Posted in: Disc Reviews by Michael Durr on March 13th, 2008
Most people like a good heavy dose of action. Guns a blazing, explosions bursting and people's dead bodies flying in each and every direction. But most people also want something a little more. Perhaps a little suspense or a little who dun it. Or perhaps they are looking for their favorite actor to make a dramatic on-screen performance that will leave them breathless at the door. This lonely review writer loves action but a good dose of story and a well done gotcha at the end means more than the next building that gets blown up. Chaos would prove to have everything I wanted from an action drama and make me believe that there is at least one semi-original story left in Hollywood today.
After an incident on the Pearl Street Bridge, Detective Quentin Conners (played by Jason Statham) is suspended and his partner is sent home. When a bank heist takes center stage, a criminal mastermind known only as Lorenz (played by Wesley Snipes)forces the police's hand in reinstating Conners so that they can work out a negotiation. The police however assign Conners a new partner, Shane Dekker (played by Ryan Phillippe). Shane is a young detective that is expected to keep the brash Quentin Conners in line with policy. However, the bank heist goes awry and Lorenz gets away with the crime. This leads into a deep investigation where things are not as they seem and as the story unravels we find out what is meant by the term "Chaos Theory".
Posted in: Disc Reviews by Archive Authors on March 13th, 2008
I am a sucker for a good biopic. Walk the Line, Ray, Man on the Moon, Cinderella Man… all these films and many more like them feature prominently in my DVD collection. With this release, I am now excited to be able to add this fine film to my collection. Brad Pitt’s James is not the one of fables and adventure books, but one grounded in reality. While charismatic criminals are frequently glorified in these types of films, it is often times hard to remember that in real life these are often times people with severe social problems. The result is a film that is more open and honest than the vast majority of the biopics that have come along in the past decade.
While Brad Pitt is perfectly adequate as Jesse James, this is really Casey Affleck’s movie. I am not naive enough to think that a major Hollywood star is not required to sell a big-budget summer movie, and Brad Pitt is about as big of a box office draw as there is. Once the audience is in the seat, however, there better be a good film to back it up. That’s where Affleck comes in. This is a simply groundbreaking performance that is very worthy of the Academy Award nomination it garnered. Affleck plays the troubled criminal with an amazing honesty that never insults or disrespects the character. It’s simply inspired stuff.
Posted in: Disc Reviews by Archive Authors on March 9th, 2008
Without knowing if he is or not, I’m willing to bet that director James Gray is a fan of The Godfather. His previous films, The Yards and We Own the Night show flashes and flourishes of The Godfather so familiar, it’s uncanny. Also, while The Yards featured Sonny Corleone, We Own the Night features Tom Hagen.
Funny, huh?
Posted in: Disc Reviews by Archive Authors on March 9th, 2008
On paper, Rendition looked good. Damn good. It had Reese Witherspoon, hot off her best actress win as June Carter in Walk the Line. It had “it boy” Jake Gyllenhaal from Brokeback Mountain and Zodiac. It also had stalwarts in Alan Arkin and Meryl Streep rounding out the cast. It was directed by acclaimed Tsotsi director Gavin Hood. And it was about post 9/11 hot-button issues such as torture and imprisonment without due process.
The plot: when a bombing occurs in North Africa, Committee Chairman Corrine Whitman commands the CIA to abduct Anwar El-Ibrahimi (Omar Metwally) who is on his way back from a conference in South Africa. She has solid evidence that connects him to the bombing but Anwar maintains his innocence, even when he is tortured. American agent Douglass Freeman (Jake Gyllenhaal) is already burnt out, even at a young age, and looks on while Anwar is tortured by the officials of a North African country where the bombing took place. But will Douglass care enough to help Anwar, even as he comes to believe he’s innocent?
Posted in: Disc Reviews by David Annandale on March 8th, 2008
Jack Lemmon is a rather meek insurance company employee who is slowly working his way up the corporate ladder by lending his apartment to married executives looking for a place to take their girlfriends. Life is rather inconvenient, as he is locked out of his home at all hours, but things become even more complicated when the big boss (Fred McMurray) takes an interest. The good news is that Lemmon gets another promotion. The bad news is that McMurray’s affair is with Shirley MacLaine, the elevator girl for whom Lemmon is carrying a torch.
Billy Wilder’s follow-up to Some Like It Hot certainly has plenty of funny moments, most involving Lemmon’s doctor neighbour (Jack Kuschen). But the film doesn’t shy away from the darker implications of its storyline (up to and including a suicide attempt). The result is a romantic comedy-drama that is sweet without being sentimental, and hard-nosed without being cynical. And the audience’s emotions are thus sincerely earned.
