Posted in: Disc Reviews by Archive Authors on April 26th, 2005
Synopsis
This is a film that delights in not being what it appears. The opening moments look like a period gangster film. Suddenly, the scene transforms into a musical. Then this turns out to be movie within the movie. And so it goes, as one scene after another turns out not to be what we thought it was. The plot has roguishly charming Jean-Louis Trintignant setting up a kidnapping scheme with two colleagues. I can’t say much more without giving away the whole plot and the strange circuit on which it...operates. Suffice it to say that though there might be a couple of confusing moments, this is a playful, light-on-its-feet effort that will have you smiling (if sometimes sardonically) from start to finish.
Posted in: Disc Reviews by David Annandale on June 22nd, 2003
Synopsis
Posted in: Disc Reviews by David Annandale on June 11th, 2003
Melina Mercouri plays Illia, a character who makes prostitution seem like a carefree Utopia.She lives in a version of Greece where there only appear to be 5 women, and they are all ladies of the night. Into this extraordinarily male fantasy comes Jules Dassin, a deluded American idealist who wants to save Illia from herself. Naturally, he doesn’t have a hope, and Greek enthusiasm (think My Big Fat Greek Wedding on steroids) will inevitably overcome his anti-fun attitudes. Obviously, the picture has dated quite noticeably, and makes Pretty Woman look like a gritty expose. But the point of the film is cheerful good humour, and it is for this reason that it is beloved. I found the good cheer a little relentless, but that’s me being churlish.
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