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“Take hope from the heart of a man, and you make him a beast or prey. And the beast eats away at you if you’re not careful. The beast will eat it all and you will have nothing and you are nothing.”

Patrick Swayze stars as Charles Barker, an FBI undercover specialist. He handles the deep cover missions, the kind that requires a total commitment to the mission. He’s the kind of agent that knows where the line is so that he knows where to cross it. He’s a grizzled veteran. His new partner is young Agent Ellis Dove, played by Australian actor Travis Fimmel. Ellis is a bit uncomfortable with Barker’s all in approach. Still, he’s a loyal student and will do what it takes to catch the bad guys. The two agents are handled by an agent named simply Conrad. Conrad is played by everyone’s favorite comedy relief from the new Mummy films, Kevin J. O’Connor. He was the cowardly rascal Beni in those first two films. Each episode brings us a special set of circumstances where the FBI feels Barker’s special brand of work ethic might work. Still, the feds are a bit worried about just how far he has gone over that line. They try to get Ellis to snitch on his new partner to no avail. Larry Gilliard, Jr. plays Ray, the persistent internal affairs agent who wants the goods on Barker.

Marketing is very important for a movie. Many think that star power or an impressive audio track will do the trick. Even if you crank up the special effects to eleven, it might do nothing for the film. That is unless some solid marketing executives do their best to get it out there and into the minds of the ticket buyers. Take a film called Delgo. It boasted one of the worst grossing wide releases in recent history. However, the animated movie had a solid speaking cast and the animation was very respectable. So what exactly happened? Marketing.

There are two primary types of creatures on the planet of Jhamora. There are the Lokni, which are best described as humanoid like lizards with the special gift of stone magic. The other group is known as the Nohrin. They resemble humanoid like fairies gifted with wings that enable them to fly. They were given permission to habitat the land by the Lokni. However, soon we found that various members of Nohrin wish to take over the land and away from the Lokni people.

You know, I was watching this episode of the popular Showtime series Dexter the other night. There was this murder victim who had taken off work early to go and see a romantic comedy with his girlfriend. He ended up getting his head bashed in and dead. Is it saying something about my own bias that the first thing that came to my mind was that it was a lucky thing he got his skull caved in before he had to go to the romantic comedy? Romantic comedies. Chick flicks. Date movies. Whatever it is that you want to call them, ladies, they are the stuff of nightmares for your significant others. It might appear to be harmless enough fun for you girls out there, but for your guy? I guarantee he’s squirming in his seat the entire time. You do know that he doesn’t really have a bladder problem, don’t you? There’s a reason he has to go to the bathroom 20 times in those 2 hours. It’s even worse when we’re watching them at home. Here’s a helpful dating tip: Don’t ask him if he wants you to put it on pause on one of those 20 bathroom breaks. It might also be advisable to keep any sharp objects, firearms, or prescription drugs out of reach of your guy during date movie nights. There isn’t a guy out there who wouldn’t opt for a painful visit to the emergency room over another hour watching a romantic comedy. We’ll do it; after all a guy’s gotta do what a guy’s gotta do. Just don’t forget the poor sap deserves to be amply rewarded when the film’s over. Now if you’re a guy and you find yourself, like me, watching this one by yourself…. not that there’s anything wrong with that… I hope you have a good reason. Mine is to write this here review. Just another bullet I take for you, my gentle readers.

Andie Anderson (Hudson) writes the “How To…” column for Composure Magazine, the fastest growing women’s magazine in the country. You know the kind of articles I’m talking about here: “How to talk your way out of a ticket”, “How to lose weight in 5 Days And Still Eat All You Want”. It’s those female lifestyle burning questions. But, Andi wants to write about more serious issues like politics and religion. Her editor (Neuwirth) promises her a shot at writing about what she wants if she turns in a killer article. She decides to call it “How To Lose A Guy In 10 Days”. It’s a kind of dating tips in reverse. She’ll get a guy into her and then begin to pull out all of those don’t do’s in a relationship: acting clingy, whining, feminizing his apartment, dragging him to a Celine Dion concert, and one she forgot: taking him to see How To Lose A Guy In 10 Days. Enter Ben Berry (McConaughey). He’s an ad executive who wants to land a hot new diamond account. He’s got to convince his boss and a couple of female coworkers that he understands women enough to lead the campaign. He makes a bet that he could get a woman to fall completely in love with him in just, you guessed it, 10 days. His coworkers will pick out a woman at random, and that’s Ben’s target. You already know where this is going, don’t you? The two hook up and begin their cross purposes campaigns, each without the other knowing. The usual romantic comedy moments ensue, and the two genuinely fall in love with each other. It’s all leading to the big diamond gala 10 days later. Both bosses are in attendance, and the secrets get out with the expected results.

