Posted in: Disc Reviews by Gino Sassani on October 5th, 2002
Synopsis
Malcolm (Frankie Muniz) is, you guessed it, the middle child of a family that gives theSimpsons a run for their money in the demented dysfunctionality department. The fourth wall isbroken, reality goes rubber, and almost anything is possible in each episode.
Audio
The sound is clear and free of distortion, but is otherwise uninspiring. There is very little byway of surround effects. Even the music barely registers. So the experience is not really any...
Posted in: Disc Reviews by Archive Authors on October 5th, 2002
Synopsis
The conspiracies are in full swing in this season. There are some very ambitious episodeshere too, notably “Triangle” -- a time travel tale shot primarily with very long takes.
Audio
Very, very nice sound. As with most TV shows, the music dominates the surround, but thereare some good contributions from the sound effects as well. The result is an expansive feel to thesound unusual for television productions.
Video
Though there is a ...
Posted in: Disc Reviews by Gino Sassani on October 1st, 2002
Long before tough cop Dirty Harry made our day, Clint Eastwood defined the modern western with his Spaghetti Westerns. It is no surprise that a Western would define Clint Eastwood as an Academy Award winning producer and director. Unforgiven is unlike any movie Eastwood has ever done. It is loaded with extraordinary actors surrounding his own stellar performance. Names like Morgan Freeman, Gene Hackman, and Richard Harris are rarely found in such supporting roles. Unforgiven also sets itself apart from Eastwood’s previous films in the way it portrays the West that Eastwood glorified for so many years.
Posted in: Disc Reviews by Archive Authors on September 30th, 2002
Written by Dan Bradley
Rifling through my father’s LP collection as a child produced many musical memories, ranging from Kiss and Pablo Cruise to the Rolling Stones and the Beatles. It wouldn’t be until years later when I would fully understand the impact those very Beatles had on the world’s culture then and continued to influence today.
For most Beatles fans, their memories are relived through new digital masters of the original recordings on compact disc. With this digital revolution, the Beatles film A Hard Day’s Night can f...
Posted in: Disc Reviews by Gino Sassani on September 25th, 2002
Pixar, with the smashing success of the Toy Story films, works its enchanting magic yet again with the wonderful Monsters, Inc. It’s fitting that Disney acquired the creative team that more than any other filmmakers embody what Disney had been for half a century. Monsters, Inc. is the new standard for computer animation. Sully’s generated hair is nothing short of amazing. What makes this movie worth buying is its incredible rewatchability. The attention to details means there’s always something new to see with each v...
Posted in: Disc Reviews by Gino Sassani on September 15th, 2002
Synopsis
This is the story of four obnoxious roommates: a hippy, a yuppie, a poseur and a punk. Theygradually demolish their flat and visit violence on each other, all the while yelling at the top oftheir lungs. Though nicely weird at times (check out the talking rats), this often deliberately badcomedy is very much in the acquired taste department.
Audio
Not too much to report here. The TV series was mono, and so is the DVD. It gets the jobdone, and is clea...
Posted in: Disc Reviews by David Annandale on September 3rd, 2002
Synopsis
It is World War II, and Wendy's daughter Jane, living in a constantly bombed London, has given up on childhood dreams. Her disillusion ends when she is kidnapped by Captain Hook and brought to Never Land. The animation is in no way up to Disney's current theatrical standard, but is leaps and bounds beyond other direct-to-video fare. The problem is, this WAS released theatrically. Anyway, the London sequences are nicely atmospheric, but things go rather flat and ordinary once we reach Never L...
Posted in: Disc Reviews by David Annandale on August 31st, 2002
Pam Grier, in a superb performance that sadly did not revitalize her career to the same degree as happened with co-star Robert Forster (and with John Travolta in Pulp Fiction), plays a flight attendant who is being used as a pawn by both bad guy Samuel L. Jackson and FBI guy Michael Keaton. Grier, with the help of bail bondsman Forster, sets up an elaborate counterattack. While Jackie Brown lacks the propulsive intensity of Reservoir Dogs, and Tarantino's reliance on 70s-dominated soundtracks is getting annoying, the...
Posted in: Disc Reviews by David Annandale on August 31st, 2002
Synopsis
If you've seen the movie, you know the premise: Earth's military has found an alien artifact that permits instantaneous travel over vast light years. At the other end of one of the portals, however, is the Goa'uld, a hostile alien race. The special effects are impressive by TV standards, and the characterizations are pretty standard fare.
Audio
The sound is pretty solid stuff, again for TV material. The mix is in 5.1, and while I wasn't struck by a whole heck of a ...
Posted in: Disc Reviews by Gino Sassani on August 12th, 2002
After a dismal resurrection on film with Star Trek: The Motion Picture, it appeared that the crew of the good ship Enterprise was finally stilled forever. Enter two heroes to rival Kirk and Spock in Harve Bennett and Nicholas Myers. Star Trek II is everything that shines about Star Trek. Finally the triumvirate of Kirk, Spock, and McCoy dazzle longtime fans with the chemistry that made the original series so enduring. In The Motion Picture, the characters come off stiff and cold. They hardly seem to know each other.
