Posted in: Disc Reviews by Archive Authors on September 14th, 2007
One of the handful of films deemed extra special in 2006, Babel had lofty intentions, a lot of hype and plenty of Oscar nominations. And yet, while the film was well directed and very well acted, it falls well short of its reputation. In fact, Babel fails to create a real impact, unless you count the utter depression one experiences while watching it.
Still, the film has lots of fans willing to call it one of the best of 2006. Those folks will be happy to add Babel: 2-disc Collector's Edition to their own collections. That is, unless they already picked up the single-disc version released back in February. Is this double-dip good enough to say, "out with the old, in with the new?" Read on to find out.
Posted in: Disc Reviews by David Annandale on August 22nd, 2007
Every so often, a remake comes along that does the original proud. David Cronenberg’s The Fly is one. Philip Kaufman’s reworking of Don Siegel’s 1955 classic is another. For the three people out there who aren’t familiar with the plot, pods from outer space are replacing people with soulless duplicates. Donald Sutherland is the health inspector whose friend (Brooke Adams) is one of the early people to believe that someone close to her is no longer who he appears to be. Before long, Sutherland, Adams, Jeff Goldblum and Veronica Cartwright are running for their lives.
The story of perfect paranoia is infinitely flexible, adapting itself perfectly to the tenor of the times (assuming, of course, the filmmakers are halfway competent). Kaufman’s film distinguishes itself from its predecessor by playing on our worst fears concerning big city anonymity and alienation, and by introducing the infamous pod scream, which leads to one of the most chilling final frames in film history.
Posted in: Disc Reviews by Archive Authors on August 9th, 2007
There must be very few people out there who haven’t seen Taxi Driver or at the very least muttered the words, “you talking to me?†Regardless, this thirty year old film is easily a classic, and still on the top of many critics lists. It marked the blooming of an epic and ongoing relationship between Robert DeNiro and Martin Scorsese, the spawn of Jodie Foster’s career and arguably Harvey Keitel’s as well. At any rate Taxi Driver managed to receive four Academy award nominations as well as gaining a huge cult following. I don’t think it’s a surprise that I’ve already seen and love this movie, but how does the newly released DVD pan out?
Travis Bickle (Robert DeNiro, Heat) is an ex-marine who had recently fought in the Vietnam War. He has since developed several psychological disabilities as showcased throughout the movie including insomnia, obsession, and depression. He works as a nighttime taxi driver and spends his sleepless days in pornography movie theatres or watching presidential aide Betsy (Cybill Shepherd, Alice). He finally garners the courage to approach Betsy and ask her on a date, initially she in intrigued by Travis, but after he takes her on a date to a pornographic film she ditches him and takes a cab home. This acts as a catalyst for Travis’ depression and increasingly paranoid and delusional behavior. He begins having vigilante fantasies and acquires several handguns. One night a 12 year prostitute named Iris (Jodie Foster, Silence of the Lambs) jumps in to his cab trying to escape a beating from her pimp. Travis has a moment of realization about the decaying world around him. From here he begins toying with the notion of killing Senator Charles Palatine and Iris’ pimp (Harvey Keitel, Reservoir Dogs).
Posted in: Disc Reviews by Archive Authors on July 27th, 2007
Some of you may know John Grisham as a politician or an attorney but that’s not very likely. Like me you probably know him as an author of some of the best legal/crime fiction novels. His works have made their way to the big screen several times including; The Firm, Runaway Jury, A Time To Kill, The Client, and of course The Rainmaker. Although it’s been quite a while since I’ve seen any of the aforementioned films I do remember them all being rather good, I just hope The Rainmaker can live up to what I remember.
Rudy Baylor (Matt Damon, The Bourne Identity) has recently graduated from the University of Memphis Law School, but can’t nail a well paying job. Eventually he resorts to something that goes against his principles and becomes an associate to J. Lyman “Bruiser†Stone (Mickey Rourke, Sin City), a cutthroat and successful ambulance chaser. On the brink of bankruptcy things aren’t looking very promising for Rudy, especially once his employer’s office is raided by the FBI. Nonetheless Rudy decides to stay on a case he had just accepted and enlists the help of associate Deck Shifflet (Danny DeVito, Twins). Although Deck has failed his bar exam multiple times he has experience working with insurance companies and excels at information gathering.
Posted in: Disc Reviews by Michael Durr on July 16th, 2007
Synopsis
Ever know that feeling when you've seen a movie about twenty times and vow never to see it again until it comes out in a new collector's edition dvd? Coming to America is exactly like that. Coming to America is the tale of Prince Akeem (played by Eddie Murphy) who isn't quite happy with his country's arranged marriage practice. (but apparently pretty happy with the country's bathing procedure) He decides that with his friend Semmi (played by Arsenio Hall) he should travel to New Yo...k to find his bride. So with the King's blessing (played by James Earl Jones), the boys set off to New York to live the dream. (to live in an awful apartment, eat knockoff McDonalds food and go to a New York club full of really scary women) There he finds his true love Lisa (played by Shari Headley). Hence, the fairy tale story of a prince finding and marrying his princess commences.
