Posted in: Disc Reviews by Gino Sassani on January 21st, 2009
Just to look at it you would think that My 3 Sons was a Disney production. Its star Fred MacMurray had appeared in many Disney films of the 50’s and 60’s and is most likely recognizable from those appearances. Two of the three boys were also known for work with Disney. The eldest boy, Mike, was played by Tim Considine, who starred with MacMurray in Disney’s The Shaggy Dog. Middle son Robbie was played by a former Mickey Mouse Club Mouseketeer, Don Grady. The youngest son, Chip, was played by Stanley Livingston, the only non Disney alum in that group. Another reason for the confusion is the decidedly Disney-like material the series covered. Steve Douglas (MacMurray) was a widowed single parent who was trying to balance his job with that of raising his three sons. Most of the stories involved the warm and fuzzy heartwarming stuff that Disney had pretty much cornered the market on in the films. Whatever troubles arose, no problem was so bad that a heart to heart talk couldn’t fix it. The style would prosper and continue in the form of 70’s shows like The Brady Bunch. The four guys were also joined by Steve’s father-in-law, Bud, played by I Love Lucy favorite William Frawley. That was no surprise, since the show was actually produced, not by Disney, but the Desilu studios.
My 3 Sons was for some time the second longest running sit-com on television. It lasted from 1960 until 1972. The series would undergo major changes as the boys each grew older and eventually married and led their own lives. Frawley would also become very ill after 5 years and leave the show. His replacement, William Demarest as Uncle Charley, is likely better known in the show. The syndicated version of the show often ignored these early black and white versions of the series, opting for the later color ones that featured the Uncle Charley character. It’s very likely you’ve never seen these early episodes as they appeared infrequently in the syndicated markets. The theme from Frank DeVol became pretty popular in the mid 60’s and even entered the pop charts at one time. The show also originally ran on ABC, but moved to CBS in 1965, also accounting for the different syndication packages. It was during that move that many of these big changes occurred.
Posted in: Disc Reviews by Gino Sassani on January 20th, 2009
There’s something I hate about election season. No, it’s not all of those negative ads. No, it’s not the wall to wall coverage on the news networks, It isn’t even the campaigning that closes streets and makes you late for work. It’s the fact that every studio decides to dust off any title they think is even remotely political in nature and put it out, hoping to cash in on the perceived political craze. Of course, there is no craze out there, and all they are really doing is making sure the discount bins are going to be overflowing at your local Wal Mart.
Election has to be the product of that kind of thinking. Why else would a film this bad and with no spectacular visuals to show off beat quality films like Jaws and Lord Of The Rings to the high definition format? Paramount, I love you guys, I really do, but do you honestly think that anyone was holding their breath for this title on Blu-ray? With a $25 million budget in 1999 the film brought in just under $15 million total box office. It was the 97th ranked film in 1999 in total gross (giving new meaning to the word).
Posted in: Disc Reviews by Gino Sassani on January 16th, 2009
“It’s not about monsters, or zombies, or vampires. It’s about kids.”
One of the horror trends going around involves the isolation of a young couple who find themselves suddenly terrified. The pursuer can be a creature or undead vengeful spirit, but more often than not the attacker is very much human. The location can be a desert or even a hotel room as it was in one of the better examples of the subgenre, Vacancy with Kate Beckinsale and Luke Fox. Many of these kinds of films have become far too predictable and, dare we say, boring. They rely totally on jump scene scares and a few gallons of gore. So, when Britain got into the act, I admit I was bracing myself for more of the same. Happily, Eden Lake is a standout film. Its quality took me totally by surprise, but everything about this film was pretty well done. Of course all of the cliché moments are there, but if you check out Eden Lake you’re in for an entertaining, if not disturbing, ride.
Posted in: Disc Reviews by Gino Sassani on January 16th, 2009
“As the end of World War II drew near, Hitler’s Germany was not only waging a war on separate fronts but from within the Third Reich. This story is based on actual events.”
If any of that sounds familiar, it should. It’s the plot and historical source for Tom Cruise’s latest big budget film, Valkyrie. One can’t help but wonder if this 1990 made for television film would ever see the light of a DVD release if not for the hype surrounding the Cruise film. Likely it would have remained in the vaults somewhere, an obscure film about a long obscure historical event.
