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Note: the following synopsis contains spoilers. Only read this first section if you know have happens in season four.

The Fourth Season of 24 begins with a deadly terrorist strike resulting in the kidnapping of Jack Bauer's new boss, the U.S. Secretary of Defense James Heller (William Devane). Even though Mr. Bauer was dismissed from his job at the Counter Terrorist Unit in Los Angeles at the end of Season Three, it comes as no real surprise that Robo-Jack is called back into action. We quickly l...arn that this kidnapping of Heller is just the beginning of trouble for Jack and CTU. The main villian is master-mind Habib Marwan (Arnold Vosloo) the middle eastern terrorist cell leader the US government has been trying to track down for years.

Synopsis

Thankfully, as part of Criterion’s desire to be completists of the Akira Kurosawa collection, they have finally decided to release Ran on DVD. For the sake of time, I’ll include my thoughts of the film based on my review of the Kurosawa boxed set, which included a previous version of Ran:

Synopsis

In Akira Kurosawa’s later years, it was almost criminal that a director with his resume was forced to practically beg for financing. Kurosawa was in the midst of a career drought, having made only two movies in almost 15 years with Dersu Uzala and Dodesukaden. This coming after a run of films that has proved influential to even today’s filmmakers. While Kurosawa did have to obtain foreign financing for his movies in later years, Francis Ford Coppola and George Lucas, both of whom cite...Kurosawa as heavy career influences, agreed to finance his next film, 1980’s Kagemusha (or The Shadow Warrior).

Written by Clayton Self

The Polar Express is a milestone in digital film making. Making use of “performance capture” (little attachments connected to the body to mimic human movement) and green screens, Robert Zemeckis (Back to the Future) has created a stunning visual world that is sure to find its way into homes of millions to be enjoyed during the Holiday season. Labeled by some as creepy because of the not quite real, yet not quite fake digital characters, The Polar Express is nothing more than an epic Christmas a...venture to be enjoyed by kids and adults alike.

Synopsis

We all know the story, even if we haven’t seen the film. Risk-taking (and potentially criminally irresponsible) documentary maker Carl Denham (Robert Armstrong) charters a ship and sets off for an uncharted island. On board are first mate Jack Driscoll (Bruce Cabot) and Ann Darrow (Fay Wray), the woman Denham has tapped for the lead in his film. They arrive at Skull Island, and before long, Ann is kidnapped and offered as a sacrifice to Kong. The giant ape falls for Ann, and a romantic trian...le of truly mythic proportions ensues as Jack and Kong struggle with each other (and other monsters) for possession of the woman.

I started my review of season four by remarking how little CSI had changed over its first four years. In its fifth year the powers that be decided to muck up the works a bit. The team is split between day and night shifts and Catherine is given the supervisor position on days. This actually leads to probably the show’s largest continuity flaw. It seems that the shifts overlap not just once in a while but almost all the time. I found myself really confused about this whole shift deal. Mostly I think the change takes away from the character interactions that I have come to love so much about this show. CSI has been able to find the perfect formula. There’s enough interaction and private life to make things interesting. Still, the relationships do not devolve into casual romances that tend to bog even quality dramas down. Season 5 created some serious challenges to that wonderful system. You’ll still find the same good quality procedural drama episodes. The look of the show remains untampered with. Perhaps the changes will appear fresh to many long-time fans. We’ll see.

I do like the use of the Greg character more as he becomes a full time member of the field team. A new team member, Sofia, also helps to make up for the changes.

Written by Clayton Self

Batman Begins is a brand new and WAY cooler take on the Dark Knight franchise than anything we’ve seen before. Most importantly, this is NOT a prequel to any of the previous four Batman films. This is a fresh start for the franchise, and it gets done the way it should have been done in the first place. Don’t get me wrong, Burton made two very dark and original films, but let’s face it; Batman Returns sent children bawling out of the theatre, and left parents with a sour taste in their mouth. That mo...ie is the reason Batman Forever and Batman & Robin were so, how do I say this without being mean? Campy. Tragically campy. Needless to say, those films drove the nail through the coffin for that particular story line. But thanks to Christopher Nolan (Memento/Insomnia) we have a new Batman film that puts the dark knight on the silver screen in a very dominating way.

