Posted in: Disc Reviews by Archive Authors on November 30th, 2010
Written by Diane Tillis
One hundred writers gathered together at the PEN World Voices Festival in New York to discuss faith and reason. PEN is a literary and humanitarian organization that is composed of poets, essayists, and novelists. Its chief concern at the festival was the threat to freedom of speech and conscience from religious extremism. Writers from diverse backgrounds and perspectives came together in an open forum to discuss their experiences with faith and reason. Bill Moyers: on Faith & Religion is a collection of interviews with twelve renowned authors who were among the speakers at the PEN World Voices Festival. Bill Moyers interviewed them on their background, literary works, how they related to faith and religion, and what they hoped to see for the future.
Posted in: Disc Reviews by Gino Sassani on November 17th, 2010
"My name is Sam Tyler. I had an accident and I woke up in 1973. Am I mad, in a coma, or back in time? Whatever happened, it's like I've landed on a different planet. Now, maybe, if I can work out the reason, I can get back home."
I kind of did things a little backwards. I saw the single-season American version of Life On Mars quite some time before I managed to get my hands on the two seasons of the original British version of the show. The idea of a British television series being adapted for American screens is really nothing new. Lately a lot has been written about the phenomenon as if it’s some recent trendy invasion of English telly. We’ve been watching British hits since at least the 1970’s. In those days it was the sit-com that got the most attention from across the pond. Till Death Do Us Part and Steptoe And Son became All In The Family and Sanford And Son, respectively. Both shows became even bigger hits here in the states and are remembered by more folks on both continents than the originals today. The latest hit from England was The Office. Unfortunately, Life On Mars was never destined to join those Anglo/American success stories.
Posted in: Disc Reviews by Gino Sassani on November 15th, 2010
"The rule of law, it must be held high! And, if it falls, you pick it up and hold it even higher. For all society, all civilized people will have nothing to shelter them if it is destroyed."
Agatha Christie created the rotund Belgian detective in 1920 with the book The Mysterious Affair At Styles. The detective would go on to feature in about 30 more books over the years. He was a distinctive character. He was picky about the order that things were placed. Yes, there's more than a little Adrian Monk in the man. He insists that his eggs be exactly the same size. He refers to himself in the third person and does not own the virtue of modesty. He often calls himself great and talented. He doesn't suffer fools and is somewhat closed-minded for a detective.
Posted in: Disc Reviews by Archive Authors on July 5th, 2006
Synopsis
Paul Gross plays Geoffrey Tennant, a once celebrated actor who had a meltdown during a performance of Hamlet. Now he’s trying to mount The Tempest at the head of a broke company about to be evicted from its premises. Meanwhile, his former mentor, Oliver Welles, has just mounted a dispiriting version of A Midsummer Night’s Dream at the New Burbage Theatre, and very shortly thereafter dies. Tennant is brought in as the new artistic director, and his attempts to stage Ha...let are troubled by the ghost of Tennant, a lunatic director, scheming suits and difficult actors.
Posted in: Disc Reviews by Archive Authors on July 5th, 2006
Synopsis
Paul Gross plays Geoffrey Tennant, a once celebrated actor who had a meltdown during a performance of Hamlet. Now he’s trying to mount The Tempest at the head of a broke company about to be evicted from its premises. Meanwhile, his former mentor, Oliver Welles, has just mounted a dispiriting version of A Midsummer Night’s Dream at the New Burbage Theatre, and very shortly thereafter dies. Tennant is brought in as the new artistic director, and his attempts to stage Ha...let are troubled by the ghost of Tennant, a lunatic director, scheming suits and difficult actors.
Posted in: Disc Reviews by Archive Authors on June 30th, 2006
Synopsis
Ken Stott plays Inspector John Rebus. Working in Edinburgh, Rebus is dogged in his pursuit of the truth, no matter how many years it might be buried. He’s not one to stand on ceremony, doesn’t suffer fools at all, never mind gladly, and is curiously successful in romancing younger women. The two mysteries here, The Falls and Fleshmarket Close take place in very different settings: the former delves into the secrets of the very wealthy, the latter takes place in a high-rise proj...ct.
Posted in: Disc Reviews by David Annandale on November 17th, 2005
Synopsis
Subtitled “The Best of the Tony Awards,” this is a collection of 23 performances from the Awards show broadcasts. The net is cast pretty wide here as far as the years are concerned, so you get to see a young Jerry Orbach (for instance) performing “Promise, Promises” from 42nd Street. Carol Channing, Robert Goulet, Tommy Tune and Harvey Fierstein are the hosts. Fans of musical theatre should expect miracles here, but this is of considerable archival interest.
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