech guy. Sam is in love with Andi (Paregrym) who’s not sure if she can take the whole evil thing. She’ll help out in a pinch, and they have an on again, off again relationship.
Posted in: Disc Reviews by Gino Sassani on June 17th, 2009
Perhaps best known and beloved for his portrayal of Felix Unger in the original Odd Couple film, Jack Lemmon has a long list of credits to his name. He’s appeared in 100 films and many stage and television productions as well. It was also a little known fact that he was an extremely accomplished musician and wrote music for a couple of his films. He was one of those actors who simply loved his job. He was known for uttering the phrase “It’s magic time” before a take on the set of almost all of his films. While primarily known for his comedy, Lemmon was actually not a bad dramatic performer and believed there was no reason the two couldn’t be combined. His role in The China Syndrome was far from a comedic one and showcased his ability to do drama.
Jack Lemmon might not be the most dramatic or even the most acclaimed actor out there. But there was something about him that defined him as an icon all the same. He was a very typically American actor. He brought to life characters that were instantly identifiable, but yet oddly eccentric enough to keep our interest. He always came off as genuine and was literally loved by the plethora of actors who always considered it an honor to work with him. He developed lifelong friendships with many of his co-stars, most notably Walter Matthau. The relationship you saw on the screen was what you got off the screen. Jack’s son Chris referred to him as Uncle Walter and claimed that if Matthau played golf, Jack would have married him. But this was just the kind of guy he was. In a day of angst-filled superstars who make more press outside of their roles, Lemmon is still a breath of fresh air. You might miss the man, but Sony and Chris Lemmon have gotten together to make sure you don’t miss some of the greater films.
Posted in: Disc Reviews by Gino Sassani on June 17th, 2009
I’m not sure that this one benefits tremendously from the high definition treatment of a Blu-ray release. It’s certainly a good looking film, and the level of detail is welcome, but I don’t imagine that’s what fans of this kind of film really care about. It’s an early role for LeBeouf, and I still don’t get what the fuss is all about. Still, he works well for this kind of part. He might have been best to stay in this lane. He appears to be a favorite action/genre actor, but this is his true calling.
When I saw that title on the case my immediate thought was: “How did Disney find out about my 1981 Marathon game of RISK where I took out Mark “Trip Sixes” Shreader in 9 hours of battle? Of course, I soon decided they meant professional sports. This film would be about the Minnesota Viking playoff whoopin’ of the Green Bay Packers at Lambeau Field. Turns out that wasn’t it. Point of fact, not one game of the 1980 World Series victory of the Phillies made the cut. Suddenly it hit me. Disney does ice hockey films. They must have made one about the Tampa Bay Lightning’s Game Seven beat down on some Canadian boys to win the Stanley Cup. Wrong! Apparently long before my boy Abner picked up a bat or Dr. Nesmith was shooting soccer balls into his trashcan, some funny looking fellas in Scotland had come up with their own game. Golf. Don’t get me started. Still ESPN says it’s a sport, so who am I to argue?
Posted in: Disc Reviews by Gino Sassani on June 17th, 2009
“Don’t forget that at the end of the day, it’s just a snake, a big messed up snake”.
Boy, if one word of dialog ever summed up a film before, this one does a pretty good job of it. Carnivorous is a low budget answer to the Anaconda series. Throw in the plot from Pumpkinhead and you pretty much have the entire film down, without ever having to have seen it. I wasn’t so lucky.
Posted in: Disc Reviews by Michael Durr on June 17th, 2009
U2 was formed in 1976. Back then they were just teenagers figuring out how to play their instruments. But by the mid-80’s, they were one of the best bands in the world. Currently, they have sold more than 145 million albums worldwide and have won 22 Grammy awards. Rolling Stone has them listed as #22 in the greatest artists of all time. They appear frequently at the head of many human rights causes promoting social justice like Bono’s DATA (Debt, AIDS, Trade in Africa) campaign. The Rebirth of Cool: U2 in the Third Millennium takes a look at the band from the failed release of “Pop” to their reborn commercial success in 2000 with “All That You Can’t Leave Behind” and continued superstar greatness in “How to Dismantle an Atomic Bomb” in 2004.
