Posted in: Disc Reviews by David Annandale on May 7th, 2004
Synopsis
In 1957, the British studio Hammer, having already produced a number of classic SFthrillers, turned to gothic horror, which had been effectively dead since 1946, and brought it backwith a vengeance. Their revolutionary entry was The Curse of Frankenstein (****1/2),which introduced colour, gore and sex to the classic horror formula, and made Peter Cushing (asFrankenstein) and Christopher Lee (as the Creature) into stars. Unlike the Universal Frankensteinfilms of the 3...
Posted in: Disc Reviews by David Annandale on May 6th, 2004
Synopsis
This is a fascinating collection, but be warned that this isn’t a “Best Of” by any means. Thereis no Duck Soup here. After leaving Paramount, the Marx Brothers moved to MGM,where (as we learn in the commentaries), studio head Irving Thalberg gave their movies a newform: big, lavish production numbers, and more linear plots.
With the first effort, A Night at the Opera (1935) (****), this approach producedwonders. The formula for all the other films in t...
Posted in: Disc Reviews by Gino Sassani on May 6th, 2004
I’m not a big fan of “Reality TV.” I do watch Survivor, and I think that’s a really good show, but I don’t watch any of the others. When I first heard of the concept of “The Mole,” I have to admit that I was intrigued. Reality TV is all about real people reacting to each other’s most annoying personality traits and translating that friction into ratings. Well, “The Mole” puts a different spin on that concept by adding a dissenting element - one of the participants is “a mole” i.e. a nefarious agent of the producers ...
Posted in: Disc Reviews by Gino Sassani on May 3rd, 2004
The Monsters of Universal Studios during the 1930’s to the 1950’s truly are a legacy. This collection, while including many films already released, is an important set. Bela Lugosi’s Dracula, Boris Karloff’s Frankenstein Monster, and Lon Chaney’s tortured Larry Talbot/The Wolfman have inspired generations of filmmakers, writers, and f/x engineers. The influence on our culture is impossible to deny. When asked about Frankenstein, most of us conjure the classic Karloff image long before we think of Mary Shelley or any ...
Posted in: Disc Reviews by David Annandale on May 2nd, 2004
Synopsis
In the second year of the series, Clark finds more and more of his powers manifestingthemselves, most notably heat vision, and a move closer and closer to flight. An archaelogical digreveals more secrets of his origin, and there’s a really big revelation when he encounters areclusive scientist/billionaire played by Christopher Reeve.
One of the more impressive aspects of the series is a real sense awe associated with theSuperman myth. “Myth” doesn’t seem too strong ...
Posted in: Disc Reviews by David Annandale on May 1st, 2004
Synopsis
Posted in: Disc Reviews by David Annandale on April 26th, 2004
Synopsis
Bill Paxton accompanies James Cameron on another expedition to the Titanic, and narratesthis documentary about their exploration of the ship. Though the narration is hobbled by anendless stream of pseudo-profundities, the underwater photography is simply stunning. Thanks totwo remote-controlled robots, we get to see the interior of the ship. Computer animation andsuperimposed extras (the ghosts of the title) both re-create the ship as it once was, and help usvisualize where...
Posted in: Disc Reviews by David Annandale on April 20th, 2004
Synopsis
Three men are after a fortune in gold, and they will stop at nothing to get it. Boiled down toits essentials, that is the plot of TGTBTU. Granted, there are all sorts of betrayals anddouble-crosses along the way, but they don’t change the fact that the story is essentially a verysimple one, and you might wonder how the film takes up three hours. It certainly doesn’t throughcharacter development. In fact, there is very little that sets the characters apart (which is par...
Posted in: Disc Reviews by Gino Sassani on April 20th, 2004
Season 4 brought a few changes to the Homicide: Life On The Streets beat. Beatty’s and Baldwin’s characters would exit. Reed Diamond and Max Perlich would enter the cast to replace them. Diamond’s Kellerman, an arson investigator turned homicide detective, would provide the more interesting character arc for the season. Year 4 also marked a change in style to more of the multi-episode stories. Another Law and Order crossover is a bit confusing because there isn’t the Dick Wolf franchise episode to complete it. I’d li...
Posted in: Disc Reviews by David Annandale on April 10th, 2004
Synopsis
After the multi-story Prime Suspect 4, the series returns to the single case format.“Errors of Judgement” sees Jane Tennison (Helen Mirren) finds herself banished from Londonand shipped off to Manchester. This series was clearly not authorized by the Manchester TouristBoard, as the city comes across a bit like a crime-ridden Soviet Gulag, only more depressing.Tennison is up against a whole new hostile crowd on the force here, and her career is goingnowhere fast until...