Cinderella Man tells the heartwarming true story of heavyweight fighter James J. Braddock, a man thought to be washed-up, who rises from the ranks of the forgotten to rebuild the life and potential he lost somewhere along the way. It's also one of Ron Howard's finest films, and with a body of work which includes Backdraft, A Beautiful Mind, Apollo 13, Far and Away, and Ransom, this is a fine accomplishment. Unfortunately, this film's success never rose to the level anyone ant...cipated, and there's nothing worse than when a well-crafted piece such as this falls victim to bad press -- especially when said bad press has almost nothing to do with the film. Firstly, Cinderella Man suffered from the now famous idiotic outburst of its star Russell Crowe. Secondly, there was the debacle over Howard's portrayal of Max Baer, and how that portrayal affected and offended Baer's still-living son (the former Jethro Bodine of TV's Beverly Hillbillies, and successful film producer). Finally -- and perhaps most important of all -- was the lackluster marketing campaign, which made the film look so dull even I was ready to wait for the video. These three factors added together to cause the film an almost embarrassing performance for all there was to recommend it (two Oscar winners in the starring roles, an Oscar winner behind the camera, another Oscar contender in a supporting role -- Paul Giamatti -- and perhaps one of the most inspirational tales in American history).

At one time, James Braddock was a contender. He had the world on a string, a woman who loved him, and several adoring children. But somewhere along the way -- an injury here, a few decision losses there -- his career and his world took a nosedive. After injuring his hand and coasting through a boring fight, he loses his boxing license, and consequently, his meal ticket. At one point, the sky was the limit. But now, left to a dark and desperate world, he struggles to keep the heat on during a brutally encroaching New York winter. He's forced to send his children away just to save their lives from the harsh weather. And at his lowest point, he succumbs to the very thing he stands against -- welfare. After finding himself all but forced to sign up for social assistance, he becomes determined to turn it all around. All he needs is the opportunity, which comes in a supposedly one-time shot against a top heavyweight contender. No one expects Braddock to win, but when he does, it sets in motion a chain of events, which position him into a very real chance for a shot at the deadly world heavyweight champion Max Baer, who was responsible for the deaths of more than one man in his storied career. Whether Braddock becomes one of those victims, I will leave for the uninitiated to discover. But the enjoyment of Cinderella Man depends not on winning or losing, but on the inspiration of Braddock's overwhelming comeback. He rose from the proverbial canvas at the same time as a nation did, and it's not entirely implausible that he lended a hand -- however small -- in getting this country back on its feet.

Synopsis

This series has a clever conceit, being a sequel to the 1953 version of H.G. Wells’ novel. In the present, a terrorist group breaks into the base where the Martian corpses and war machines are being held. Turns out the Martians aren’t dead after all, and they revive to re-embark on their quest to conquer the Earth. In a budget-conscious move, part of this plan of attack consists in possessing the minds of humans, thus hugely diminishing the effects budget. So new viewers shouldn’t expect any...hing like the recent theatrical film, or even too much like the 1953 film, either. There is plenty of action, and a number of other clever ideas in the episodes (stars of the original film showing up, plays on the Orson Welles radio program), but plenty of limitations, too.

Yes, I dreaded this one like the plague. Call it a pure hatred for reality television. But honestly, after starting these episodes, I found myself lending a begrudging respect to it all. If you're unfamiliar with this enormously popular program, here's a brief education. Home interior designers Ty Pennington, Michael Moloney, Constance Ramos, Paul DiMeo, Tracy Hutson, Preston Sharp, and a slew of others, who have made appearances here and there, get together and help some needy family realize their dream home in just seven days. As if the simple act of building a house in seven days isn't enough to get you watching, they usually pick some family that's been pushed to the limits of what ordinary people can take.

This season of thirteen episodes features quite a few heart-warmers spread across its two discs. The most memorable for me was "The Cadigan-Scott Family," which involved a family of eight children, who had lost their parents tragically. The mother died of complications from heart problems; the father followed shortly thereafter with a heart attack. The family would have been dispersed to foster care if not for the selfless act of the two oldest siblings. Jennifer, 23, and Janice, 21, became legal guardians for the other six children, so the family could stay together. Not even an iron-clad heart could fail to soften at the sight of over 3,000 Livermore, California, residents lining the streets at the show's end for the big unveiling. I'll briefly declare a peace treaty between myself and reality-TV to give this show its due. It certainly knows how to hit all the right buttons.