Posted in: Disc Reviews by Archive Authors on November 17th, 2006
Synopsis
I’m not even going to try to summarize this, as that would mean pretending I had the faintest idea what was going on, and who was who. I know, I know, I’m revealing my cultural deprivation – I haven’t been following the series. What I will say, though, is that even with that ignorance, the quality of this chronicle of the ups and downs of a New Jersey mob’s lives, loves and deaths, is undeniable. But then, you knew that, or you wouldn’t be reading this. Do note, of course, that this is only ...art 1 of the season, so you’ll be looking at the best part of 200 smackers for the whole thing when it becomes available. Ouch. But what superb work.
Posted in: Disc Reviews by Gino Sassani on November 17th, 2006
The more things change, the more they stay the same. Season 5 of CSI saw really the first shake-up of any kind on this CBS anchor series. While there weren’t any serious cast changes, the team was split up. It’s apparent that idea didn’t work out very well. Modest ratings decline and vocal dissatisfaction from the internet fans and even many of the cast members were heard loud and clear. Now Season 6 brings the team back together again. It doesn’t take long for the old team chemistry to remix, and CSI returns to th...t comfort zone it has ridden for so many years. That comfort zone doesn’t necessarily mean same old stuff. The two-parter Bullets In Motion is one of the most action packed episodes of CSI ever. With an opening like Saving Private Ryan, the bullets are flying and the sirens are wailing. In the aftermath of this gang shootout with the cops, we have a dead cop and a lot of evidence to sift through. Fortunately for them, and us, the old crew’s back together and on the case.
There are some very nice moments in Season 6 to look for. Faye Dunaway stars as the corpse of the week in Kiss Kiss Bye Bye. This is also a good episode for the often underused Greg character. Werewolves is an amusing episode with some great moments for another underused character: David Berman’s Dr. Phillips. Even your Thanksgiving dinner will never look the same again after Dog Eat Dog. Fortunately you don’t need to use your imagination to figure this one out.
Posted in: Disc Reviews by Archive Authors on November 16th, 2006
Steven Seagal has never been able to do it for me, that probably explains why this is the first time I have ever seen this movie. Upon reading the back it seemed to have potential, the first thing I notice on the back was the comment “Die Hard on a battleship”. That’s a bold statement as Die Hard is one of the best action movies ever made, having all the core elements.
It’s the fiftieth anniversary of the attack on Pearl Harbor as the movie begins, and it’s the final voyage of the USS Missouri. ...teven Seagal plays Casey Ryback an ex-navy seal turned cook who has the tedious task of retaking the ship once terrorists seize it. Tommy Lee Jones and Garry Busey play the leaders of the terrorists, who are now hell bent on stopping Segal from reeking havoc on their plans. Yes the movie plays out in similar fashion to Die Hard but lacks everything that made that movie good. I’ve never been a fan of Seagal and this movie clearly demonstrates why. The guy acts like a robot, lacking any charisma that Stallone and even Schwarzenegger bring to the action genre. This guy is supposed to be well trained in martial arts but I don’t see it, all he does is throw people around, no Jackie Chan moves here.
Posted in: Disc Reviews by Gino Sassani on November 15th, 2006
I never saw the original film, so I won’t be able to offer any insight on how this film might compare or continue the story set down by Save The Last Dance. What I can say for certain is that this direct to video release isn’t worth the 86 minutes it takes to watch it. The film begins with the first film’s Sarah (now Miko). In a video much like one provided for a dating service, she’s telling us how she feels about various things. These are her highlights and already I don’t care. She is apparently headed to Jullia...d, which seems to be a thread from the first film. There she is torn between her classical training and her passion for hip hop. The conflict presents itself even further in the unlikely pairing with Miles (Short). What follows is a romp in the world of hip hop dance music. If you are a fan of the genre, the music is really the only redeeming value in the entire film. Plot lines are introduced, dangled, or made to disappear completely and without resolution. Maybe it’s bad editing, but I simply couldn’t follow most of the subplots. The against all odds finale is unbelievable even by fantasy standards. None of the performers give us characters to care about. Even Jacqueline Bissett can’t salvage this film. Most of her performance seems to be mired in a “What the hell am I doing this film for?” attitude.Be warned. This film will leave a void in your life. An hour and a half you’ll never get back.
Video
Posted in: Disc Reviews by Archive Authors on November 15th, 2006
Written By Jeff Mardo
The final season of Lois and Clark: The New Adventures of Superman has finally hit store shelves, and it couldn't have come at a better time for the franchise. The Big Red S is everywhere these days, between a new feature film that is coming soon to DVD, a boxed-set re-release of all the Christopher Reeve-era films and an all new video game, the hero seems to be everywhere. It's only fitting that the final season of the modern series should be hitting the streets as well.
