Posted in: Disc Reviews by Michael Durr on November 28th, 2011
For those who might not already be aware, I am currently living in the state of Texas. I would say great state of Texas but my lack of a straight face would give that away. “Go back to where you came from”. Well, I would love to go back to North Carolina and perhaps the Minnesota transplant that is using four letter words against me can do the same. However, I am very interested in how some of these states got their shapes. Perhaps the first season of “How the States Got Their Shapes” can help.
Most people take the shape of their states for granted. However, the shapes of the United States of America have went through a library list of changes to get to their current shape. Often, the story of that shape is far more interesting than the cracks and bends that many states currently possess. Thankfully, we have our host: Brian Unger who is willing to be our Johnny Cash of cable television and “Walk that Line”.
Posted in: Disc Reviews by David Annandale on November 28th, 2011
It is 1979. While filming a Super 8 horror movie, a group of young friends on the cusp of adolescence witness a spectacular train wreck. They later discover that they accidentally captured evidence that there was an alien creature on the train, and it is now loose in their small town. But if the mysterious disappearance of dogs, engines and (increasingly) people wasn’t trouble enough, the military descends upon the community with an agenda far more merciless and inhuman than that of the alien itself.
I was 12 in 1979, and I was shooting Super 8 monster movies, so I get the nostalgia that writer/director J.J. Abrams is going for here, and this is an utterly unapologetic exercise in nostalgia. Abrams is is out to recreate the experience of a Spielberg movie from that era, and with the man himself acting as producer, the mission is accomplished. Super 8 plays like the Lost Spielberg Movie, with all the wonder, thrills, and sentimentality one would expect. There is so much here that works beautifully. The young cast is terrific, the dialogue crackles, the effects are spectacular, and the creature is both menacing and sympathetic, like some unholy version of ET reworked by H.P. Lovecraft.
Posted in: Disc Reviews by M. W. Phillips on November 23rd, 2011
“You can blow out a candle, but you can't blow out a fire. Once the flames begin to catch, the wind will blow it higher”
Peter Gabriel, the flamboyant original front man for Genesis from 1967 to 1977, left that band to pursue recording his own solo albums. Although none of his early albums scored a top 40 hit, they were deeply loved by the art house music crowd. Gabriel’s penchant for exotic world musical instruments, dark moving lyrics, and complicated arrangements built on his fiercely loyal following.
Posted in: Disc Reviews by M. W. Phillips on November 23rd, 2011
Let me get this out of the way first off: I am not a big fan of emo-pop, so maybe I’m not the best person to review Placebo. The whiny nasal vocals and amazingly repetitive hooks tend to drag, and I find myself just wanting to slap the band and tell them to man up. That said, I should think if you are a fan of the band, you will love this nearly three hour concert disc filmed at London’s Brixton Academy in September 2010 during the band’s tour for their album Battle for the Sun.
Placebo is not a band that has achieved the same level of popularity in North America as they have abroad. Their “emo” stylings have spawned numerous top ten singles in the UK. The three-piece band is very tight on stage, and their sound is pristine live. The striking stage visuals are complemented by all sorts of digital post effects seamlessly inserted into transitions (maybe a few too many post tricks, as it seems to detract from the show, drawing attention to the video editor instead).
Posted in: Disc Reviews by Michael Durr on November 23rd, 2011
Fishing is fairly foreign to me I admit it. The idea that you have to get up at the crack of dawn just to sit in a rusted over boat without saying a word to only catch not a darn thing seems like a waste of time if nothing else. The television fishing shows on TBS do not make it sound any better either. The only thing appealing to me about it is if you can find some beautiful scenery to fish in. Perhaps a place like Oregon, which is the setting for our new review: The River Why.
There is nothing like fly fishing up in the lakes of Oregon just outside of Portland. At least that is what Gus (Augustine) Orviston (played by Zach Gilford) has always thought. Why even as a baby, he was delivered underwater (in a tub). He would sleep with a pet fish; he would be able to catch his own fish even at ten years old. Gus loves fish and everything to do with fishing, well except his fishing crazy parents.
