Posted in: Disc Reviews by Archive Authors on August 21st, 2005
Synopsis
When the economic boom in Japan leads to massive deforestation, the raccoons find their habitat threatened. They band together and mount a campaign to stop the destruction of their world by humans. They learn to shape change, and wreak merry havoc with construction crews. Some of their stunts simply frighten the people off, but some of the sabotage is deadly, too.
Posted in: Disc Reviews by Gino Sassani on August 20th, 2005
Evil sells. From the time of Adam and Eve it appears that Satan makes for great storytelling. The mini-series from NBC gets its name, obviously, from Revelations, the final book in the Bible. Combine the idea of pure evil and the end of times and you get... well, The Omen. Revelations deals more with the impending Armageddon than it actually does with the Anti-Christ. The clash of science and religion is far more important in this film than past films like The Omen. Bill Pullman is a good choice here. His portrayal of a Harvard scientist caught in the middle of this epic tale contains just the right reserved element to make him completely believable. Natascha McElhone is too stereotypical. Her constant ranting of scripture gets tiresome. I’m not really sure I blame the actress more than the way the part was written. This is a long tale that would have benefited from tighter editing. Of course, NBC had to fill 6 hours of prime-time.
Synopsis
Posted in: Disc Reviews by Archive Authors on August 19th, 2005
I'll bet the script to this film read like a dream. The Exorcist meets Hellboy meets The Mummy. Surely this is the ideal vehicle for Keanu Reeves following his three picture run on The Matrix. Sound too good to be true? Unfortunately, it is. Now, there is a lot that is admirable in this film. For example, the acting, which is is far above the tired bar set by most modern action/sci-fi flicks. Furthermore, the special effects in Constantineare simply fantastic. In fact, I would go so...far as to say that they are some of the most amazing special effects I have ever seen. These are effects so amazing that they actually help to convey the story on their own. It is one thing to hear people describe hell, it is quite another to experience it firsthand through a special effect.
It is a shame that for all of the hard work and thought that went into this film, the end result is so disappointing. The film starts off with such promise. Why must it go downhill? The simple answer is that brilliant visuals can't cover a script that has been dumbed down to appeal to the lowest common denominator in the summer blockbuster movie going pantheon. This could easily have been one of the best comic book films of all time. I am just so disappointed by the potential that was squandered in this production.
Posted in: Disc Reviews by Archive Authors on August 14th, 2005
Synopsis
Another eight Columbo mystery movies are included here. The formula they follow is familiar: a murder is committed (and we generally know whodunit right off the bat), and we watch as Columbo, apparently absent-minded, closes in on the culprit, making said individual sweat like the dickens before he closes in for the kill. The episodes here also feature turns by such stars as Martin Sheen, Vincent Price and Johnny Cash, which makes this nostalgic trip all the more fun. These short movies-of-t...e-week are perfect examples of the Good Story Well Told. They are by no means challenging to the mystery genre, and their formulaic construction is very apparent. But they work within the strict parameters exceedingly well, and Peter Falk is an unceasing delight in the title role. Absolutely perfect late-night viewing.
Posted in: Disc Reviews by Gino Sassani on August 12th, 2005
Season Two of Star Trek Enterprise was without a doubt the weakest of the series. It’s no mystery that the show’s demise was already being talked about by the time Year Two was finished. The stories were unoriginal and it appears budgetary concerns often meant unimaginative bottle shows. The words Star Trek were finally added to the title. Rick Berman has always tried to distance himself from Gene Roddenberry. When Enterprise was first released he felt it was time to finally cut the umbilical cord and drop the franchise tag. If that doesn’t tell you something about his level of respect for Star Trek, then the countless instances of disregarding traditional Trek continuity should. The franchise officially jumped the shark with the episode “A Night In Sickbay”. Come on, Berman, that cute puppy in a fight for its life is so... Lassie.
Synopsis
Posted in: Disc Reviews by Gino Sassani on August 11th, 2005
Synopsis
Akira Kurosawa’s impact on filmmaking and storytelling will be part of Western cinema for decades to come. Despite being slightly underappreciated in his later years in his native Japan, some of the work he put to film is some of the greatest and most influential ever seen. His work, such as Rashomon, The Hidden Fortress and The Seven Samurai, to name a few, have been remade or cited as major influences in the films and/or careers of George Lucas, Clint Eastwood and James Cobur..., among others. I’ve become increasingly interested in Kurosawa’s work, and I recently picked up the Kurosawa DVD Collection, which is available as an Amazon.com exclusive as part of a limited edition run of 5,000. The 3-disc set contains the documentary on the sensei (Kurosawa’s nickname), aptly titled Kurosawa. The other two discs house Kurosawa’s last film, Madadayo, and the Masterworks Edition of Ran. In terms of packaging, it’s a bit hard to describe, the box opens much like your standard amaray case. On the left side, Kurosawa is at the bottom, and on the top, there is a greeting card sized package of materials. Aside from the obligatory certificate of authenticity, four 5x7 glossy cards that are Kurosawa storyboard illustrations for Madadayo and Ran are here, as well as a small booklet that is mainly comprised of biographical information. The discs for Madadayo and Ran are on the right side, as well as a small board (Amazon says it’s a “Japanese-style miniature shoji screen”) that has art from Ran on it. It’s nice artwork, plus it’s been clear-coated to help prevent damage to it. To round out the goodies, there is a reproduction of the poster that trumpeted the re-release of Ran in 2000, but the poster is reduced to a more manageable size to fit the case.
Posted in: Disc Reviews by David Annandale on August 3rd, 2005
Synopsis
There are two Lawrence Tierney vehicles here, and the first is the one that made his name, the 1945 Dillinger. Told in flashback for no visible reason, this chronicles Dillinger’s rise from naive and incompetent thief to ruthless, brutal gang leader, and his ultimate fall. There are some startlingly brutal scenes here, for the time, and if Tierney isn’t quite as scary as James Cagney in White Heat, he’s still plenty menacing.
Posted in: Disc Reviews by Gino Sassani on August 2nd, 2005
By the last half of season three Lost In Space was certainly showing its wear. The stories would sink to simply camp with little or no redeeming value remaining. It’s no surprise that this once smart bit of space humor was on the way out after season 3. By now it appears the writers were fresh out of anything new and opted to recycle already tired formulas. Just how many times can Smith sell the family out for a long-shot return to Earth? Will and the Robot remain the best reason for watching the show.
Audio
Posted in: Disc Reviews by David Annandale on July 26th, 2005
Synopsis
The premise should be familiar to anyone interested in the third season: Jerry O’Connell and friends continue sliding from one universe to another, encountering a different alternate earth in each episode, always trying to find the way back home. The range of possibilities is naturally pretty wide, so our heroes wind up in a deadly war game show (granted not the most original idea), in a world devastated by electric tornadoes, and so on. It’s all done with engaging humour and energy, though ...he FX have aged noticeably (the opening scene of the first episode, where a plane goes down, boasts process work worthy of the original Star Trek). And the presence of John Rhys-Davies is, of course, always welcome.
Posted in: Disc Reviews by David Annandale on July 26th, 2005
Synopsis
In the year 2525, humanity has been forced to seek refuge deep in the earth from robots known as “Baileys.” The title character is a stripper from our century, who went in for a breast enhancement and wound up cryogenically frozen until now. Thawed out, a stranger in a dangerously strange land, she winds up joining forces with two other female freedom fighters.
