Posted in: Disc Reviews by William O'Donnell on January 22nd, 2011
A young Cambodian boy, named Sokvannara “Sy” Sar, is spotted performing a traditional dance by the film's director and American Dance patron Anne Bass. She immediately takes note of his smooth talent and figures he has massive potential as a classical ballet dancer. Sy is given a rare chance to audition at the School of American Ballet in New York and then proceeds on a unique and fast-paced journey through a new world of dance, in a nation that is completely alien to his homeland.
This film would be interesting simply for the fact that it displays many parts of what it means to train as a professional ballet dancer and student, but is all the more engaging because of S's situation; that being the lone Cambodian to take on such a quest. Sy may come from poor roots, but his is by no means a sob story of an underdog, but that does not make it any less special or rare an opportunity. This film gives us the chance to see more than just his home, family and friends, as well as the many stages he earns a spot performing on, but we are privy to what can happen when chance falls upon the sort of person who has the passion to take hold of it and elevate themselves in something that was a total unknown to himself and his fellow countrymen.
Posted in: No Huddle Reviews by Archive Authors on February 27th, 2009
Posted by Ken Spivey
Filmmaker Godfrey Cheshire returned to his ancestral home, Midway Plantation, in 2003. When he arrived he found his cousin, Charlie Silver, about to move the southern mansion to make way for a shopping complex. “Moving Midway” is the story of Midway's past, present journey, and future home.
Posted in: Disc Reviews by Archive Authors on March 31st, 2006
Arnold Clasen reenters society after time away in a Nazi prison camp, and returns to Hamburg and a life of quiet solitary resistance, in the 1981 war-time drama Your Unknown Brother. Clasen immediately reconnects with his old love Renate, and embarks on a turbulent, dangerous friendship with resistance leader Walter, a man of ulterior motives, who is also in bed with the Nazi regime. Clasen starts to suspect Walter when many of his old comrades are seized by authorities. It seems everyone in the resistance, wh... comes into contact with Walter soon become property of the State, yet he remains suspiciously unscathed.
The film deals with themes of stark isolation and hopelessness, as well as an individual’s efforts in facing widespread fascism. It’s always at the top of its craft, but the action lacks that extra something to make it all seem interesting. On paper, the film will have foreign drama buffs salivating, but in execution, it fails to make its premise as intriguing as it sounds. With that said, I am hard-pressed to find any fault in the performances, and Director Ulrich Weiss really does know how to use camera, lighting, and sound effects, to his advantage. It just seems like the intangibles are missing – those unexplainable qualities, which pack all the emotional power, and allow a movie to transcend the average film within its genre.
Posted in: Disc Reviews by David Annandale on February 22nd, 2006
Synopsis
In Spain of the early 70s, Javier Cámara is Alfredo, an unsuccessful door-to-door encyclopedia salesman. His wife, Carmen (Candela Peña), desperately wants a baby, but he refuses because of their dire financial straits. The publishing house he works for decides to move into making sex films, and its remaining door-to-door men must film themselves having sex with their wives or lose their jobs. Carmen sees this as a good opportunity to get pregnant, and convinces Alfredo to give it a try. The...two turn out to be very good at making these films. Bitten by the cinema bug, Alfredo has ambitions of making a feature film in the vein of his idol, Ingmar Bergman. Will his artistic dreams be realized? Will Carmen become a mother? And what to do about Alfredo’s non-existent sperm count?
Posted in: Disc Reviews by Gino Sassani on April 9th, 2004
Suspended animation is a story with a lot of promise. Fifteen minutes into the film and it looks like we’re seeing a Misery ripoff with a cannibal twist. From that point on I’m not sure if I’m watching Misery, Deliverance, or Texas Chainsaw Massacre. There are some truly suspenseful moments in the film, but they are spaced too far apart with needless muddled plotlines. The film style is eerily reminiscent of the Italian suspense masters like Brava and Argento without the gore. The Spaghetti Nightmares are an obvious ...nfluence.
Synopsis
Posted in: Disc Reviews by Gino Sassani on August 16th, 2002
What happens when you take a writer/producer known primarily for music videos and documentaries, give him a modest budget, and a script of vignettes? You get a very artsy David Lynch imitation that I like to call Lynch-Lite. Jon Reiss wants so much to be David Lynch that there are even moments of the Twin Peaks theme in the score. I don’t mind struggling through a piece of film noir if I can eventually find my way to a payoff. Not that there aren’t bright spots and even flashes of cinematic genius here, just not enough.
Synopsis
