Posted in: Disc Reviews by Archive Authors on September 12th, 2007
At long last, we've received the two greatest films of the 80's on DVD. Finally. Ok, maybe not the greatest films - they're ok at best - but this is the first time they've been released on DVD. Wait, that's not true either. Desperately Seeking Susan, Madonna's sixth best movie, hit the streets on DVD in 2000. And Something Wild, one of the answers to "what was Johnathan Demme doing before Silence of the Lambs?" has been available since 2001.
So what's special about this Totally Awesome 80s Double Feature? Shelf space. You can fit two films in one spot, thanks to MGM's efficient packaging.
Posted in: Disc Reviews by Archive Authors on September 12th, 2007
I love horror movies, but lately Hollywood hasn’t done it for me, and Wrong Turn wasn’t an exception. So I wonder how a low budget sequel is going to manage to be better than its phony prequel. But I won’t judge this one until I’ve seen, lets just hope its nothing like The Hills Have Eyes 2, or The Grudge 2, etc.
Wrong Turn 2 takes off shortly after the events of the first film. Right away I’ll let you know that other than the mutant freaks of the first film, this movie has no other links to the first installment, i.e. characters. Slightly off topic, I’ve always thought a movie about a group of reality contestants fooled into thinking they were in a post apocalyptic world could be interesting. This is probably as close as my vision will get to being realized, as it’s about a group of people in a simulated post apocalyptic world who are competing for $100,000. Instead things start getting messed up at the cannibalistic mutants start to show up.
Posted in: Disc Reviews by David Annandale on September 11th, 2007
It’s good taste time once again, as we follow the unfortunate Amber (Grace Johnston) as she falls into the clutches of your usual gang of inbred hillbillies. These psychos have kidnapped a number of women. They then force them to fight to the death, with the idea that the winner will get to carry on the clan’s bloodline. Charming.
Lord knows the backwoods horror film is not, nor should it be expected to be, a bastion of quiet restraint, but we’ve got a pretty unequivocally misogynist premise here, and the execution does little to mitigate it, despite Johnston’s best efforts. The filmmaking is pedestrian, though not incompetent, but this is a cynical, exploitive work that is also derivative and dull.
Posted in: Disc Reviews by Archive Authors on September 10th, 2007
Would you believe me if I told you a nature documentary was responsible for the advent of the summer blockbuster? Common film lore says Steven Spielberg's Jaws was the first of the now familiar summer smashes. Jaws was based Peter Benchley's book of the same name. Benchley was inspired by Blue Water, White Death, a groundbreaking documentary film about divers on a nine-month expedition to seek out, film and swim with a Great White Shark.
That's one reason you should watch Blue Water, White Death. There are easily a hundred more.
Posted in: Disc Reviews by Archive Authors on September 10th, 2007
Written by Evan Braun
Unfortunately, one of the best things you could say about the first season of ’Til Death is that it’s consistently inconsistent. It’s sometimes boring, it’s sometimes sentimental. Occasionally it’s angry. From time to time, it’s even funny. That said, I have a hard time believing the back cover’s assertion that this sitcom is a “top rated comedy.”
Posted in: Disc Reviews by Archive Authors on September 8th, 2007
There are those of us who love Will Ferrell and just about everything he’s done lately, and there are those of you who can’t stand the guy. Read that last sentence carefully and you’ll be able to determine which one I am, but I’m sure you won’t have to read much past this sentence to figure it out anyways. Starting back with A Night at the Roxbury and ranging to Old School and Anchorman, comedically I can’t get enough of these nonsense full movies. Surprisingly I didn’t check this one out in the theatres, but I eagerly welcome the opportunity now.
Chazz Michael Michaels (Will Ferrell, Talladega Nights: The Ballad of Ricky Bobby) and Jimmy MacElroy (Jon Heder, School For Scoundrels) are rival world class figure skaters. During the 2002 WinterSport games the two tie for a Gold medal which leads to a scuffle, ultimately banning the two from the sport. Three years go by and the two are working dead end skate related jobs, Chazz is a drunken ice show performer, and Jimmy sells skates at a local sports store. Jimmy then learns from an obsessed fan (Nick Swardson, The Benchwarmers) that through a loophole he is only banned from singles figure skating, not pairs. Of course one thing leads to another and after a hilarious fist fight, Jimmy teams up with Chazz against both their volition. What ensues is some pretty funny stuff as the two try to get ready in time for the WinterSport games in Montreal.