Posted in: Disc Reviews by Archive Authors on November 15th, 2006
Ever since making the Lord of the Rings trilogy, Director Peter Jackson has almost become a household name that seems to always guarantee success. Don’t get me wrong though, Jackson has not always been successful. Before making the Lord of the Rings trilogy, Jackson had the film The Frighteners and a few smaller films where he only produced. The idea of giving this not so successful movie director hundreds of millions of dollars to remake the Lord of the Rings trilogy, made many turn their...heads simply wondering why. After the gigantic success of the trilogy, Jackson targeted another remake, a remake to a film he says was the reason he wanted to become a film director. The film in question is the 1933 classic King Kong.
When news first arrived of this remake, many fans, including myself, were very excited to see what Jackson could come up with. However, I don’t need to spell out how many remakes, including the recent Pink Panther, are extremely horrid. With the news coming out that New Line wanted Jackson to trim the film down (from the final run time of 182 minutes to 140 for a quicker turn around audience) and that the film’s budget had sky-rocketed forcing Jackson and his partner Fran Walsh to fork over their money, a lot of fans started to worry if Peter Jackson’s King Kong was going to go down in history as simply another poorly made remake. Can a one-time nobody director, now an extremely famous director turn a black and white classic into a modern age epic? Read on to find out.
Posted in: Disc Reviews by Archive Authors on November 15th, 2006
Written By Jeff Mardo
The final season of Lois and Clark: The New Adventures of Superman has finally hit store shelves, and it couldn't have come at a better time for the franchise. The Big Red S is everywhere these days, between a new feature film that is coming soon to DVD, a boxed-set re-release of all the Christopher Reeve-era films and an all new video game, the hero seems to be everywhere. It's only fitting that the final season of the modern series should be hitting the streets as well.
Posted in: Disc Reviews by Archive Authors on November 15th, 2006
The Shawshank Redemption is a film that didn't do much at the box office. However, home video, word of mouth and countless airings on TNT have made it an enormously popular film in the time since. Director Frank Darabont returned to prison with The Green Mile, another film based on a story by acclaimed writer Steven King. One could almost look at these two films as companion pieces. Whereas the central theme of Shawshank was the importance of never giving up hope, The Green Mile was more about the changing power of love. Granted, a 1930's prison death row cell block isn't the most obvious place to set a love story. Then again, we've all seen the obvious love stories countless times before. King has always had a knack for the original, and this film is most certainly that.
The film is a thorough examination of the guards and guests at this inn without a door. The guards are mostly cynical and worn down by the long line of murderers that have come through their walls, the inmates are deserving of their fate, and the warden benevolently looks over the whole affair, with his own demons patiently waiting for him at home. The guards and the inmates have something of a kinship, as they all spend every day together. Though there is a clear distinction between the haves and the have nots, the two sides still spend the majority of their days talking and working together.
Posted in: Disc Reviews by Archive Authors on November 15th, 2006
Yes I will admit that I probably was the only person who had never seen Casablanca. A movie so highly regarded by critics and fans alike, I don’t think it needs an introduction. With A List stars of its time, and seemingly endless amounts of quotable phrases it is quite a surprise I haven’t seen it yet.
Set during World War II in Casablanca (current day a city Morocco) the story’s main focus is the love affair of Rick (Humphrey Bogart) and Ilsa (Ingrid Bergman). They had met in France just before Nazi...occupation with a promise of running away together. Rick is let down upon receiving a note from Ilsa at the train station stating that she will not be joining him. Heartbroken life goes on for a now cynical and bitter Rick the owner of an upscale club in Casablanca. Until one-day fait would have it Ilsa enters the club with her husband Laszlo (Paul Henreid) a famous Czech resistance leader. Rick is furious with her and wants nothing to do with her, until later on when she tells him the story behind it all. Ilsa was under the assumption that her husband had been killed in action when she met and fell in love with Rick, when she soon found out he was alive she abandoned Rick. Whether Rick likes it on not, he believes what she has to say and wants to help her and Laszlo to get to America.
Posted in: Disc Reviews by Archive Authors on November 15th, 2006
Synopsis
Based on the book by Christopher Buckley, the cellular version of Thank You for Smoking may be misconceived by some as a movie about a guy who’s defending smoking, but I think it is a movie about a couple of different things. The first, more obvious things is that it’s a movie about spin. Either in the early ‘90s (when the book came out) or in the last year or so (when the film came out), even if the setting has changed, the method of dispelling one’s argument, even without possessing any co...crete facts, and how important it is in American debate is still a clear message.
![Under Siege [HD DVD] dvd cover art](https://upcomingdiscs.com/ecs_covers/under-siege-hd-dvd-large.jpg)
![Casablanca [HD DVD] dvd cover art](https://upcomingdiscs.com/ecs_covers/casablanca-hd-dvd-large.jpg)
