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Posted by Ken Spivey

Based upon Toby Young's 2001 memoir and pseudo-confessional, “How to Lose Friends and Alienate People” is the uproarious tale of journalist Sidney Young’s ascension from a hack to a successful hack. Young tracks the rich and famous, writes scathing stories about them, sleeps with many of them, all while reaping a whirlwind of trouble along the way. His career receives a major coup when he is offered a job at the prestigious “Sharps” magazine. Toting witty comments and salacious attempts to bed every beautiful actress he meets, the story of Sidney Young's (Simon Pegg) rise to journalist nirvana is a laugh a minute and a sincere delight from inception to completion.

"There are more fat people in American than there are people." That's the dry wit of Tom Baker, Little Britain USA's narrator, introducing a sketch about "Fat Fighter" Marjorie Dawes. If the series stuck with that brand of humor, I'd have enjoyed it thoroughly. Instead, it goes places so crude I was continually startled by its outrageous comedy. I'm of the opinion that blue humor is a love-it-or-hate-it genre. If you enjoy the nasty stuff, Little Britain USA : the complete first season is definitely up your alley. Mine? Not so much.

The series is yet another British invasion, having begun as a program in the U.K. before crossing over the Atlantic to reach American audiences, like The Office, Life on Mars and many others. Of course, this time it's still helmed and starred in by its original creators, which should alleviate the concerns of fans of the British version. And in this case, I wasn't familiar with the original series, so Little Britain USA was my introduction to the talents of show creators and stars Matt Lucas and David Walliams. They play most, but not all, of the regular sketch characters, which include the above-mentioned Fat Fighter, horny prime minister Sebastian Love, grossly obese seductress Bubbles Devere, over-muscled homoerotic gym buddies Mark and Tom, eighth man on the moon Bing Gordyn and many others. They're joined in the six episodes of this first season by guest stars like Rosie O'Donnell, Paul Rudd, Sting and Vivica A. Fox.

Christmas is a long way off, but many people look forward to jingling bells all year round. For them, it’s a wonderful time with family, friends, exchanging of gifts and general merriment. For many others, though, Christmas can be a depressing time of the year. There’s even a long-running myth that suicide rates increase significantly over the holidays. Yes, it’s a myth, but it endures because it’s easy to imagine why people might hit rock bottom when others around them are so darn happy.

Midnight Clear is a film inspired by the myth, but it feels no less poignant in light of the facts. It’s a universal story with an understated message, about the difference small acts of kindness can make in people’s lives.

The last time I reviewed a set of the popular family TV series Seventh Heaven, I made the statement that “one of the hardest parts of reviewing DVD’s for this site is getting dropped in to the middle of a show I neither followed nor cared to follow….” Not much has changed since that time, certainly not regarding an improvement in the show’s quality, or in my enthusiasm regarding it. With Seventh Heaven – The Eighth Season, the Camden family and friends become increasingly obnoxious in their journey to the heart of sappy endings and Full House-esque melodrama. A dear friend of mine – a girl, no less, so it’s obvious this is not a matter of gender, but experience – recently pointed out that Seventh Heaven is little more than the one-hour drama version of the old TGIF lineup’s crap-tastic Bob Saget-starring sitcom. I agree.

 

Breaking Bad could be the best show on television. I say “could be” because I haven’t seen enough of its competition to make a fair and adequate comparison. But one look at the beginning of Vince Gilligan and Mark Johnson’s breakthrough new series will have you undeniably hooked.

 

“The dead can hover on the edge of our vision with the density and luminosity of mist. And their claim on the Earth can be as legitimate and tenacious as our own.”

In The Electric Mist is based on one of James Lee Burke’s Detective Robicheaux novels, In The Electric Mist With Confederate Dead. The role was previously played by Alec Baldwin in Heaven’s Prisoners. There couldn’t be any two more diverse actors playing the same role. I have never seen Baldwin’s film, so can’t make an actual comparison, but I suspect that Tommy Lee Jones adds far more depth and a more contemplative nature to the role.