I think it started with the writers’ strike and somehow got out of control on this series. None of these sets represent actual seasons, which is why the releases are called chapters. The first two chapters represent the times before and after the strike from the show’s first year. I kind of understand how that might work out. What I don’t quite get is why it is now continuing. This chapter includes the first episode of the second season and stops with the tenth, even though the season actually included 22 episodes, all of them aired before the release of the DVD’s. There doesn’t appear to be any reason to spread out these releases except to capture a couple of extra bucks from the fans. To be fair, there was a five month gap in the episodes where this chapter ends, but it is still considered by every episode guide I could find as all part of the second season. The question for fans has to be, when will they see the other 12 episodes on DVD?

The concept would appear to be slightly misplaced on ABC’s Family Network. The prerequisite underage drinking and promiscuous sexual lives don’t appear to be the best “family” entertainment. We don’t get even halfway through the pilot episode before we’re already charting those waters. To be sure, Greek is no Animal House, and the atmosphere is toned down considerably, but the issues remain, and this is not a show for the kiddies. The story is very much like a soap opera. Casey (Grammer) is a sorority sister for Zeta Beta Zeta, and after two years is a woman on the rise. She’s dating the rich and handsome Evan (McDorman) and is in line to be the next House president. Her life is about to change when her nerdy brother, Rusty (Zachar) arrives at college. In his hope to experience college life and shed some of his geek reputation, he decides to rush a fraternity and enter Casey’s perfect world. Casey’s other problem is Zeta Beta Zeta’s own new pledge in the form of Rebecca Logan (Vadsaria), the spoiled daughter of a US Senator and rival for Evan’s affections as well as the future House leadership. To further complicate matters, Rusty has pledged Omega Chi Delta, which is led by Casey’s former boyfriend, Cappie (Foster). Most of the episodes deal with the crossover of these various worlds, and there’s a ton of competition not only between the houses but the characters. The show is all about the parties and the rivalries. There’s an interesting enough group of supporting characters, all well cast, which make this series a little more interesting than it really should be.

Mention Toho to anybody who has ever seen a movie and one thing universally comes to mind: Godzilla. Everybody’s favorite monster run amuck was the brainchild of Japan’s Toho Studios and has made them somewhat of an icon in the industry. It’s appropriate, then, for Toho to be featured in any series called Icons of Science Fiction. However, don’t look for the big lizard with radioactive breath in this 3 disc, 3 film collection from the legendary studio. Instead you’ll find two lesser known titles and one of Godzilla’s eventual playmates. These two films go back to the late 1950’s when Toho was still a fledging operation and Godzilla had not yet reached the cult status he was shortly to achieve.

The films in the collection are:

Pixar & Dreamworks have been monsters at the game of big budget film animation for quite sometime now. Many of us have enjoyed Shrek, Toy Story and countless others. Even their duds aren’t half bad. But there was bound to come a time when others need to share in the spotlight. In 2007, Filmax Animation, a Spanish company decided to release a film about a Donkey who has aspirations of being more than just another as... Sorry kids, I lost my place. It’s a film about a donkey who wants to be a horse, of course of course.

We all know the story of Don Quixote (or Quijote) and how he recruited Sancho to be his faithful squire. They traveled the land on quests in the name of chivalry and return home to find that they are indeed famous. However, Don Quixote has more important things in mind like finding Dulcinea, his long lost love & walking the countryside in search of truth and justice.

The cast and crew of I Love You, Man constantly refer to the film as a “bromance”. I’m not exactly sure what they mean by that, but I was actually pretty pleased with the clever turn on the typically droll romantic comedy. Maybe someone’s finally come up with a romantic comedy that actually can appeal to men. Whatever you call it, I Love You, Man is a bit of a refreshing take on today’s innuendo comedy. Writer/director John Hamburg has turned a pretty inane idea into a rather funny little comedy that just might be the compromise between a chick flick and something we won’t have to squirm in our seats just to make our dates happy. You know, to make up for all of those Clint Eastwood/Bruce Willis action flicks that have the same effect on most of the women as romantic comedies have on the guys. A hybrid is born. And it kind of works.

Peter Klaven (Rudd) has just proposed to his long time girlfriend, Zooey (Jones). She’s terribly excited and immediately wants to call her best friends to share the news. Peter is quickly uncomfortable with how much intimate information her friends seem to have. It hits home with him that he doesn’t really have any close friends to share the good news with. Apparently, Peter’s always been a better “girlfriend” and buddy friend. With an impending wedding and no one to fill the best man shoes, he sets out to make a close friend. Predictably, the results are some pretty wild and funny moments. One of his prospects mistakes his attention as a gay pass, and he ends up throwing up on another. All the while he’s trying to sell Lou Ferrigno’s house to make enough money to buy his own dream piece of property. At first Zooey encourages the friendship hunt, and Peter finally meets Sydney Fife (Segel) at one of Ferrigno’s open houses. He’s immediately attracted to Sydney’s brutal open honesty and unwillingness to put on pretenses. The two discover they share a few things in common. Both are garage band musicians with a hero worship for the band Rush. Before long they have become inseparable, and suddenly Zooey is getting jealous of Peter’s new best friend. Together they go through the ups and downs of making the many relationships work.

