Posted in: Disc Reviews by Gino Sassani on November 6th, 2007
I wanted to watch these movies back to back to try and get a feel for how they work together. The box art tells us: “Much has changed since we last saw Jake.” No truer words were ever spoken. Jack Nicholson is now a household name and a fixture at the Lakers games. Many a classic character has worn Jack’s sardonic smile since
Posted in: Disc Reviews by Gino Sassani on November 6th, 2007
Jack Nicholson’s career has been decades of a man who is constantly redefining himself. Few actors have created as many memorable roles; among them has to be Jake Gittes. This Raymond Chandler styled character first appeared here in the Roman Polanski Film Noir Chinatown. The feel of
Posted in: Disc Reviews by Gino Sassani on November 6th, 2007
Pixar has become somewhat of a fixture around here, as I suspect it has in many homes across the world. For the most part the films have been nothing short of magic. I’m not only talking about the ever improving technological breakthroughs the company seems to have an endless supply of. The films often contain a warmth and friendliness that wear easily like a favorite shirt. They comfort and entertain all at the same time. It’s really a pretty good mix that they ended up at Walt Disney, which did the same thing for decades in hand drawn animation. To date there have been many copies but no equals.
Posted in: Disc Reviews by Michael Durr on November 5th, 2007
A woman scorned is a dangerous thing. They will break you, hurt you and leave you for dead in the most unimaginable ways possible. In fact, it might be best for most men to sleep underneath their covers with a flashlight, a security system and no contact with the outside world. It probably wouldn't help. So it makes only sense that one would make films that deal with this subject. However, they had to make it believable even if a scorned woman sometimes does the unthinkable.
A plethora of tv monitors fill into the screen and we see Jackie (played by Kate Dickie ) fulfilling her role as a CCTV operator by watching a particular part of the Scotland streets. She watches for crimes or other point of interest as part of her workday. On the outside, her life is very simple and she keeps to herself except to meet a guy every couple of weeks or going to see her parents for special occasions. One day while on the job she spots a man, one that she never expected to see ever again or at least so soon. That man is Clyde Henderson (played by Tony Curran ). From what we can find out Clyde was in jail for a crime and is out on good behavior. We suspect that it has something to with Jackie but we aren't sure on the role she plays. As the story unfolds and Jackie gets to the point where she confronts him, more of the story is given away until we reach a shocking finale that tells it all.
Posted in: Disc Reviews by David Annandale on November 5th, 2007
The name of this double-pack is slightly misleading, but that is not to suggest the film and television mini-series on offer are in any way bad. Quite the contrary, in fact. It’s just that they aren’t exactly “action” films per se. So don’t pick this up hoping for something in the vein of The Road Warrior. Instead, these are brutally intense dramas with strong action elements. Both titles are excellent.
Metal Skin is a 1994 effort from director Geoffrey (Romper Stomper) Wright. He returns here to the world of youth subculture. Here, instead of Skinheads, this is a world of underground races, but the denizens are just as doomed as in the earlier film. The main character is a disturbed young man whose dreams of driving a fast car and forming a romantic attachment are utterly deluded. He has a fraught relationship with a trio, each of whom has his/her own reasons to see the world as a black hellhole. When the car-duel climax arrives, it is earned at the emotional level, and makes the likes of The Fast and the Furious look even more anaemic than it already is.
Posted in: Disc Reviews by Archive Authors on November 5th, 2007
There are few things as tragic as potential that is unrealized. Whether it’s by choice or by extenuating circumstances, to see a life cut down before it has a chance to develop and make an imprint on the world is sad to see. And it seems to happen disproportionately among musicians. In most casts, drugs frequently has been the main culprit (see Jimi Hendrix, and Janis Joplin), or suicide in some cases (Kurt Cobain being the more notable name in recent memory). But when an entertainer is murdered, the abrupt nature of the crime seems to shake many to the core. It was sad four decades ago when Sam Cooke was murdered, and equally disappointing two decades later when Marvin Gaye was felled by the hands of his father. When Selena Quintanilla was murdered by her business manager in 1995, it sent shockwaves through the Latin music community. Here was a young woman on the fast track to superstardom, gunned down before her full promise could be delivered.
