Posted in: Disc Reviews by Gino Sassani on February 3rd, 2011
Vampires are real. There are millions of them out there. They might drink a little blood, but they're also quite fond of milkshakes and french fries. They don't usually haunt the local cemeteries at midnight because they often have curfews. They don't spend their days lying helpless in coffins deep in hypnotic slumber. They save those hypnotic states for uncomfortable desks. You can't scare these creatures with garlic or a crucifix. They're far more frightened of homework and detention. Yes, vampires are quite real and yes, there are millions of them out there. Just visit any junior high school campus, and you'll find them there not so cleverly mingling with the student body. At every one of these schools there are girls with bite marks on their necks. They consider them a sign of eternal love, but they are far more likely to lead to hepatitis than immortality. For millions of teens across America, vampires are more than real. They're cool.
As I've said many times on these pages, the vampire fad isn't new at all. It's been around for over a hundred years. The Twilight series of books has made the genre sexy and accessible to angst-filled teenage girls and a few boys. The same phenomenon has spread all over the world. In Sweden it came in the form of John Ajvidelindqvist's novel Let The Right One In. Like the Twilight books, the novel became must reading for teens across Europe. And also like Twilight, it was made into a movie that enjoyed incredible success throughout the world. It should come as absolutely no surprise at all that the American filmmakers should want to take a crack at the material. Not only would the film be made in English for the American moviegoers, but it would be the perfect film to launch the rebirth of another horror and vampire staple ... Hammer Films.
Posted in: Disc Reviews by Gino Sassani on February 2nd, 2011
"This used to be a gentleman's game."
I must confess that I had not even heard of the comic book titles created by Warren Ellis and Cully Hamner. I think that might have been one of the best things that could have happened to me as I sat down to watch the film Red. With a cast this strong, there was little doubt that they would provide a powerful stamp on these characters. No insult intended toward the graphic novels, but I can't imagine these characters any other way now.
Posted in: Disc Reviews by Gino Sassani on February 2nd, 2011
"If I had a world of my own, everything would be nonsense. Nothing would be what it is because everything would be what it isn't. And contrariwise what it is, it wouldn't be. And what it wouldn't be, it would be, you see?"
To be perfectly honest with you, I have never read either of the two Lewis Carroll books on which this film has been based. Under ordinary circumstances, that would put me at a decided disadvantage in both watching the film and certainly in providing an insightful review of the movie. But these are not ordinary circumstances. The characters and their stories, originally told in both Alice's Adventures In Wonderland and Through The Looking Glass And What Alice Found There, have become an indelible part of our culture. One need not have read a word to be intimately familiar with Alice and her fanciful friends and rivals from Underland, which Alice herself interprets for us as Wonderland. There have been animated features as well as other live action attempts. The characters have become iconic and have appeared in advertising campaigns and even an episode of Star Trek. The surprise isn't that I feel like I know this story without having read the source material. The real surprise would be if there was anyone out in the civilized world who wasn't familiar with these characters. They were originally oral stories told to a group of sisters, one of which was Alice Little, the inspiration for the tales. They would only end up in book form at the insistence of the young Alice.
Posted in: Disc Reviews by Gino Sassani on February 2nd, 2011
When a film is successful enough, it’s a relatively natural assumption today that a sequel will follow. In that sequel we expect more of the same and hopefully something new as well. Unfortunately, there is a disturbing sideline for the animation sequel. Because the actors aren’t really on camera at all, there is the temptation to replace them so that you can do a much cheaper, often direct-to-video sequel. The folks who did Madagascar didn’t go that route, but the folks who did Open Season did. Gone are the likes of Martin Lawrence, Gary Sinise, Ashton Kutcher, and Debra Messing. These voices are replaced by Matthew W. Taylor, Diedrich Bader and Kirk Baily.The result is a decidedly inferior film that was relegated to the Wal-Mart bins instead of the box office.
Boog is upset because no one wants to join him for guy's trip. Even Elliott has backed out of the annual camping trip. So he sets off on his own. He sees a sign for a circus that is coming to town and decides to check it out. There he runs into a circus bear Doug, who is looking to get out of the circus and live with the animals in the woods as the king of the forest. When Boog encounters Doug, he gets conned into switching places with the bear. Of course, both discover the grass really isn't always greener on the other side.
