Posted in: Disc Reviews by David Annandale on August 31st, 2002
Pam Grier, in a superb performance that sadly did not revitalize her career to the same degree as happened with co-star Robert Forster (and with John Travolta in Pulp Fiction), plays a flight attendant who is being used as a pawn by both bad guy Samuel L. Jackson and FBI guy Michael Keaton. Grier, with the help of bail bondsman Forster, sets up an elaborate counterattack. While Jackie Brown lacks the propulsive intensity of Reservoir Dogs, and Tarantino's reliance on 70s-dominated soundtracks is getting annoying, the...writing is still very strong, Tarantino gets ace performances out of his cast, and the climax is a rather striking piece of bravura filmmaking.
Audio
Posted in: Disc Reviews by Archive Authors on August 28th, 2002
Film
Bruce Willis, Samual L. Jackson, Ving Rhames, John Travolta, Uma Thurman, Harvey Keitel, Tim Roth... and the list goes on. Never has one singular film launched the careers of so many actors as Quentin Tarantino's Pulp Fiction. This film brought John Travolta back from actor's purgatory, and gave almost every other actor a jump-start to their careers. This film is genius - from the plot, the style, and the acting. Tarantino is very unique, and he out-did himself with this film.
Posted in: Disc Reviews by Gino Sassani on August 27th, 2002
If you are a fan of the teen slasher movies, popular since John Carpenter’s Halloween began, then the Scream series is a virtual hoot. The first film made fun of the so-called “rules” of the horror film. The second film, of course, covered the obligatory sequel. Scream 3 delves into the horror trilogy. The same cast of characters, led by real-life spouses Courtney Cox and David Arquette, appears in the same goofy roles. Scream is one of the better attempts at satire to appear in cinemas over the last few years. Compared to attempts like “Scary Movie”, Scream 3 is almost pretty darn good.
Synopsis
Posted in: Disc Reviews by Gino Sassani on August 13th, 2002
Synopsis
The Masque of the Red Death is one of Corman's most sumptuous Poe pictures. Vincent Price plays the decadent Prince Pospero, presiding over sadistic revels while the plague rages outside his castle walls. The plague, however, is personified here, and has plans for Prospero. In The Premature Burial, Ray Milland is obsessed with the fear that he will be buried alive. Guess what happens? Though not as good as Masque, this film has long been absent from home video, and its appearance here is ver... welcome.
Posted in: Disc Reviews by Gino Sassani on August 12th, 2002
After a dismal resurrection on film with Star Trek: The Motion Picture, it appeared that the crew of the good ship Enterprise was finally stilled forever. Enter two heroes to rival Kirk and Spock in Harve Bennett and Nicholas Myers. Star Trek II is everything that shines about Star Trek. Finally the triumvirate of Kirk, Spock, and McCoy dazzle longtime fans with the chemistry that made the original series so enduring. In The Motion Picture, the characters come off stiff and cold. They hardly seem to know each other. In Wrath of Khan we believe these old friends haven’t missed a beat. Add to all of this perhaps the greatest Star Trek villain of all time in Ricardo Montalban’s enigmatic and obsessive Khan and you truly see Star Trek at its very best.
Synopsis
Posted in: Disc Reviews by Gino Sassani on July 26th, 2002
There have been so many “buddy cop” films that it has become its own genre of sorts. Still, no pairing has yet matched the chemistry of Danny Glover and Mel Gibson in the Lethal Weapon franchise. Even with four films now under their belts, the duo is capable of delivering a relationship that is worn and comfortable while still remaining fresh and exciting. Some of the franchise’s running gags begin in this first film, like Riggs and his dislocated shoulder and Murtaugh’s familiar “I’m getting to old for this shit.” If you are more used to the later films, this one will strike you as a bit grittier and certainly darker.
Synopsis
Posted in: Disc Reviews by David Annandale on July 24th, 2002
Synopsis
The Littles (Hugh Laurie and Geena Davis) head off to the local orphanage to adopt a child. Their son George (Jonathan Lipnicki) is hoping for a little brother, but what he gets is considerably smaller than he had in mind: talking mouse Stuart (voice of Michael J. Fox). We follow Stuart's misadventures as he adapts to his new family, and they adapt to him. Nathan Lane does the voice of Snowball, the very put-out cat.
Posted in: Disc Reviews by David Annandale on July 15th, 2002
Synopsis
Herbert's novel is very complex, and one attempts a synopsis at one's own risk (this is part of the problem with Lynch's film). At its most basic, it is about power struggles in a galactic empire, power struggles centred on the planet Arrakis, or Dune, home of the spice, the most vital element in the empire. Paul Atreides, newly arrived on Arrakis, turns out to be the long-prophesied messiah. This is an incredibly ambitious project for a telefilm, and though some of the budgetary limitations...are visible (primarily in the obviously cost-conscious spartan look to the set design), the effort deserves kudos for going for the gusto.
Posted in: Disc Reviews by Gino Sassani on June 28th, 2002
Film
Criterion has done it again! Along with Buena Vista, Criterion has transformed this flawlessly executed film into a masterpiece on DVD. For you Rushmore fans out there, you will absolutely love this film… I actually liked this film more then Rushmore. If you have not seen any works by Wes Anderson (director), you should really check this film out.
Posted in: Disc Reviews by Gino Sassani on June 27th, 2002
Synopsis
The second season still shows a strong connection to the Robert Altman film, with the movie's closing credits narration, for instance, still being used, and the first episode still finding it necessary to let us know who the characters are. At the same time, while still following traditional sitcom patterns, the series is also clearly pushing against that envelope.