Posted in: Disc Reviews by Gino Sassani on January 16th, 2009
Supercop is really just the American title for the third entry in Jackie Chan’s very popular Police Story series in Hong Kong. For the first time in the franchise, Chan decided to go with an outside director, and he made a wise choice with newcomer Stanley Tong. Tong might have been a green director, but he had a natural feel for the abilities and strengths of his mega-star. The two would go on to collaborate on several more films after this rather remarkable first time pairing. It didn’t hurt that Tong not only had Jackie Chan to draw upon for the film, but he also had Chan’s Hong Kong film female equivalent with the talented Michelle Yeoh. Both stars are accomplished martial artists and perform nearly all of their stunts without the use of doubles. Tong’s task here was to allow his stars to “do their thing”, yet bring something new and fresh to the formula of Police Story, and to a certain degree all of the Jackie Chan films. He succeeded on all accounts, and Supercop is easily the best of the Chan Police Story films. The two would also team up for one of Chan’s most popular films, Rumble In The Bronx. While I’ve not seen anywhere near all of Chan’s Hong Kong outings, this is high and away the best that I’ve seen from that market.
Jackie Chan once again stars as police inspector Chan. When he overhears his superiors talking about a dangerous mission in need of a “supercop”, Chan volunteers for the task. Of course, he has to convince his girl that the month long job is going to be easy and safe, all the while giving her his life insurance policy and bank book records. Chan’s job is to pretend to break the infamous Panther (Wah) out of State custody and infiltrate the organization. He is briefed and trained by INTERPOL Inspector Jessica Yang (Yeoh). Once he’s ready the breakout commences, but the military guarding the prisoner aren’t in on the gag. After dodging bullets and missiles, Chan gets Panther safely away. Now the gang wants to meet with their contact in a local town that just so happens to be Chan’s cover story hometown. This is where his family is supposed to be. The only trouble is that Chan’s never been there before. INTERPOL sets up a fake group of family and friends, and it’s amusing to watch Chan try and fake his way about knowing these people when he’s not even sure who they are each even playing. Chan has a particular problem when he’s introduced to his “sister” played by Yang. The two follow the gang through various government operations to recapture him. Finally they’re in it for the meet and payoff, but Chan’s cover gets blown by a chance meeting with his girl, May (Cheung). Now it’s as much a matter of survival as of bringing down the bad guys.
Posted in: Disc Reviews by Gino Sassani on January 16th, 2009
The second season of Matlock brought some change to the series. Matlock’s daughter was written out of the series when Purl left the series after the first season. In the 2 hour opening episode of the second season Matlock meets Nancy Stafford (Thomas) in London when he goes there for a case. The episode was filmed on location and marked a spectacular return for the sophomore series. The Stafford character filled in for Matlock’s now departed daughter to become his new junior partner. CBS also tried a little gadgetry in this season. With the episode The Hucksters, callers were invited to call one of three special numbers to select who they wanted the killer to be. The ending was then used that corresponded to the callers’ request. In this release you get a choice of all three actually filmed endings. They are actually identical, with only the “big reveal” having changed.
Imagine Sheriff Andy Taylor older and now an attorney, and you pretty much have the set up for Matlock. Forget for a second that both characters were played by Andy Griffith. That’s not all they have in common. Matlock is every bit the “southern gentleman” that Taylor was. He might be a little smarter, but he walks and talks like Andy Taylor.
Posted in: Disc Reviews by Gino Sassani on January 16th, 2009
Here’s the deal. I don’t remember anything about the 2004 release of Without A Paddle. I guess it did some business; however, because someone working at Paramount, or should I say, who used to work at Paramount, came up with the harebrained scheme to deliver a direct to video sequel. This out of work crackpot also seems to have figured that returning any of the original’s cast was not a good idea; in fact, the brainstorm, here was that this film will have nothing at all to do with the first film. If that sounds like quality entertainment to you, you should drive around the streets of L.A. and offer this idiot a sandwich, because I guarantee you he’s out there somewhere with a “will work for food” sign under a highway on ramp. If he’s not, he oughta be.
Again, I never saw the original. I do know it at least had some known names in the cast, including Seth Green. Apparently it was about three guys who get lost out in the woods. Guess what this film’s about? Wrong!