Posted in: Disc Reviews by Gino Sassani on February 2nd, 2011
This series from Comedy Central began as a low-budget film hosting show in a small television station in Minnesota. It was the brainchild of Joel Hodgson. It ended up running for 11 years and a feature film version.
Mystery Science Theatre is an acquired taste. For me, I’ve really got to be in that certain mood to watch it. That’s the beauty of these DVDs. You pop them in when you’re ready. The idea is pretty whacked. Depending on the season you’ve got, Joel or Mike is trapped in space on the “Satellite of Love”. Doomed to spend his life watching very bad films, our hero makes the best of a bad situation. He uses his resources to construct a couple of robot pals. There's Crow T. Robot (Beaulieu), Tom Servo (Murphy), and Gypsy (Mallon). Part of an experiment together, they watch the films from the front row, constantly ranting throughout. If you’re like me, you’ve invited a few friends over to watch a schlock festival. The movies weren’t as important as the banter you created while watching. That’s exactly what you see here. The silhouettes of our host and his robots dominate the lower portion of the screen, where they provide alternative dialog and sometimes witty commentary on the action. The two evil station owners/mad scientists send them a new bad film each week to observe their reactions to the bombs. The films are broken up by off-the-wall skits and fake commercials to alleviate the tedium. This DVD collection is better than some because it includes films from four different seasons to give you a good sample of the overall series.
Posted in: Disc Reviews by Gino Sassani on January 31st, 2011
"Hello. I want to play a game."
Posted in: Disc Reviews by Gino Sassani on January 31st, 2011
"He paws fiercely, rejoicing in his strength and charges into the fray. He laughs at fear, afraid of nothing. He does not shy away from the sword. The quiver rattles against his side, along with the flashing spear and lance. In frenzied excitement, he eats up the ground. He cannot stand still when the trumpet sounds."
Disney has a grand tradition of putting out a certain kind of sports film. You know the type well. There is a champion that must overcome incredible odds and usually their own flaws to rise to the top of their game. Secretariat fits that mold, but only to a point. Usually the movie centers on the athletes themselves, and it's something from within that must change or conquer. With this film, the champion is a horse, and while that often doesn't stop the folks at Disney from allowing us to hear from their perspective, this is based on a true story and remains firmly planted into a reality, of sorts. But, we can't hear from Secretariat himself. Instead this is really the story of his owner Penny Chenery, and it's not a very flattering story at all. I'm afraid that I didn't find myself cheering for the hero this time, and therein lies the fatal flaw of Disney's latest rise-of-a-champion story.
Posted in: Disc Reviews by Gino Sassani on January 31st, 2011
"Contestants are experienced marksmen operating on a closed course. Do not attempt this at home."
Posted in: Disc Reviews by Gino Sassani on January 31st, 2011
"No young man, no matter how great, can know his destiny. He cannot glimpse his part in the great story that is about to unfold. Like everyone, he must live and learn. And so it will be for the young warlock arriving at the gates of Camelot. A boy that will, in time, father a legend. His name ... Merlin."
Merlin. You know the name. It conjures up images of a white-haired old man with a long gray beard and a long pointed hat. His story is indeed legend. In the myths of Arthur and his Knights of the Round Table, he is destined to be the mentor to the King of Camelot. We've all heard the stories of the Sword in the Stone and the Age of Chivalry. Perhaps it is totally appropriate that this telling of Merlin come from British television. England is, after all, the origin of the fanciful legends.
Posted in: Disc Reviews by Michael Durr on January 29th, 2011
Westerns are fun movies to typically review because they usually don't deviate much from a basic formula. There is usually a criminal and there is usually a good guy out there to shoot that varmint. Technically, that is all there is to it. Furthermore, the budget (unless big stars are involved) is small, making for some creative storytelling. Today, we get to review an Australian western: Red Hill. Let's see if it differs from the typical American one.
We overlook a lush Australian landscape (aren't they all this way?) and pause to look at some horses. Suddenly, there is a disturbance in the distance and the horses run. Dun dun dun. Scene shift. Shane Cooper (played by Ryan Kwanten) is up and getting ready for first day of work. His wife, Alice (yes...Alice Cooper, played by Claire van der Boom) who apparently got her Frankenstein fed is very pregnant. They talk about his first day and soon he goes off to work.
![Let Me In [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/let-me-in-blu-ray-large.jpg)
![Red (Movie-Only Edition) [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/red-movie-only-edition-blu-ray-large.jpg)