Chris Rock has been one of those comedians that either hits a home run or strikes completely out. I’ve seen quite a bit of his stand-up and found I loved it or hated it. He’s not afraid to play the race card. Hell, Chris plays the whole dang deck at times, and Everybody Hates Chris is no different. The comedy is based, loosely I’m sure, on the young adolescent life of Chris Rock. It’s a black comedy that will bring back memories of those 1970’s shows we all watched as kids. Like Good Times and even Sanford And Son, the show is loaded with stereotypes. All of the white characters are bumbling fools who are often played as racists themselves. Chris’s school teacher, Mrs. Morello (Mazarella), is the most obvious example. She’s constantly trying to talk “hood” with the boys and making politically incorrect observations loaded with outrageous clichés. Of course, it’s all in fun, and if you’re willing to overlook the often sensitive language and plots, you’re in for some laughs along the way. I like that the show never really takes itself seriously and challenges the viewer to simply lighten up. Basically, this ain’t no Cosby Show.

Chris Rock narrates each episode from his current place in life. The interjections are often humorous commentary on the pains of growing up, particularly black. At times Chris is just annoying, and he tries too often to be over the top. Tyler James Williams plays the young Chris. He kind of looks like him enough, and I can see some of Rock’s mannerisms in the boy. Terry Crews is the standout actor, playing Chris Rock’s father, Julius. The big guy always seems to mean well but doesn’t always have his stuff together. He could have been a young Fred Sanford. Tichina Arnold is Mom and the domineering force in the life of our young comedian to be. She’s best known for her excellent turn as Pamela in Martin, another stand-up sit-com vehicle. Chris’s siblings are played by Tequan Richmond and Imani Hakim. Hakim is absolutely hilarious and seems so much older than her age as an actor. She manages the little sister act, while all the while you know there is so much going on there. She’s a constant burst of energy and often exhausting to watch. A very promising young actress. Finally, Vincent Martella plays Greg, the token white dude. He’s Chris’s best bud and is honestly the most stereotypical white kid I’ve seen on television. Together it’s a good ensemble, and the show can be quite clever at its best, simply funny at its worst.

Jack Webb invented the modern television police procedural with the creation of Dragnet, first as a radio play and eventually as a successful television series. The series told the tale of a pair of L.A. detectives. There wasn’t any flair or action sequences. No car chases and no gun fights. When Jack Webb turned his attention to the patrol officer, he realized that some of that formula would have to change. But he wouldn’t tweak it very much. There was the occasional gunfire, but it was rare and was never the focus of any given story. Instead Webb concentrated on the actual procedures and duties of the everyday patrol officers, thus the invention of the procedural drama. It was no small step for television audiences and was likely very much responsible for the shape of the young medium and the shows that would follow up to this very day. Now the episodes might seem quite tame by today’s standards, and I don’t doubt that many of you might even get a chuckle at the no nonsense dialog that has become a Jack Webb trademark. Still, you won’t get a truer look behind the curtain than Adam 12. It was a show very much of its time.

Adam 12 debuted on NBC in 1968 and ran until May of 1975. The show never really changed at all for its 7 seasons. It starred Martin Milner as officer Pete Malloy and science fiction genre veteran Kent McCord as officer Jim Reed. They rolled in the black and white that bore the call letters Adam 12. They were headquarted at L.A.’s Rampart precinct, the same area as Jack Webb’s sister show about firefighters and paramedics, Emergency. The two shows shared a rather odd relationship. They did cross over and appeared to exist in the same universe; however, an episode of Emergency once featured a storyline where the paramedics where trying to watch a nail biter climax on Adam 12 only to be called away at the crucial moment. They spent the rest of the day trying to find out what happened. Yet they would meet the characters as real police officers in their own pilot. The firefighters would also appear on an episode of Adam 12. If that’s all rather a little confusing, blame the complicated world of Jack Webb.

Next month, my mom turns fifty-eight years young (I would say old, but I’m pretty sure she can still reach across county lines and wallop me one). She’s been around for quite a while and despite the typical things that age do to people, she’s still a kicking. This usually means gossiping to neighbors, clipping coupons and watching soap operas. My mom has watched a lot of soap operas including General Hospital, Young & The Restless and some night time ones too. The night time soap operas I speak of are of yesteryear like Dallas or Dynasty. That’s why when I saw “These Old Broads”, I knew in a minute who this release was aimed at.

In the early 1960’s, there was a musical made called “Boy Crazy”. It became a cult sensation up until this very day. It starred Kate Westbourne, Piper Grayson & Addie Holden (played by Shirley MacLaine, Debbie Reynolds, & Joan Collins respectively) who were known for their beauty, charm & musical talent. They were also known for their backstage antics which included cat fights and sleeping with directors.