Posted in: Disc Reviews by Gino Sassani on December 29th, 2005
A Dry White Season is a rather faithful adaptation of the critically acclaimed Euzhan Palcy novel. The film attempts to portray the infamous South African policy of apartheid, beginning with a massacre of peaceful demonstrators that occurred in 1976.Perhaps the point could have been made without the disturbing depiction of children being shot in such graphic detail. Such on-screen brutality seems drastic even under today’s less constrictive standards. I’m sure it can, and likely has, been argued that these events require realism, much as the opening salvo of “Saving Private Ryan” has been justified. In any case, the film certainly makes its point, leaving a lingering impression.
If anything, the film does provide a showcase for some quality performances. Donald Sutherland is most convincing as school teacher and former athletic star who finds himself compelled by conscience into the moral struggle.
Posted in: Disc Reviews by Archive Authors on December 29th, 2005
John(Owen Wilson) and Jeremy(Vince Vaughn) are divorce mediators faced with the daily struggle of attempting to reconcile fractured partners for long enough to enable them to reach some kind of settlement. But let's not worry about that too much because it’s nearly wedding season, a time when their entire agenda shifts focus. Why? Because John and Jeremy are wedding crashers. We're not talking about anything half-hearted either. These two are professional wedding crashers. They have rules, game-plans, and even fake f...mily trees to help them crash any party. Anglo or African-American, Italian or Spanish, Chinese or Korean, it does not matter to them—they just pretend to be some distant relative of a dead aunt and bluff their way through the rest. The purpose behind this cleverly conceived fraud? Simple, they want to get laid. They want no-strings-attached sex with beautiful, twenty-something women. Tons of them.
After a long and eventful season of fun weddings, these two come across the ultimate wedding to crash. The eldest daughter of a prominent Senator is getting married, and John and Jeremy simply cannot afford to miss such an illustrious event. When they arrive, however, it is not long before the plan goes out of the window and everything starts to fall apart. Although they appear to find their designated targets, and set about on their elaborate plans to seal the deal with these lovely ladies, it turns out that things are much more complicated than they seem because the girls are the two younger daughters of the Senator and they each come with their own share of woes. The boys may just have their work cut out for them if they want to close the deal but the real trouble comes when they start to realize that they may want more than just the one night.
Posted in: Disc Reviews by Archive Authors on December 29th, 2005
Note: the following synopsis contains spoilers. Only read this first section if you know have happens in season four.
I shall first give a bit of the background of the show for any readers who are a bit interested in the background of the show. The show debuted in the fall of 1985 during an era of non-violent and very-feel good nature type television shows. Even though a show like Macgyver did follow this standard 80’s television show rule, the show manages to distance itself from the standard cop sh...w/soap opera show solely because of the lead character Macgyer. Instead of using brute force to overcome his adversaries, Macgyver simply stops and takes a moment to use his head to decide what to do next. Since Macgyer he has an astounding mind (most specifically in the science field), he is able to always get the upper edge over his foes with his ability to make easy use of any of the materials surrounding him to create solutions to the numerous problems he encounters. While I must say this is a bit different from your average show, this routine does get a bit tiring after awhile.
Posted in: Disc Reviews by Archive Authors on December 28th, 2005
Synopsis
It would appear that the 1961 Disney film The Parent Trap helped to spur popularity within Disney’s non-animated film section. Films like the Herbie films, and films featuring other stars like Kurt Russell would soon follow several years later. Based on a book by Erich Kastner, and written and directed by David Swift (Eight is Enough, Barney Miller), the film is centered around Sharon and Susie (both played by Hayley Mills, Saved by the Bell, Pollyanna), who are i...entical twins who do not realize that they are sisters. After some initial bristling between the two, they manage to get along and learn more about each other.
Posted in: Disc Reviews by Archive Authors on December 28th, 2005
I must admit feelings of suspicion before popping in the DVD copy of Prozac Nation:. I remember seeing the theatrical trailer years ago. It was not, by any means, poor advertisement. I had taken a liking to the acting of Christina Ricci, and the film looked like a decent outing with a talented supporting cast. So I waited for the film to come out. Then I waited some more. Years passed and the film never popped up at my local multiplex. It is generally not a good sign that a film is shelved for so long, but I s...ill kept an eye out for its theatrical release.
