Posted in: Disc Reviews by Archive Authors on January 5th, 2006
Synopsis
Can someone stop the multimedia empire that Oprah Winfrey imparts on the rest of the world? I mean really, you’ve got the TV show, you’ve got the books, and you’ve done the movies, what else is there to do? Oh, provide reading and watching lists of material you enjoy? Um, OK. But why?
Posted in: Disc Reviews by Archive Authors on January 5th, 2006
Synopsis
Sometimes, you’ve gotta watch something because you’re waiting for a new satellite dish to be installed, plus your better half wants to see a Bond movie. Then I pulled out Never Say Never Again. Call it an "unofficial" Bond movie I guess. And I’ve always watched this pretty much before when I’ve seen it on TV. But I watched it this weekend, and it just seemed really dated to me. Or maybe dated isn’t the word. But for someone who’s watched the Austin Powers movies numerous times, boy oh boy d...es this seem like a bad parody!
Posted in: Disc Reviews by Archive Authors on January 4th, 2006
Synopsis
Diane Lane has been divorced for eight months and still isn’t in a new relationship, which, according to everyone around her, is a situation on par with lymphoma. At any rate, her sister posts her profile on an Internet match-making site, and a date with the recently divorced and incurably romantic John Cusack ensues. Things get off to a rocky start, though, and there’s the hunky divorced father of one of her preschool students who also catches her interest. What road will lead to true love?.../p>
Posted in: Disc Reviews by Archive Authors on January 3rd, 2006
Note: the following synopsis contains brief spoilers. Only read this first section if you know have happens in season four.
Nominated for 25 Golden Globes and 110 Emmys, including 7 for Outstanding Drama Series, ER has long been one of the best prime-time shows on television. Premiering in September 1994 on NBC, the hour-long hospital drama vividly illustrates the intensity and fast-paced stress endemic to hospital emergency rooms across America. Brought into being by Michael Crichton - famous Hollywoo... insider, novelist, and brains behind such films as Jurassic Park, Twister, and Timeline – ER fulfills its creator's ultimate vision (it took over a decade of pitching the show before network executives bit) for a close-to-life glimpse of the technology and the humanity omnipresent in the ER. Since its inception, many cast members have passed through the halls of ER, many of them having gone on to become big stars in Hollywood.
Posted in: Disc Reviews by Archive Authors on January 3rd, 2006
Synopsis
The Stiffler character from the Amercian Pie movies has, it turns out, a younger brother, who is also a loathsome creep. After sabotaging the high school band’s performance, his punishment is to attend band camp himself. He makes the best of a bad deal, planning to videotape raunchy goings on.
Posted in: Disc Reviews by Gino Sassani on January 3rd, 2006
When did it become mainstream to root for the bad guys? Certainly our pop culture has been propagated with colorful villains since Shakespeare, goons we love to hate or even just love. Still, the rule always seemed to be that the white hats always win and the black hats get what’s coming. Maybe it all took hold with The Sopranos. We all became enamored by this lovable teddy bear of a guy in Tony. We don’t have to spoil it by pointing out he’s a killer, adulterer, and all-star criminal sociopath. The Shield places us ...quarely in that same situation. Vic Mackey has a lot in common with Tony Soprano. He’s guilty of the entire litany just made. Even worse, Vic carries a badge. So why do we love him so much?
The answer most certainly lies in the compelling writing both of these shows share. Perhaps we’re not so much in love with Tony or Vic, but the stories that are told around them. It just might be that superior drama rivets us to our sets. We root for the bad guy because, to be frank, when they go down the ride’s over. As with The Sopranos, we don’t want our moments with The Shield to end. Therefore Vic simply has to stay just one step ahead of his just desserts.
Posted in: Disc Reviews by Archive Authors on January 2nd, 2006
Synopsis
Julian Morris is the new guy at an exclusive high school. Exclusive, presumably, because all the students look five to ten years too old to be high school students. At any rate, he falls in with the hip crowd, led by ice queen Lindy Booth, and they decide to play a game with the rest of the student body by sending out a hoax e-mail leading all and sundry to believe that a serial killer is loose on campus. But then it begins to appear that there IS a killer, and that he isn’t too happy about ...he hoax.
Posted in: Disc Reviews by Archive Authors on January 1st, 2006
Synopsis.
Working in the comedy salt mines, looking to break out into the superstardom they so richly deserved, Bob Odenkirk (The Larry Sanders Show) and David Cross (Men In Black) were hard at work doing writing for other shows, including Saturday Night Live, before finding one another. The two worked together, writing for the short-lived Ben Stiller show on Fox in the early 90’s, and a friendship bloomed, along with a working relationship. After doing some nightclub appearances, an ex...cutive offered them the chance to shoot a small group of shows for HBO. For lack of a better title, they called it Mr. Show, a sketch comedy series unlike any other. Maybe the words of Odenkirk may help, from bobanddavid.com:
Posted in: Disc Reviews by Archive Authors on January 1st, 2006
One of the few positive side-effects of the popular era of reality TV that we live in today is that the desire for the real has also crossed over to film. This has provided an excellent opportunity for documentary filmmakers to get their product seen by a large audience that just a few short years ago would never have taken the time to watch a documentary film. In fact, documentaries have become so mainstream that Murderball is produced in association with MTV Films. While a wheelchair rugby documentary sounds...like something that is ideally suited for the typical middle-aged PBS viewer, this film is rife with themes that will strike a chord with viewers from many different backgrounds.
This is not a film about sports. This is certainly not a film about feeling sorry for those less fortunate. This is a film about drive, about living life to the fullest, and about speaking your mind no mater what the consequences. It is not pretty, it's not sexy... in fact, some parts of it will probably make viewers downright uncomfortable. That's the point of this film. To make viewers look past their limits and preconceived boundaries, and to see the world and their place in it as something more than it is.
Posted in: Disc Reviews by Archive Authors on January 1st, 2006
Synopsis
Having zipped through The Emperor’s New Groove awhile back (yes, I have Disney DVDs), I was somewhat familiar with the story and the cast behind it. I was aware that the original film enjoyed some theatrical success, but I didn’t understand why the film necessitated a sequel. But here I am, trying to wrap my head around the logic for this sequel.
