Studio

Written by Diane Tillis

24 is a political-thriller television series that spans eight seasons. The show focuses on Jack Bauer, a prominent and controversial agent within the Counter Terrorist Unit in Los Angeles. Each 24-episode season covers 24 hours in the life of Jack Bauer using the real-time method of narration. The episodes are marked by the hour with onscreen digital clocks. For instance, episode one of Season 8 relates to 4:00 P.M. through 5:00 P.M. of that day. The show also uses the split-screen technique. The screen will display multiple images that coordinate with the different story lines that occur throughout the season. This technique is used when the opening credits are rolling, before-and-after cuts for commercial breaks, or before the concluding scene. At the conclusion of its eighth and final season, 24 became the longest-running espionage-themed television drama ever.

The Graves:

When you first look at the title for this entry in After Dark’s 4th annual 8 Films To Die For, you probably have summoned up images of a dank and foreboding cemetery where unspeakable horrors rise from their resting places to torment the, albeit temporarily, living. This is definitely a little bit of a case of false advertising and the misleading use of a title. These Graves are sisters, Megan (Grant) and Abby (Murray), to be exact. They’re the kind of sisters who do everything together. You know the type. They almost speak in a secret language and appear to be soul mates. But Megan is a bit more outgoing and has gotten herself a job in New York, far away from the sisters’ home in Arizona. Abby is a bit more introverted and is having a hard time dealing with the inevitable loss of her sister. So the two decide to have one more blast together. It’s time for a road trip to visit the world’s largest thermometer. Oh boy. Any horror fan worth his remote knows that the girls are likely not going to make it to see the big thermometer, and they’d be correct. They get sidetracked in a small town called Unity where they are encouraged to visit the abandoned gold mine called Skull City Mine.

Paul Rudd is desperate for a promotion. Moving from the drudgery of the sixth floor to the executive seventh will, he feels, cement his financial status and convince his girlfriend (Stephanie Szostak) to marry him. Opportunity knocks, but also has a price: he must find an idiot to bring to boss Bruce Greenwood’s dinner party, where these unfortunates will be ridiculed. Rudd doesn’t like the idea, but then he (literally) runs into Steve Carrell, a man of such transcendent idiocy that Rudd can’t resist the siren call he represents. But before they can make it to the dinner, Carrell’s well-meaning stupidity threatens to completely derail Rudd’s life.

This is a remake of 1998’s The Dinner Game (Le diner des cons). Francis Veber’s farce clocked in at 80 minutes. Jay Roach’s bloated retread is half again as long, and only half as funny. The Paul Rudd character in the original, played by Thierry Lhermitte, was a superior, cruel SOB who deserved to have his life taken apart. Furthermore, the characters never actually make it to the dinner of the title. The remake, of course, finds it necessary to stick literally to its title, and gives us the dinner, thus inviting us to engage in precisely the form of cruel laughter it pretends to condemn. It also tries to make Rudd sympathetic, and having his character be a nice guy runs counter to the very premise of the film. End result: a film that tries much too hard to be funny, laboriously working every last predictable gag until those horses are fit for nothing more than the glue factory. There are some amusing moments, but this is, by and large, a gigantic, time-consuming waste of the talent involved.

My dislike of romantic comedies has been well documented on this site time and time again. At times, I even try to enlist the help of my loving wife who doesn’t really care for them either but is willing to lend a hand. Unfortunately, my next three reviews will all involve the curse of the romantic comedy. So let’s take a look inside and see if we can last through this trilogy of terror.

Lane Daniels (played by Hilary Duff) is a fashion journalist in New York City in search of a guy. Scared yet? I mean it is Hilary Duff. I heard she once bit the head of an eyeliner pencil off and swallowed it whole. Lane’s best friend, Joanna (played by Amanda Walsh) tries to help but the main problem is that Lane has this insane checklist.

Countless documentaries and dramas chronicle the life of John Lennon. They make each film unique from all the others by taking different approaches, use different archival materials, or new first-hand interviews. LENNON NYC explores a time in Lennon’s life that is rarely exposed. It focuses on Lennon’s life in New York City from 1971 to his death in 1980.