Posted in: Disc Reviews by Archive Authors on September 7th, 2007
When I first heard the title I was thinking, documentary on celebrities impact on making the planet go green. But now having seen Everyone’s Gone Green I can assure you that’s not the case. Instead this is a low budget Canadian movie about a slacker, which doesn’t leave me with much more expectations than when I thought it was a documentary on global warming. As a Canadian I can admit that besides producing some great actors and actresses and supplying some great filming locations, Canadian cinema is about as entertaining as watching the wind blowing around a plastic bag. This movie doesn't prove to be any different.
This movie has a very simple plot, and centers around a problem that seems to phase every single human being, wanting more than we have, and things we don’t necessarily need. The main character Ryan played by Canadian actor Paulo Costanzo who you might recognize from Joey, Road Trip, or even 40 Days and 40 Nights. Ryan is a slacker who wants more out of life so begins to contemplate scamming money while working for a lottery magazine.
Posted in: Disc Reviews by Archive Authors on September 7th, 2007
I am a huge John Woo fan, especially his earlier classics like Hard Boiled. I’ll admit it’s been several years since I last seen Face/Off, but I don’t have a reason why, as I remember really liking this movie then. At either rate now I have a copy of the movie to call my own, and a special two disc release at that. Let’s just hope that it is what I remember, but as a big fan of Nick Cage I don’t think I’ll be let down.
In order to catch him, he must become him. I couldn’t put it any better myself, Face/Off tells quite the eccentric story of revenge, devotion, and of course crime. Sean Archer (John Travolta, Wild Hogs) is an extremely devoted FBI agent, obsessed with catching terrorist Castor Troy (Nicholas Cage, Ghost Rider). Several years earlier Troy killed Archer’s son, since then it’s been his goal in life to put Troy to justice. He gets the opportunity one day when Troy ends up in a coma after boasting about a massive terrorist attack he has planned on Los Angeles.
Posted in: Disc Reviews by Gino Sassani on September 6th, 2007
This was my first ever exposure to Grey’s Anatomy. Certainly I’ve followed the buzz the show has generated with its multiple awards and the feuding between two of the show’s actors. My first impression was not altogether a very good one. You see, season three begins with the aftermath of an obviously big ending from the previous year. From what I can gather, a character died and it left a void for a couple of the characters. I immediately began to feel like an outsider, a feeling I wasn’t very comfortable with. Fortunately, before I could give up feeling frustrated and hounded by an impending review deadline, something quite remarkable happened. Simply stated, I didn’t stop watching. In that moment of hesitation, I began to catch a glimpse of what everybody’s been going on about. The acting is surprisingly rock solid and not at all the flirty surface performances I had expected. So, for a short time, I was able to put aside my outsider feelings and begin to appreciate what I was watching. Before too long I was beginning to recognize the strong production values and clever writing which have been responsible for all that buzz I was hearing. While I avoided the needle scenes like the plague that spread through the hospital’s opening episodes, there is still a lot of high resolution f/x when it comes to wounds and surgery bits. This is by far the most realistic look I’ve seen in any medical show so far. The offbeat banter of the interns works well to offset the rather dramatic storylines hidden beneath this somewhat light series.
Posted in: Disc Reviews by David Annandale on September 6th, 2007
Planning a high-profile charity football game that they must nonetheless be sure of winning, the powers that be of Yale attempt to invite the University of Texas, but instead accidentally invite Texas State University, a small college whose town population is a mere 700. Newly arrived coach Jack Haley and his formidable wife Patsy Kelly face the challenge of somehow whipping the football team into something that won’t be utterly destroyed on the day of the big game. The key to possible victory is bumpkin-but-natural-prodigy Stuart Erwin, but he’s a package deal, and comes along with little sister Judy Garland, here making her debut.
In some respects, the film is most interesting in retrospect, featuring as it does future Tin Man Haley in a film with the soon-to-be Dorothy. Also of note is Betty Grable as one of the students assisting Haley and Kelly. This was also a very early release by the newly formed 20th Century Fox studios. All of that history aside, this is still a perfectly pleasant musical, completely enthusiastic in its good cheer. There’s nothing earth-shattering about the comedy or the songs, but they make the 93 minutes pass by most pleasantly.