Posted in: Disc Reviews by Michael Durr on November 23rd, 2011
To say I am a sucker for hard rocking music films is an understatement. One of my favorite films in this genre is Rockstar of which I am still waiting for a good blu-ray release. Other films like This is Spinal Tap or even The Runaways also hold my interest for a good time. So, I was a little interested when I saw Trigger come to my doorstep, a tale about two reunited female musicians who are brought back together for one great night.
Two girls tear up the stage and put on a great performance of rocking their hearts out set to a peaceful piano number. The music ends with some guitar bashing, lead singer boozing and general chaos. Ahhh, so peaceful. We fast forward to ten years later and arrive in a fancy restaurant. Vic (played byTracy Wright) shows up (the guitarist) and is seated at a table. About forty five minutes to an hour later, Kat (lead singer) (played by Molly Parker) shows up and apologizes for being late.
Posted in: Disc Reviews by Gino Sassani on November 22nd, 2011
"My name is John Crichton...an astronaut. Four years ago, I got...shot through a wormhole to a distant part of the galaxy. I ending up on this ship...this living ship, populated by escaping prisoners...who became my friends. I made enemies..."
Take a magical journey with me now. I don't mean into outer space. It's a journey back in time to a day when the SyFy Channel was called the Sci-Fi Channel. A day when it was an exciting and promising place on the cable dial. After a few fledgling years showing old repeats it was time to grow, and grow they did. When the powers that be decided to begin making new original programming they teamed up with Brian Henson who was just getting his feet running his late-father's Jim Henson Company. Yeah, the Muppets guys. He believed it was time to do something darker, something with an edge and targeted more to an adult audience. His father began the journey with The Dark Crystal. Now it was time for more of that kind of thing. The two companies found their solutions together in a show called Farscape.
Posted in: Disc Reviews by M. W. Phillips on November 22nd, 2011
“When you're a Jet, you're a Jet all the way! From your first cigarette to your last dyin' days.”
West Side Story is a masterpiece in film making. Its DNA comes from the greatest entertainers in the business. The great Robert Wise (The Sound of Music, The Day the Earth Stood Still) shares directing credit with one of the world’s greatest choreographers, Jerome Robbins. The music was composed by Leonard Bernstein with lyrics by Stephen Sondheim. Daniel Fapp’s cinematography is epic and evocative. The movie was nominated for 11 Academy Awards and won 10, a record at the time, including Best Picture and Best Director. This is film sets the bar so high for musicals there really hasn’t been a good filmed one since.
Posted in: Disc Reviews by M. W. Phillips on November 21st, 2011
“10,000 people crammed… no bed, no toilets and little water.”
Julia Jarmond (Kristin Scott Thomas) is an American journalist living in Paris covering the anniversary of the 1942 Vel' d'Hiv Roundup, a horrific atrocity when occupied France bowed to the will of the Nazis and rounded up over 13,000 Jews to ship them off to concentration camps. As she investigates the story she discovers a dark secret in her French husband’s family directly connecting them to the event. The story is split between Julia’s modern day investigation and 1942 where it follows 10-year-old Sarah Starzynski (Melusine Mayance) as she deals with the horrors of the roundup.
Posted in: Disc Reviews by Michael Durr on November 20th, 2011
Deep inside most people's hearts lies a layer of curiosity. Many of us could go that one step farther and say it boils down to perversion. Whether it involves a spectacular car crash or two lovers in the throws of passion, there are uninhibited moments that we want to see. But what happens when those moments go beyond curiosity and straight into voyeurism? Worse yet, perhaps straight into a very dangerous situation? Well then one might be feeling much like Jeffery Beaumont in Blue Velvet, one of David Lynch's best movies.
In the serene peaceful town of Lumberton, we see blooming flowers, kids walking and Mr. Beaumont (played by Jack Harvey) watering the grass. However, the water hose hits a snag and gets caught up in the bushes. As he struggles with the apparatus, his heart suddenly gives out and he falls to the concrete below. As he lays there motionless on the ground, a child comes out to see what happened and the dog decides to take a drink. Ants lurch out of the ground and we fade to black.
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