With the cooperation of the Quintanilla family, Selena was made in part to make sure any films that were being made without the family’s approval would be made null and void. So while Selena’s father Abraham had the final say over what was included in the film, the film itself was written and directed by Gregory Nava (Bordertown), and in the main role, a young pre-diva Jennifer Lopez (Gigli) as the Tejano star. Her charisma is noticed early in her life by Abraham (Edward James Olmos, Miami Vice), who was a musician in his early days and he wants Selena to do well and maybe be a star while avoiding the things he had to endure.
Posted in: Disc Reviews by Archive Authors on November 5th, 2007
Many people – myself included, looked at Timothy Spall as Wormtail from the Harry Potter films and didn’t think much about it. But the guy has found other work and done well for himself over the years. Recently, he made The Last Hangman, a film based on the life of Albert Pierrepoint, one of England’s chief executioners during the pre and post-war eras.
To sum up Pierrepoint’s accomplishments, for lack of a better word, he executed over 600 convicted criminals during a quarter century period. Most of them were convicted British criminals, however he was responsible for the executions of some Nazi war criminals after the war ended. Spall portrays Pierrepoint as one who took to the job rather well, with a detached efficiency that was praised at many high levels of British government. He was married for a long period of time to Annie (Juliet Stevenson, Bend it Like Beckham), who was increasingly aware of his notoriety as the years went on, and he almost unwillingly served as a lightning rod for the capital punishment debate in London.
Posted in: Disc Reviews by Michael Durr on November 4th, 2007
Everybody remembers the first scary movie that gave them nightmares for days and months after they saw it. For some, it was the Exorcist and for more recent folks perhaps it was Scream or Saw. For me, it was Poltergeist. I was but seven years old and thought it would be something like E.T. Phone Home, but with swirly demons and ghosts? It was PG, how bad could it be? In the next two hours, I was treated to something that resonates with me to this very day. From the moment I heard "They're Here", I knew I would never see static on televisions the same way.
It's 3:00 in the morning, the national anthem is playing and then the television goes to static (remember those days, now we just get infomercials about losing weight). A small child named Carol Anne (played by Heather O' Rourke) gets out of bed and walks towards the television. She starts talking to the set and works up a pretty good conversation. The people inside the television were trying to communicate with the 5 year old child. However, there was something else in the television set, something far more sinister. There was more at work here than a girl perhaps making an imaginary friend.
Posted in: Disc Reviews by Gino Sassani on November 2nd, 2007
This box set of three movies tries to take advantage of a college course theme to generate interest for films already available in these same editions. This collection uses Astronomy to bunch together three lighthearted science fiction adventures. The films are Killer Klowns From Outer Space, Spaceballs, and The Adventures of Buckaroo Banzai Across The Eighth Dimension. The lesson we’re really learning here is how corporate quests for profits can reach almost ridiculous proportions. Many studios are running low on the films in their libraries that have yet to be released but still have a market to sustain a DVD title. The obvious answer to this dilemma is double, triple, and beyond dipping. The idea is to repackage a film, maybe add an extra or two, often not, and put it in a newer, shinier package. In theory we unsavvy buyers are like wild raccoons who can’t resist putting their hands on that new glittering design and will buy products which we already own. It would sound silly, except that it works. Record companies have been doing it for decades. Elvis has been dead for almost 30 years, but there’s still at least one new Elvis CD every year since. OK. Rant out of the way. Let’s talk about the three films in the package.
Posted in: Disc Reviews by Archive Authors on November 2nd, 2007
The Sopranos, called by some the greatest TV show in history, is over. With a much-publicized fade-to-black finish, the series finale aired June 10, 2007, leaving fans to forever speculate about the fate of Tony Soprano. Many were disappointed at this ambiguous ending, but I'm sure a similar number enjoyed having some major loose ends.
It's all academic for me, because I hadn't watched the series since its season three finale, and only caught the end when this DVD set came my way for review. After catching up on seasons four, five and six (part one) through synopses, I sat down to experience The Sopranos' closing act.
