Intervision

The grindhouses may be long gone, but their memory lingers on, thanks to releases like this one, which, being released in 1993, is from the twilight years of theatrical exploitation, and thus more accurately from the second, virtual life the grindhouse aesthetic found on home video. This is the life of Jeffrey Dahmer, narrated in retrospect by the serial killer (screenwriter Carl Crew). Dahmer recounts his obsessions and growing need to kill, and a fair bit of the film’s running time consists of Dahmer hooking up with young men and murdering them.

This is normally where I would summarize the plot of the film. I could tell you that this is the story of three friends in a woodland cabin who must fight monsters spawned by the wife of one of them. But that would be misleading. What the story is really about is two, sometimes three, guys sitting around and drinking beer. Later they switch to whiskey. And then there’s this one dude who puts a cockroach in the other dude’s sandwich...

A mother locks her child in a closet so she can have an uninterrupted tryst with her lover. But the couple is rudely interrupted after all, as they are bludgeoned to death. Ten years later, a group of friends arrive at the deserted house to party down. After doing so for a fair bit of running time, they then fall prey to a hulking masked maniac, who not only has the titular hammer, but also has all sorts of supernatural powers.

Paula (Carmen Montes), a dancer at a strip club, is arrested for the murder of Paula (Paula Davis), a fellow dancer. The arresting officer (Lina Romay) questions the near-catatonic Paula, and the rest of the film is a slow-motion, flashback of the dead Paula dancing, the two women making love, and the murder. Once the slow-mo begins, there is no further dialogue, except for a cryptic fable that Paula tells to the camera.

Haunted my recurring nightmares, crippled Melissa (Mona Proust), the heiress to a huge fortune, falls under the care of Dr. Orloff (William Berger). Unforunately, Orloff doesn't have Melissa's best interests at heart. Still enraged over having failed to win the lover of Melissa's mother, Orloff enacts his revenge by using his hypnotic powers to transform Melissa into a killing machine. One by one, the distinctly unsavory members of Melissa's family fall under the knife.