Posted in: Disc Reviews by Athena on March 6th, 2008
Athena here. That’s right, I’m the 12 year old Siberian Husky that kind of runs things here at Gino’s house. Since I did such a great job doing the review on Snow Dogs, I decided to step in when I saw Gino watching yet another dog film. This time it was Walt Disney’s classic 101 Dalmatians. Naturally the film would have been better if it had been called 101 Huskies, but unfortunately the film was based on a popular children’s book by Dodie Smith who happened to have Dalmatians herself, so let’s not blame her; she didn’t know any better. Walt Disney himself discovered the story and took a personal interest in having it made into an animated film.
Posted in: Disc Reviews by Archive Authors on March 4th, 2008
Tyler Perry has created an empire. Stand-up tours… movie studio… and now he’s thrown his hat into television with the sitcom, House of Payne, on TBS. One can’t deny Perry’s power in Hollywood. His movies are constantly at the top of the box office and his stand-up tours are always sold out.
So can Perry make it in what is perhaps the hardest medium to succeed? The sitcom?
Posted in: Disc Reviews by Archive Authors on March 4th, 2008
"The Invasion" is a remake of the classic "The Invasion of the Body Snatchers". This time around, Nicole Kidman and Daniel Craig are the heroes that uncover the diabolical truth behind a secret plot to take over the world. This is a film that has been re-made several times before, in various forms. Each time, the film is turned into a heavy-handed metaphor for the current political climate. That is most certainly the case this time around as well, as the oblivious citizens are expected to accept everything their leaders tell them, no matter how implausible that information might be. I'll spare you the pop politics, but the parallels between the Bush administration and the story are rampant.
I don't have the slightest problem with films that use metaphors as long as they are done in a subtle and graceful way. Unfortunately, there is absolutely nothing subtle and graceful about this film. Forty minutes in, there is a montage scene that is meant to shock the viewer, "The Usual Suspects" style, by showing a series of fast cut images to help the viewer put together the plot in their own minds. The real problem is, by the 15-minute mark, the whole of the plot is obvious to even the most oblivious viewer, and the remaining hour-and-a-half are spent laboriously trudging through to the inevitable conclusion.
Posted in: Disc Reviews by David Annandale on February 29th, 2008
Blackgate Prison is built on ground where massacres of one sort or another have occurred throughout the history of the United States. When a disused wing of the prison is reopened, all sorts of nastiness emerges. Michael Paré is the officer called in when a guard mysteriously commits suicide, but that is only the first of many unexplained deaths yet to come.
So here we go with another haunted prison film, and a great deal that we have seen before. Take a cinematic tone that seeks to borrow the eeriness of Session 9 (but fails), mix in creepy little girls in jump-cuts (from the J-horror remake of your choice), and season with a cast that’s a collection of down-on-their luck pros (Tom Sizemore) and a lead in Paré who clearly took the part when From Hell It Came’s tree turned the role down for something with more range. Wake me when it’s over. Our hero’s performance is not helped by a script that appears to be composed entirely of lines from CSI fan fiction.
Posted in: Disc Reviews by Michael Durr on February 29th, 2008
My college life was usually spent doing two things. Okay, actually three things. One, studying (nearly unsuccessful) . Two, trying to get women to sleep with me (mostly unsuccessful). Three, playing Dungeons & Dragons. I owned a good dozen dice from a D3 to many assorted D20's. Want to scare a fellow gamer? As DM, roll for damage and bring out 5 D20's. Anyhow, around this time I also discovered D&D adventure books. I read primarily the works of R.A. Salvatore & Ed Greenwood (Drizzt & Elminster). So needles to say, I was a little intrigued when I saw a Dragonlance movie in my pile. The original book was published in 1984, a few years before I really got into D&D. But with dragons, elves & a mad mage; it was a surefire recipe for something wonderful.
Tanis (voiced by Michael Rosenbaum), a half-elf comes upon his old friend, a dwarf named Flint Fireforge. The two are also joined by a kinder named Tasslehoff Burrfoot. They decide to go to their local hometown tavern where they meet up with their other friends. First there is a knight named Sturm Brightblade. Beside him are two brothers, one a warrior named Caramon Majere. The other, a young mage named Raistlin Majere (voiced by Kiefer Sutherland). Off in the corner, an older mage named Fizban is telling tales of long ago (what he can remember anyways)about the gods of light and their ultra powerful healing magic that has since left this world.
