Posted in: Disc Reviews by David Annandale on November 5th, 2004
Synopsis
Posted in: Disc Reviews by David Annandale on November 5th, 2004
Synopsis
Posted in: Disc Reviews by Gino Sassani on November 3rd, 2004
Hot on the heels of spring 2004’s Monster Legacy Collections, Universal is at it again. This time The Invisible Man, Mummy, and Creature films get the special treatment. The Creature set is the most obvious standout from the latest releases. Just in time for Halloween, The Creature walks among us again. All 3 Creature films are included along with all of the bonus materials from Universal’s release of the original film.
The synopsis of these films goes something like this... when a strange new type of fossil is discovered deep in the jungles of the Amazon River a scientist (Carlson) and his assistant (Adams) track down a living “Gillman”. When attempts to capture the creature fail, it becomes enraged.
Posted in: Disc Reviews by Archive Authors on November 3rd, 2004
For four seasons, Bob Odenkirk and David Cross, along with a group of writers and comedians, served up comedy skits, parodies, and more, in the underrated but hilarious HBO late-night sketch comedy series Mr. Show.
Mr. Show is a smart comedy show, at least from what I can gather from the fourth season. The first thing to point out is every skit is somehow related to the next one by way of introducing a certain product, idea, or interstitial video. It's as if each skit is part of one big narra...ive structure. I guess it's the editing that makes the transition seamless, and if it is then it works great. There's not much else I can say here except to say anyone who likes to laugh should check out Mr. Show. Before the funny Chappelle's Show and other sketch comedy series of late, there was Mr. Show, where the writing was inventive and original, and the performances were dead on, and then some! This show is not to be missed.
Posted in: Disc Reviews by David Annandale on November 3rd, 2004
Synopsis
Posted in: Disc Reviews by Gino Sassani on November 3rd, 2004
This really was “The Big One”. Season 5 was probably my favorite year of Sanford and Son. Episodes like the Dickens-inspired Ebenezer Sanford, The classic Sanford and Rising Son and The Oddfather leave me laughing just to think about them. I can’t look at George C. Scott as Patton and not be reminded of the intrepid Sergeant Gork. George Foreman took a break from his fight schedule to appear as himself. Even the clip-loaded Camping Trip is a constant riot. In Season 5 the Sanfords discover NBC is making a TV show abo...t their lives. This is the year Lamont gets engaged and Fred meets Della Reese. If you can’t find something to laugh about in this collection, you’re dead.
Audio
Posted in: Disc Reviews by Gino Sassani on October 28th, 2004
CSI hasn’t changed much in its first four years. Expect more of the same here. The unique photography and f/x material is pretty much as solid as it was in the first episode. I’m not sure I like the “scruffy” Grissom look, but the show is as good as it’s ever been. As in each of the previous season, Gil Grissom leads a team of Crime Scene Investigators (CSI) on the night shift in Las Vegas.
Audio
Posted in: Disc Reviews by Gino Sassani on October 27th, 2004
Michael Shanks returned to Stargate full time in Season 7. What continues to impress me is that after 7 years the quality of this show just keeps getting better. I’m rarely moved by film or TV, but “Fragile Balance” was one of the most moving hours of television I’ve ever seen. The writers and actors continue to collaborate to create the best science fiction show ever. I’m sorry, but that might even include Star Trek. Season 7 brought us even more complex stories, if that was possible. The characters each had opport...nities to go off on their own this year which was quite refreshing. The F/X continue to be the hallmark for any production current or future.
Synopsis
Posted in: Disc Reviews by David Annandale on October 25th, 2004
Synopsis
There’s nothing really to summarize about these films. Their reason for being, after all, is simply to present clips from classic MGM musicals. The first film, released to huge success in 1974, set the pattern, with various big stars (Frank Sinatra, Elizabeth Taylor, Gene Kelly and so on) narrating different segments of a potted history of the MGM musical. That’s Entertainment, Part 2 (1976) broadened its scope to include comedy and romance scenes as well. The third film didn’t arrive...until1994, and dug deeper into the vaults to feature many scenes that were previously unseen because they were cut from the original releases. There’s something a little bit dubious about watching just the big numbers from famous films and stripping them of context (and the clips are very frequently not presented in their entirety anyway), and anyone looking for a serious documentary about MGM is better off looking elsewhere. There is still an enormous amount of material here, much of it now rare or hard to find. Simply bear in mind that the effect of watching these films is not unlike viewing a multi-hour marathon of Oscar night tribute compilations.
Posted in: Disc Reviews by David Annandale on October 22nd, 2004
Synopsis
Brian Benben is a book editor. He is still madly in love with his ex-wife, but his dreams of getting back together with her are smashed by her upcoming marriage. And “dreams” is very much the operative term here, since Benben’s emotional reactions to the world around him are daydreams in the form of B&W clips from old films and TV shows. Exec-produced by John Landis, the series follows Benben’s misadventures (primarily with the opposite sex), and features plenty of Big Name guest appearances...(David Bowie, Fran Drescher, etc.). Dream On beat Ally McBeal to the punch with postmodern collage, and there is no denying that there’s some fun editing going on here. On the other hand, the clips aren’t exactly subtle or necessarily very original (tree going up at moment of sexual arousal, tree going down at interruption, har har har). There is some snap to the writing, and enough witty moments, but in the final analysis, this isn’t a whole lot more than your average sitcom. Simply replace laugh track with HBO-style language and content.