“Pop” was released in March of 1997. It was an attempt at combining techno, dance and eletronica with U2’s traditional hard rock sound. It was unfortunately a failure in the overall scheme of things. It sold the least among any U2 album (1+ million in the US, 2+ million worldwide) and distanced a lot of fans from the band. U2 knew they had to take a different direction. They quite simply had to reapply for the job of the best band in the world.
Posted in: Disc Reviews by Gino Sassani on June 15th, 2009
“One night stands can be murder.”
That’s the tagline for 1987’s Fatal Attraction. Perhaps it’s no coincidence that both Fatal Attraction and the later Indecent Proposal were both directed by Adrian Lyne. Both were quite controversial upon their release. Both dealt in a kind of “what if” scenario that got people talking around their water coolers and watering hole gatherings. While the latter was pretty much a morality or ethics drama, the former was a gut wrenching morality tale with a Grimm’s Fairy Tale twist. Even if you’ve never seen the film you’ve at least heard of the “Bunny Boiler”, a term that’s entered the pop culture lexicon describing a woman who is likely to go psycho on you. The film was almost never made.
Posted in: Disc Reviews by Gino Sassani on June 15th, 2009
“Not like the brazen giant of Greek fame, with conquering limbs astride from land to land; Here at our sea-washed, sunset gates shall stand a mighty woman with a torch, whose flame is the imprisoned lightning, and her name: Mother of Exiles. From her beacon-hand glows world-wide welcome; her mild eyes command the air-bridged harbor that twin cities frame . ‘Keep, ancient lands, your storied pomp!’ cries she with silent lips. Give me your tired, your poor, your huddled masses yearning to breathe free, the wretched refuse of your teeming shore. Send these, the homeless, tempest-tossed to me, I lift my lamp beside the golden door!”
The inscription above can be found inside the pedestal of The Statue Of Liberty, and while it’s not actually printed where most depictions appear to suggest, it has become somewhat of a motto for this country. I certainly have a warm spot in my own heart for this welcoming attitude to immigrants from around the world. I am a product of Italian grandparents who made the journey here in the 1930’s for a better life. But that ideal has been somewhat abused as of late. Those brave ancestors that many of us can be thankful for our American life did so at great personal sacrifice. Without ever giving up their individual cultures, beliefs, and lifestyles, they did manage to blend into the American landscape and took pride in both heritages. They did not demand that America coddle them. They never imposed their language on the already present society. They practiced their beliefs and traditions without requiring others to accommodate them. They worked hard so that their descendents might not have to labor so much. In so many ways they became models not only for their descendants, but for what good citizenship means. They cherished this new country.
Posted in: Disc Reviews by Gino Sassani on June 15th, 2009
“William Banks has saved 257 people from addiction to drugs, sex, and gambling. He’s not a cop. He’s not a superhero. He’s just a man with a calling. This is his story.”
What he is, is Benjamin Bratt, returning from the thespian dead as William Banks, better known to the show’s fans as The Cleaner. Bratt hasn’t been seen much since he left the gig at Law & Order. I almost didn’t recognize him here. But, he’s returned in style. The Cleaner has all the characteristics of a police procedural series with a lot more excitement. His methods are often harsh. He’s your worst nightmare of an intervention. When Banks is called in, you haven’t hit rock bottom. Rock bottom has just hit you. The character is a recovering addict himself and does this as a kind of making amends. Of course he doesn’t work alone. He’s assembled a kind of Impossible Mission Force style team that helps with each case. Together they form a private company that a family member can call when they tire of a friend or family member’s addiction. The series was based on the real life story of Warren Boyd, who also acts as one of the show’s producers.
![Friday the 13th, Part 2 [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/friday-the-13th-part-2-blu-ray-large.jpg)
![The Greatest Game Ever Played [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/the-greatest-game-ever-played-blu--large.jpg)
![Fatal Attraction [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/fatal-attraction-blu-ray-large.jpg)