However, Prozac Nation: never did get that theatrical release. Instead Miramax gave it a cable debut on its sister network Starz/Encore, and the film went straight to DVD. Now I have seen awful films that have been delayed for years, and those titles were even given a theatrical release. Since Prozac Nation: was not even given that freedom, I couldn’t help but suspect a terrible film. Just when I had started thinking about the film after seeing an advertisement on Encore, a copy of the film ended up on my doorstep a few days ago for review. Truthfully speaking, I don’t quite see what all the delays were about. This may not be a wonderful picture, but it certainly deserved more respect than some of the other crap that reaches screens across the world.
Posted in: Disc Reviews by Archive Authors on December 27th, 2005
Synopsis
This is a short (69 minutes), quite elliptical film that traces the arc of a relationship between a young man (Kieran O’Brien) and woman (the pseudonymous Margo Stilley). We see individual moments, usually framed around episodes of lovemaking, and in between we see our couple at rock concerts (and so we get, in their entirety, performances by the likes of Primal Scream, Super Furry Animals and Franz Ferdinand). The whole story is a flashback, with O’Brien in the present, post-relationship, r...flecting on it while he does research in Antarctica.
Posted in: Disc Reviews by Archive Authors on December 27th, 2005
Most film-goers could identify a Michael Bay film just by the techniques he uses -- quick edits, sun drenched color palate, and lots of action. This usually means that Bay is suited more for low-brow action movies as opposed to high concept films.
In Pearl Harbor, Bay proved that he couldn’t handle anything that didn’t explode -- resulting in a lop-sided film. The first hour was a tedious love story and the last 90 minutes were better -- including an excellent recreation of the surprise attack.
Posted in: Disc Reviews by Archive Authors on December 26th, 2005
Synopsis
There was a period in Francis Ford Coppola’s (The Godfather, Apocalypse Now) life where he went through a bit of a phase, where he was making films based on relatively obscure material. And he went through another smaller phase in the early ‘80s where he was making films from source material of author S.E. Hinton (The Outsiders). And Rumble Fish was one of those.
Posted in: Disc Reviews by Archive Authors on December 26th, 2005
Synopsis
Despite the upside of pro wrestling-being on worldwide TV and having people from ages 6 to 60 buy a shirt with your face on it, and cheer (or boo) you in the ring until they become hoarse, there is still a downside. A wrestler can be on the road for 250 days out of the year. The pay is comfortable, but there is the risk of injury, or worse, addictions to drugs to overcome the pain you can suffer from while on the road. And unlike John Q. Businessman, a lot of the wrestlers out there either don’t ha...e a health or pension plan, or can’t even afford either or both to begin with. Numerous wrestlers over the years have been incapacitated from the life, and at least that many have committed suicide, including several well known (to fans) wrestlers in the recent months. The upside can be great though, and a wrestler’s character can have a lasting impact on the public, long enough to maybe make them lifelong fans. I’m still watching it, off and on for (damn!) 20 years, and Barry Blaustein has the same identification with it, and uses it to help focus on several different people who have, and are, making their livelihood in the business, in Beyond the Mat.
Posted in: Disc Reviews by Archive Authors on December 26th, 2005
Four Brothers starts off as a solid drama about a group of orphans (Marky Mark, Tyrese Gibson, Andre Benjamin, and Garrett Hedlund) who were raised by a sympathetic woman (Fionnula Flanigan) in downtown Detroit. When she is murdered, the brothers reunite and stay in their mother’s old house. They sit at the dinner table and stare at her now empty seat. They horse around with one another in her living room. And in some cases they even wear her old clothes. In scenes like these, the actors do a good job of makin... their characters feel real -- a rare feat in movies these days. Then the action starts. And that’s where Four Brothers goes downhill.
What starts as a serious toned film about coming together to bury a loved one, Four Brothers transforms into an unintentionally funny action movie. The characters don’t just shoot at one another, they make corny quips while doing it. Marky Mark, yeah I know he’s Mark Wahlberg and all, but after this performance, he’s Marky Mark again. He’s lost the right to be taken seriously. Anyway, Marky Mark actually says the line, “Grab the gun and bust some shots” to Tyrese Gibson while chasing some bad guys down a street. I don’t know... the line might sound perfectly normal to some people. I guess they are the intended audience for this film. But it made me laugh. Many lines like that one made me laugh.
