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Extreme sports, whether it be skateboarding, surfing or skiing have only come into popularity within the last decade or so. However, their roots often go back many more years. Take the case of extreme skiing. That kind of skiing is not usually found in the United States and forces patrons to go off to slopes like Chamonix in France. Origins of the sport suggest that we can go back almost 40 years to find a true source. The documentary Steep tells the tale of extreme skiing from the fathers of the sport and listens to the pioneers creating new and exciting challenges going forward.

Back in 1971, Bill Briggs skied Wyoming's Grand Teton and gave birth to the concept of extreme skiing. His claim, "Without risk, there is no adventure.". However, due to the United States being more partial to insurance claims and protecting themselves from being sued, the sport was forced to move to Europe and slopes like Chamonix in France during the mid 80's. Local types such as Anselme Baud or Stefano De Benedetti led the way with a great show of skill and escaping death. But the sport didn't get recognized here in the United States until Glen Planke came onto the scene. His movie, The Blizzard of AAHHH's and his foot high mohawk brought the sport into the mainstream.

Romantic comedies make most men put their body in the fetal position and pray that the bad people will make it stop until they are shown the newest incantation of a Vin Diesel action flic. This just in, Vin Diesel doesn't really make action films anymore. Crap, how about Mel Gibson, no? Hey, Sly Stallone still does action movies. Yeah, but we are also pretending he's still relevant. Anyhow, most people have negative connotations about romantic comedies. That way too much syrupy dialog mixed in with corny humor about two people on the opposite side of the tracks establishing that common ground and coming together. Dedication, at the core is a story of a children's writer finding love with his new illustrator. However, getting there is one strange animal indeed.

Henry Roth (played by Billy Crudup) is a budding children's storybook author. His newest idea involves Marty the Beaver and receives great press and promise of future books in publication. His illustrator is Rudy Holt (played by Tom Wilkinson). Rudy is the "father" of the group as he often pitches the ideas and serves as a mentor over Henry. However, one day Rudy dies (we guess as a result of too much good deli lunch meat), and the publishing house is left with trying to find a suitable replacement. The problem is that Henry is very much the definition of an obsessive compulsive and any other mental disorder you can think of. He can't keep a relationship, he refuses to travel in a car, and he sleeps with a pile of heavy books on his chest.

There really was nothing like the Italian film industry in full exploitative steam. The Beast in Space is a perfect example of what I mean. From where else but Italy in 1980 could there emerge a low-rent rip-off of both Walerian Borowczyk’s high-end erotic epic The Beast and Star Wars? Even the poster somehow manages to conjure thoughts of both films. And the title shamelessly implies that it is some sort of sequel to the former. So what kind of alchemy do these elements produce?

Nothing particularly enticing, beyond its considerable value as demented trash novelty. The plot is a surprisingly convoluted bit of nonsense involving and expedition to a planet that has been producing far too much of a supposedly rare mineral. Meanwhile crew member Sirpa Lane (of The Beast) is having bad dreams about being ravished by some sort of satyr-like creature. None of this ever makes any sense, nor is the combination of gruesomely bad FX and costume design with gruesomely boring sex scenes particularly entertaining. But the release is still worthwhile, if only to prove that There Are Such Things.

There’s probably a reason why there’s a surprising and varied cast of characters in the independent film The Good Night, and that’s because a familiar last name is involved with the project. Jake Paltrow, son of Bruce and Blythe Danner, and sister of Gwyneth wrote and directed the piece which at first glance might be a pretentious and audacious film, but is a little more interesting than it seems.

Dora (Gwyneth) and her boyfriend Gary (Martin Freeman, The Office) are living in New York, and Gary is working as a musician who does work on commercials, even after he was a one-hit wonder in a band with his friend Paul (Simon Pegg, Shaun of the Dead). Gary’s relationship with Dora appears to be flailing, and he starts to dream of a mysterious woman (played by Penelope Cruz of Volver lore) that he develops an intense kinship with. He then starts to sleep longer in order to spend as much time with her as possible and seeks out a specialist (Danny DeVito, Hoffa) in order to find out how to sleep longer.