Posted in: Disc Reviews by Michael Durr on January 15th, 2009
In the review business, we often get films that we find to be distasteful or just plain rubbish. This is especially true when we receive a popular star’s directorial debut. Usually it is an egotistical pompous piece with no merit outside to try to drive the idea home that the actor is a well-rounded individual. However, once in a while we get a film that was directed by an established star that actually gave birth to his career. This is a self-promotional piece that got the world to know the person’s name. The name of this person I speak of? That would be Vin Diesel. The movie is called Strays.
Rick (played by Vin Diesel) is trying to change. He is a drug dealer by day and by night he is finding his next female conquest. However, he knows that there is more out there in the world and would like to have a healthy and real relationship with a woman. He has three friends: Fred (played by Joey Dedio), Mike (played by Mike Epps), and Tony (played by F. Valentino Morales). They call themselves: ‘Strays’. They are strays because they didn’t have a father growing up and were lacking in a traditional family structure.
Posted in: Disc Reviews by Gino Sassani on January 15th, 2009
“Tonight’s the night, and it’s going to happen again and again. It has to happen…”
What is going to happen is that Dexter has finally come to Blu-ray. I can’t think of a better cable show to make the leap onto high definition. More than any current show, I think I’ve been looking forward to this release. Imagine what it would be like to visualize Dexter’s world in such wonderful detail. Imagine no longer. Dexter’s here, and he’s got something to show you.Man, has television come a long way in just over 50 years. There was once a pretty strict code that applied to television programs. Men and women, even when married, couldn’t be seen to have shared the same bed. Anything stronger than a “golly gee” was strictly forbidden. You couldn’t even show a woman’s belly button. And the good guys always had to win, while the bad guys got their comeuppance in the end. Alfred Hitchcock was one of the first to push those boundaries by telling mystery stories where the bad guys often appeared to get away with their evil deeds. Even Hitchcock wasn’t brazen enough to completely skirt these rules, and at the end of such immoral plays he would always add, in his spoken postscript, some terrible twist of fate that got the bad guys in the end. Those days seem long behind us now. We have mob bosses, crooked cops, and now a serial killer, not only getting away with their crimes but acting the hero, of sorts, for the show. Vic Mackey and Tony Soprano only helped pave the way. In Showtime’s groundbreaking series, Dexter, Morgan Dexter is a serial killer who happens to kill other killers. The series is based on two novels by Jeff Lindsay. Darkly Dreaming Dexter and Dearly Devoted Dexter gave birth to the character and world of Dexter Morgan.
Posted in: Disc Reviews by Gino Sassani on January 15th, 2009
“On 15 December, 1977, after a hiatus of over a year, The Who assembled at Gaumont State Theater in Kilburn, North London, to record a concert for Jeff Stein’s documentary film, The Kids Are Alright. Shot before a select invited audience it would turn out to be Keith Moon’s last, but one live performance. Unusual for live rock at the time, it was shot on 35mm film by six cameras and professionally recorded on a 16 track recorder. Never seen before, the film rested in The Who’s vault for 30 years.”
What young 1970’s pup, learning to play a guitar for the first time, didn’t, at one time or another, attempt to imitate Pete Townsend’s windmill power chord strum? I count myself in that group. While I was not a very dedicated Who fan, I had an appreciation for the musicianship. There were still songs like Pinball Wizard and Behind Blue Eyes that I would embrace as if they were my own anthems in those days. It would be hard to deny that The Who is one of the most successful rock bands in history. Part of the original British Invasion of the 1960’s, there are few such acts that are even still around, let alone able to fill the huge stadiums and halls of Rock’s yesteryears. Their songs have become anthems, and their antics have become legend. The band wrote the soundtrack for an entire generation, and proudly touted the fact in aptly named song, My Generation. Banned from all Holiday Inns at one time for their well publicized trashing of rooms, they weren’t any easier on their own instruments. Smashing their instruments and amps on stage became a staple, for a while, of the whole Who experience. They’ve inspired a legion of superstars, and now after more than 40 years of rocking, they soldier on. Their influence goes beyond just rock music. All three of the CSI franchise shows sport Who songs for their opening credit sequences. They’ve been lampooned on South Park and The Simpsons. They were once referred to as The Band That Wouldn’t Go Away, and that was more than 30 years ago.
![Election [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/election-blu-ray-large.jpg)
![Without a Paddle: Nature's Calling [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/without-a-paddle-natures-calling-large.jpg)
![Dexter: The Complete First Season [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/dexter-the-complete-first-season--large.jpg)
