Posted in: Disc Reviews by Archive Authors on December 26th, 2005
Synopsis
Despite the upside of pro wrestling-being on worldwide TV and having people from ages 6 to 60 buy a shirt with your face on it, and cheer (or boo) you in the ring until they become hoarse, there is still a downside. A wrestler can be on the road for 250 days out of the year. The pay is comfortable, but there is the risk of injury, or worse, addictions to drugs to overcome the pain you can suffer from while on the road. And unlike John Q. Businessman, a lot of the wrestlers out there either don’t ha...
Posted in: Disc Reviews by Archive Authors on December 23rd, 2005
Synopsis
Angie Dickinson is a single mother of two teenage girls (whom the film very explicitly characterizes as “ripe” – boy howdy, they don’t make movies like this anymore). Money is tight during the Depression, and after a fiasco of an interrupted wedding, mother and brood hit the road to seek their fortune, and before you know it, they’re robbing banks.
A low budget, tongue-in-cheek variation on Bonnie and Clyde (minus Clyde), this is a nicely produced bit of period sleaze. The d...
Posted in: Disc Reviews by Archive Authors on December 22nd, 2005
Synopsis
In the year 2000, the United States (and much of the rest of the world, it seems) is under the dictatorial rule of Mr. President, and the masses are kept passive with the Transcontinental road race, where the competitors must not only race from the remains of New York to the remains of LA in record time, but kill as many pedestrians as possible. Chief rivals are fan favourite Frankenstein (David Carradine) and the villainous Machine Gun Joe Viterbo (Sylvester Stallone).
You know yo...
Posted in: Disc Reviews by Archive Authors on December 21st, 2005
Where does Dukes of Hazzard fall on the spectrum of TV show adaptations? Somewhere in the middle, which came as a surprise. I expected a stupid flick with no entertainment value, but I got a stupid flick with more than a few glimmers of amusement. The film’s plot borders on irrelevant, but I’ll recap it anyway. The flick focuses on the adventures of cousins Bo (Seann William Scott) and Luke (Johnny Knoxville) Duke. They deliver moonshine for their Uncle Jesse (Willie Nelson), and Bo also succeeds as a local ra...
Posted in: Disc Reviews by Archive Authors on December 18th, 2005
Synopsis
Thankfully, as part of Criterion’s desire to be completists of the Akira Kurosawa collection, they have finally decided to release Ran on DVD. For the sake of time, I’ll include my thoughts of the film based on my review of the Kurosawa boxed set, which included a previous version of Ran:
In Kurosawa’s last outstanding film (inspired by “King Lear”), the aging Lord Hidetora Inchimonji decides to split his power equally among his three sons Taro, Jiro and Saburo. Saburo ques...
Posted in: Disc Reviews by Archive Authors on December 18th, 2005
Synopsis
In Akira Kurosawa’s later years, it was almost criminal that a director with his resume was forced to practically beg for financing. Kurosawa was in the midst of a career drought, having made only two movies in almost 15 years with Dersu Uzala and Dodesukaden. This coming after a run of films that has proved influential to even today’s filmmakers. While Kurosawa did have to obtain foreign financing for his movies in later years, Francis Ford Coppola and George Lucas, both of whom cite...
Posted in: Disc Reviews by Archive Authors on December 17th, 2005
Peter Jackson is a true visionary. In most circles, such a statement is agreed upon if the subject is the Lord of the Rings trilogy, or his brand new King Kong remake. There are also those who'd rather remember him for his schlocky, disgusting, and dangerously enjoyable efforts Braindead and Bad Taste. Of course, either camp will love his work. It's just a matter of preference as to which type of film they love more. I'd say most find his latest efforts to be superior to those low budget e...
Posted in: Disc Reviews by Archive Authors on December 17th, 2005
Pickpocket is precisely the kind of film that could never have been made in Hollywood in the 50's. The Hays Code was a set of morality guidelines that dictated what was and was not acceptable to be shown in motion pictures. Amongst many other things, the code would not allow a criminal to be depicted on screen in such a way as to induce sympathy from the audience. It also said that criminals must always be punished for their actions. (For a complete copy of the code, visit http://www.artsreformation.com/a...
Posted in: Disc Reviews by Archive Authors on December 15th, 2005
Written by Clayton Self
The Polar Express is a milestone in digital film making. Making use of “performance capture” (little attachments connected to the body to mimic human movement) and green screens, Robert Zemeckis (Back to the Future) has created a stunning visual world that is sure to find its way into homes of millions to be enjoyed during the Holiday season. Labeled by some as creepy because of the not quite real, yet not quite fake digital characters, The Polar Express is nothing more than an epic Christmas a...
Posted in: Disc Reviews by Archive Authors on December 11th, 2005
Stargate is something of a cult phenomenon among sci-fi buffs. It is so popular, in fact, that it produced not one, but three spin-off TV shows. It is amazing that the big business of the Stargate franchise started with a quirky little film. Now there are some big fans of this movie that will surely have strong words of disagreement for me, but this is really not a very good film. The premise alone is enough to make most moviegoers roll their eyes.