For a third straight year, Jim Henson’s lovable Muppets attracted some of the biggest names in show business. Who would have thought that such big stars would so eagerly agree to co-star opposite a clump of felt and fur? The show was also coming off a monster second year with acts like Elton John, Bob Hope and John Cleese. How do you follow up a year like that? Easy. You get more big names like: Roy Clark, Jean Stapleton, Liberace, Alice Cooper, Cheryl Ladd, Raquel Welch, Danny Kaye, Harry Belafonte, Sylvester Stallone, and even Roy Rogers and Dale Evans. Add to the tremendous star power more adventures of Pigs In Space, Veterinarian’s Hospital, and The Swedish Chef, and you have a decade of entertainment in one season set of The Muppets.

 

We’re in the US Marines, boys and who could have guessed that it would be so much fun? I often wondered how the real life members of The Corp think about Gomer Pyle. It would have made a great extra. I remember one of the F Troop sets offered a look at members of the real unit. With only another season to go I hope Paramount looks over the idea.

 

I’m going to admit right from the start, I hate cell phones. They’re evil, and I didn’t need a horror film to tell me about it. The world would be a safer and certainly a more courteous place without them. Just last week I was run of the highway by a Werner semi because the idiot driver was on his cell phone. So it didn’t come as any surprise that someone was bound to include them as part of a horror film. One Missed Call is simply the latest Asian Invasion film to be retooled for American audiences. What started with The Ring, which was a truly original and suspenseful film, has also given us losers like The Grudge. Unfortunately this film falls into the latter category. Believe me, I wanted so much to love this film. I was the annoying guy cheering the trailer at the local cineplex.

 

Just in time for the release of one of the most eagerly awaited films in years comes a new box set of the Indiana Jones Adventures. The problem is that these transfers are not upgrades so, aside from squeezing out a few extra bucks, what’s the point? I’m sure that The Kingdom Of The Crystal Skull will add hundreds of millions to the Paramount coffers, so this just looks like greed to me.

 

12 Angry Men is one of those rare films that appears to defy all the Hollywood constants and yet become one of the best films of its kind ever made. The setting is entirely too claustrophobic. With the exception of two bookend scenes the entire film takes place in the tight quarters of a jury deliberation room. The story had only a couple of years earlier been the subject of a live television drama, so the story was far from a fresh idea. The director was a complete unknown who had not at that point directed a major picture. Enter Henry Fonda, the only member of the cast who was a strong A list name. He was also the driving force behind getting the film made. He produced the film and was involved with most of the major decisions. With all of these elements going against it, you would expect the film to fail miserably, and that’s exactly what it did. During its premier run the film only lasted a week and was a complete financial failure. It happens all the time, and we would expect the story to end there, but it didn’t.

 

Jim Phelps (Graves) led his team in a fourth season of Mission Impossible starting in 1969. The show continued its trademark traditions. Jim would receive a mission from the “self destructing” tape and would gather his IMF (Impossible Mission Force) team. The team was necessarily eclectic in nature, and it changed significantly in the fourth season. Gone were Martin Landau in his signature role of Rollin Hand and Barbara Bain as Cinnamon Carter, model and the team’s chief seductress  Still in the team we had Barney Collier, the gadget man, played by Greg Morris. The muscle was still supplied by Willy Armitage, played by brute Peter Lupus. Leonard Nimoy joined the team in season four as Paris, who also had a skill for disguise. He was a magician, so his sleight of hand skills came in … well, handy. Together they took on missions that the government could not be officially a part of. They were always admonished that should they be caught “the secretary would disavow any knowledge” of them.  Usually they were sent somewhere to put some evil mastermind out of business. Their tactics ranged from scams to outright theft. Sometimes they were a rescue team, while other times they would infiltrate a group of bad guys. There were certainly cold war elements to the whole thing. Each week the team concocted some convoluted con to play on their mark, walking away at the end of each episode often without getting any credit or congratulations.