Posted in: Disc Reviews by Archive Authors on June 22nd, 2007
Although Trading Places is nearly twenty five years old it still manages to offer some pretty good laughs, being one of the better comedies out of the 80’s. Starring Jamie Lee Curtis, Eddie Murphy, and Dan Aykroyd the trio appeared to have some great chemistry together, as they were all at or near the peaks of their careers.
Louis Winthorpe III (Dan Aykroyd, The Blues Brothers) is a well respected member of high society, manages a commodities brokerage firm for the Duke Brothers and is recentl... engaged to the superficial Penelope. Everything is going well for Louis until Mortimer and Randolph Duke have a bet on the nature versus nurture debate. Mortimer believes that any well breed member of high society can get back on his feet even if everything was taken away from him, and a street urchin would simply fail even if the right opportunity for a bright future came along. Randolph of course believes the opposite and the two decide to wager “the usual amount” on the bet, and before you know it Louis is framed as a drug dealer and a thief. With frozen bank accounts and no house he has only a hooker with a heart of gold, Ophelia (Jamie Lee Curtis, True Lies) to count on. Meanwhile Billy Ray Valentine (Eddie Murphy, The Nutty Professor) is invited into the posh arms of high society, living in Louis’s house and even taking his old job. It appears that money is already changing Billy Ray, and the street has broken the once confident and in control Louis. Eventually the two see society for what it really is which actually leads to a pretty interesting climax.
Posted in: Disc Reviews by Archive Authors on June 16th, 2007
I’m kicking myself. Martin Scorcese’s The Color of Money has long been a favourite of mine, but for some reason I never knew it was a sequel to The Hustler, a film 25 years older and three times better.
Starring a young Paul Newman (Road to Perdition) in a role that earned him his second Oscar nomination, The Hustler is about a cocky pool player hustling his way to the top. When “Fast Eddie” Felson (Newman) challenges undefeated straight-pool champ Minnesota Fats (Jackie Gleason,...Requiem for a Heavweight) to a high stakes game, the talented young hustler shows he has the skills to be the best, but self-destructs toward the end of the 25-hour marathon match. Left near-penniless and without the managing partner who helped him get started in the seedy world of pool hustling, Eddie faces an uphill struggle to regain his confidence. Shacking up with smart, attractive and similarly self-destructive Sarah (Piper Laurie, Carrie) proves to be a decent diversion while Eddie wallows in misery, but while he uses her as a crutch, he becomes the cause of her destruction when he agrees to play for Bert Gordon (George C. Scott, Patton), a ruthless, greedy manager, and brings her along when they hit the road.
Posted in: Disc Reviews by Archive Authors on May 28th, 2007
Prior to Top Gun with Tom Cruise and long before The Guardian with Ashton Kutcher, An Officer and a Gentleman was the film about a hot-headed hotshot military trainee headed for glory or self-destruction.
Starring a youthful Richard Gere (Chicago), An Officer and a Gentleman follows the journey of Zack Mayo, a young man looking to find his place in the world, and to prove he can defy his chaotic, depraved upbringing. His avenue of choice is to become a navy jet pilo..., which means he must first survive officer training under hard-as-nails Gunnery Sergeant Foley (Lou Gosset Jr., Diggstown). Between the tough training and weekend romps with girlfriend Paula (Debra Winger, Shadowlands), a local townie hoping to marry a pilot-to-be and escape her dead-end life, Mayo has a hard time holding on to his selfish, loner persona, and he fights the battle on internal and external levels throughout the film. It takes him a long time to realize he can change, open up to others and actually succeed. It’s a no man is an island story, and while you’re probably familiar with aspects of it from the likes of The Guardian, this film tells it in a more realistic and thus more satisfying way.
Posted in: Disc Reviews by David Annandale on April 24th, 2007
Synopsis
Robert Francis is a wet-behind-the-ears naval officer whose first posting is aboard the Caine, a ramshackle minesweeper. He is dismayed by the rough-looking crew and captain, and when that captain is replaced by Bogart, a by-the-book commander, Francis is initially relieved. But Bogart’s fixations on minutiae are tyrannical and obsessive, his refusal to admit error dangerous, and his behaviour increasingly erratic and paranoid. Francis and fellow officers Fred MacMurray and Van Johnson reali...e that Bogart is unfit for command, and one stormy night, Johnson (the first mate) is forced to take action. The consequences are serious.
Posted in: Disc Reviews by Archive Authors on March 30th, 2007
The first question I ask about any new version of a film is the obvious - is it better than the original? Same goes for Payback - Straight Up: The Director's Cut. Sometimes, the difference between versions is so minor that the answer is straightforward. In the case of this Special Collector's Edition DVD, however, we're talking about a very different film.
What's changed? I've seen the original a couple of times, but I'm definitely working from memory here. The director's cut is shorter, by about 10 minutes, and darker in tone. There's a new opening that doesn't explain what Porter is after, and his voice-over is gone This results in Porter being a meaner S.O.B. than in the original, as he does plenty of bad stuff before we learn what he's up to, and why his actions might be justifiable. Also absent are a lot of the jokes, which didn't sit well for me in the theatrical cut. Finally, the last third of the film is completely changed to something less complicated and less happy, with an extra shot of ambiguity.
