Posted in: Disc Reviews by Gino Sassani on May 9th, 2002
“Danger, Will Robinson.” Attempting to make a serious film out of Irwin Allen’s beloved space family Robinson wasn’t one of Hollywood’s brightest ideas. The filmmakers did a pretty decent job of creating a fun science fiction film, but their obvious attempts at nostalgia never quite gel with the overall vision of the film. Complete with stellar special effects and a much more logical plot than the campy 60’s show, Lost In Space had promise. What New Line failed to understand was the cheese cardboard effects and zipper-toting aliens spun around a totally ridiculous plot was the true charm of Lost In Space. While it was warming to see 4 of the original cast in cameos the two that were missing, Jonathan Harris and Bill Mumy were the true heart of the TV series. The one jewel in this film has to be the performance of Gary Oldman as the indomitable Dr. Smith.
Synopsis
Posted in: Disc Reviews by Gino Sassani on May 4th, 2002
Time travel stories and their inevitable paradoxes have been with us since Twain’s Connecticut Yankee in King Arthur’s Court. This film takes a fresh approach to the subject. Instead of the characters moving through time, they are afforded the chance to communicate through time. Frequency is both engaging and often emotional. There is an amazing chemistry between father and son even though for most of the film they are never actually together. The baseball theme, for me, adds warmth that makes the relationship play out like a common memory. I hesitate to use the moniker “feel good movie” but it does seem to fit Frequency.
Synopsis
Posted in: Disc Reviews by Gino Sassani on April 10th, 2002
Let me start off by saying that “The Cell” is not for the timid. It can be as disturbing as it is visually stunning. On the surface this is a serial killer thriller but in reality the film is much more. Elements of suspense and graphic horror combine with a science fiction premise that one can enter the dreams of another person. It’s hard not to make comparisons with the 1980’s film “Dreamscape”; both have created elaborate larger than life dream worlds where if you die in your dream you die in reality. “The Cell” goes much further with its stark contrasts of often gritty environments followed by lavish and brightly colored settings.
Synopsis