In 1971, after the breakup of The Beatles, John Lennon and wife Yoko Ono moved to New York City. The nine years Lennon spent in the city was a time for him to focus on family. While he did create some of the most acclaimed songs and albums of his career, Lennon wanted to be a proper father to his young son, Sean. A strong icon in the count-culture movement, Lennon was very active in anti-war protests and other political causes.

"If you're going to face the fires of Hell, you need to be prepared."

And that's exactly what someone should have told the folks behind the horror thriller Case 39. This has been one of those cursed films from the very beginning. The film appears to have begun production way back in 2006. It appears the film was done, at least in one form, by 2007, but there were reshoots and pick-ups for so long that it's going to be hard to imagine what the film might have originally been intended to look like. A fire on the set destroyed quite a bit of the set; fortunately no one was badly injured. The movie took so long to make that the life changes are quite noticeable in the characters. When the film did finally reach the box office on October 1st in 2010, the numbers were very disappointing. The film only took in $13 million with a budget that is listed at $26 million but was likely considerably more than that when you put it all together.

In one of Stephen King's most popular stories, at least of those translated into films, a prison inmate sits in his cell and dreams of escape. His fantasy is to escape into the welcoming arms of Rita Hayworth. While that particular element wasn't to be found in the film, it was important enough in the original story to warrant mention in the original title, which was Rita Hayworth And The Shawshank Redemption. It was a nod to the pin-up status that the actress had in early younger days. In my generation it was Farrah, but for most adolescent boys and World War II soldiers it was the red-headed come-hither smile of Rita Hayworth.

Hayworth first trained as a dancer. The instruction would certainly pay off in her film career where she would trade steps with some of the great dancers in cinema history including Fred Astaire. She was just a young teenager when she managed to be cast in Dante's Inferno and five other films that year. She left films at the peak of her popularity in a Grace Kelly-like marriage to foreign royalty. She wedded the Prince Aly Kahn, who would also die in a car accident, much as Kelly did. Fortunately for the movie-going public, Hayworth had divorced the prince 7 years earlier in 1953 and returned to the silver screen.

Written by Dave Younger

Set in 1945 Germany, WWII is winding down, and The Japanese have just surrendered.  A bunch of American officers have commandeered a castle outside of Frankfurt, Germany, and the discovery of a wine stash leads Colonel Jack Durant (Billy Zane) to thinking:  What else could Princess Sophie have hidden before she fled?  Jack is first seen flirting with Lt. Kathleen Nash (Lyne Renee), but she’s not buying. Then they discover a mother lode of jewels, enough to make them rich for the rest of their lives, and suddenly she’s hooked.  Is it love, or money?  There’s no time to wonder as many other, more vexing problems crop up: Princess Sophie discovers the theft of her jewels, a military investigation ensues, and how do they get the jewels to New York and fence them?

Written by Dave Younger

Twelve (2010, Rated R, 93 min.) stars Chace Crawford (Gossip Girl) as White Mike, drug dealer to the stars of the Upper East Side’s prep schools.  They’re young, rich, white, beautiful, and vapid: texting and whining are their main activities.  That and scoring drugs.  And then there’s Molly (Emma Roberts, Julia’s daughter (niece. Thanks Robert) who’s quite effective as the one good person here. Although they’ve been friends forever, she doesn’t know White Mike is a drug dealer.  He can’t tell her for fear of losing her friendship and, because she reminds him of his mother (who passed away recently), it would be like telling your mom you’re a dealer.

Dateline: September 13, 1999

Mankind has been storing all of our nuclear waste on the far side of the moon. On the other side of the lunar surface was Alpha Base. Here mankind had a research station which also served as a launching point for deep-space missions. An unfortunate chain of events led to the unthinkable. The nuclear waste pile was ignited, and the whole dump exploded with a force so powerful that it tore the moon out of Earth's orbit and sent it hurtling through space. The 311 inhabitants of Alpha were swept along for this uncontrolled flight into uncharted space.