Athena here again. Yup, that’s me, the 13 year old Siberian Husky who sometimes “sub-woofs” for Gino. For some reason he only gives me these dog movies to review. Something about being an expert witness. ‘Cept there aren’t any Siberian Huskies in this movie. So, I settled into Gino’s theater, but almost got kicked out when I decided to pass a little Air Athena. Turns out that while we may share a taste in movies, Gino and I don’t share a taste in smells. Actually I was pretty excited to see this one. I’ve seen a couple of the Buddies movies now, and you can check out my reviews is the movie that started the whole ball rolling, the basketball, that is. Turns out that Buddy was the Buddies’ Papa. But, that’s another movie.

 

Ace Ventura’s back, sort of. It’s a new day. A new cast and crew. A new movie. And, unfortunately, a new Ace Ventura. This is Ace Ventura, Jr. Emphasis is on the junior. Without Jim Carrey, this thing was doomed from the start. Still, if you’re going to do it, I would have hoped that at least some kind of an effort would be in order. Alas, it seems that everyone involved knew this one wasn’t going anywhere so they just decided to have a great time and not worry so much what actually made it on to the film.

Director David Evans is best known for killing the Beethoven franchise with its third and fourth direct to video films. He did the same with the abysmally bad Sandlot 2. Evans is the place where mediocre comedy franchises go to die, or at least end up in direct to video cheap imitations of their former selves. If he had torn himself away from playing with the kids and animals long enough, he might have realized that he was killing yet another franchise. In the previous cases, I’d say he had a shot at 2nd degree murder, or negligent homicide. This time it’s a clear case of premeditation. He needs to be sentenced to life…away from a movie set.

The highpoint of I’ve Loved You So Long is a rather brilliant performance by Kristen Scott Thomas. She is able to inhabit a character in ways I’ve rarely seen. You’ll be hard pressed to find any identifiable boundaries between the actor and the character. Now, usually, that’s the foundation for a solid film. The problem is that her character just isn’t that interesting of a person after a while. Of course, there are nuances to observe, and Thomas serves them up well, but after a short time we’ve really come to know this character pretty well. We just don’t find her all that interesting.

Juliette (Thomas) has spent the last 15 years in prison for the murder of her 6 year old son. She has been expectedly abandoned by her family while locked up. When it is finally time for her to be released, the only one willing to even talk to her is her estranged sister, Lea (Zylberstein) who takes her into her home. Lea has a family of her own now. She is married with two adopted Vietnamese children. The film pretty much follows no plot or story. It’s more or less Juliette’s journey to adapt to the outside world and deal with her own flood of emotions. If the movie is Juliette’s journey, then it is also a journey for Lea. Without revealing the ending, I can safely say the only destination here is understanding.

Is it me, or have we been getting a lot of talking animal movies of late? I suspect the use of the CG technology that exists today lends itself to this kind of film. You might even make the argument that it hasn’t really been any different than the talking animal cartoons that have been with us forever. It’s just that now we can make live action dogs, or any other creature, for that matter, appear to be talking in a fairly realistic way. And as far as the use of that technology, Beverly Hills Chihuahua certainly blends the CG and live action footage seamlessly enough. And while I can’t really find much fault with this movie, it just seems like I’ve seen and heard it all before, a little too often as of late.

The plot is one of those affairs that’s filled with holes and giant leaps of logic. It’s obviously intended for kids, but it’s a mistake to think that even the under 11 crowd doesn’t notice these incredibly unbelievable things. I don’t have kids, but I would worry if you have a kid that doesn’t let these unanswered questions go by without demanding an explanation. Of course, Disney doesn’t have to field those questions, like why does a rat want a diamond necklace so much. You’re the one who has to do the explaining. For what it’s worth, here’s the general plot: