Posted in: Disc Reviews by Archive Authors on December 4th, 2005
Synopsis
On its surface, Almost You is potentially interesting. Considering the mid-‘80s production, you have Griffin Dunne, about to appear in Scorsese’s After Hours, but had already appeared in An American Werewolf in London. In this film, he is married to Brooke Adams, a.k.a. Mrs. Tony Shalhoub (Monk), but before that, had appeared in Terrence Malick’s Days of Heaven, and had her own experiences in horror, appearing in The Dead Zone. As husband and wife, Dunne’s ...haracter Alex feels rapidly disenchanted with their marriage, and says so just before they are about to leave on a trip to Erica’s (Adams) parents.
Posted in: Disc Reviews by Archive Authors on December 4th, 2005
Synopsis
Wesley Snipes (Major League) and straight to video really provide for several comedic moments. I don’t really know that much about Snipes, aside from some anonymous reports about just how nice he was on the set of the third Blade movie, along with the “cataract problem” he has. Nevertheless, his role in this film of the strong, silent type who is some Army special forces member provides him the chance to say a small amount of dialogue for what is presumably a lot of cash.
Posted in: Disc Reviews by Archive Authors on December 4th, 2005
Hondo is something of an oddity among John Wayne films. For starters, it was a western not directed by Howard Hawks or John Ford, but by John Farrow, a director Wayne only teamed up with one other time in his career (a WWII film called The Sea Chase). This is also a very tightly edited film, clocking in at just 83 minutes, including an intermission! Though he had certainly performed in his fair share of westerns by this time, Hondo came a couple of years before the release of the long series of w...sterns that John Wayne is most famous for.
The film, based on a short story by Louis L'Amour, tells the story of a drifter and his dog that come upon a woman and her son living alone on the plains, and becomes their protector against the Native Americans that roam in the area. When the woman's estranged husband shows up, however, trouble starts, and this basic western story becomes something that deals more with tolerance secrets and lies than with ropes and cattle.
Posted in: Disc Reviews by Archive Authors on December 3rd, 2005
Phillip Noyce's critically acclaimed Newsfront comes to DVD from Blue Underground in a quite impressive package. While not always exciting, Newsfront does manage to attract attention, and is pieced together very well. It's also a film covering unique material I am not sure has ever been covered in the realm of cinema.
The plot centers around Len, a newsreel photographer, who manages to keep audiences apprised of world events long before the nightly news ever exists. Len shoots films of any newsworthy item his employers at Cinetone can find for him. His footage is then used in theater houses throughout the country in an effort to inform, and sometimes entertain, the public. But heavy competition lurks ahead in the new invention of television. And Len is "a bit old fashioned," as colleague Amy (Wendy Hughes) refers to him, so his survival in this new world could be endangered by the competition, which includes his opportunistic brother Frank (Gerard Kennedy). Frank, also a skilled newsreel photographer, wants to change with the times to insure his survival, so he heads for America, where he finds success in television. He would like to bring his brother along for the ride, but Len is an unchanged man in a quickly changing time. As things go, Len would rather be true to himself and what he's always been, because he believes in it. And if that means he must give way, then so be it. But he's not about to let life run right over him. And he won't go down without a fight.
Posted in: Disc Reviews by Archive Authors on December 2nd, 2005
Synopsis
Shannen Doherty, Holy Marie Combs and Alyssa Milano are three sisters who also happen to be witches. Very much in the vein of Buffy the Vampire Slayer, our heroines must battle supernatural monsters and evil cults, all the while dealing with love, heartbreak and other issues more connected with mere mortals. The season begins with Combs out of the picture, having eloped with Brian Krause. Their marriage is frowned upon by The Powers That Be, and this is one of the ongoing threads of t...e season.
Posted in: Disc Reviews by Archive Authors on December 1st, 2005
Synopsis
Peter Sellers turns in a performance that opens at high do and never looks back as a lunatic psychiatrist. He is treating Peter O’Toole, a man who wants to be faithful to his girlfriend (Romy Schneider) but cannot say no to the innumerable women who throw themselves at him. Into the mix comes Woody Allen, who, unsurprisingly, plays a sexual loser.
Posted in: Disc Reviews by Gino Sassani on November 30th, 2005
Stargate Atlantis took a little getting used to. I wasn’t sure the characters had enough chemistry or were even dynamic enough to carry the high expectations for a Stargate series. When the show was first introduced it was likely that Atlantis would soon take over for the original series. Anderson had wanted to leave for years and it seemed the end was near for SG-1. Since that time SG-1 is about to enter a tenth season and the new format is working quite well. Now I can view Atlantis more as the companion show it really excels at being. Atlantis maintains all of the tight writing and production values that made SG-1 such a great show. I am a little weary of The Wraith already. For some reason they just don’t work for me. The Ori, SG-1’s new baddies, are far more interesting. The Wraith are just sinister. We haven’t had a chance to view them as a society yet. There were high hopes when Teyla began to connect with them, but that has become a dead end. I think Atlantis has some real growing to do, or it risks falling into the “Deep Space Nine” wormhole.
Synopsis
Posted in: Disc Reviews by Archive Authors on November 30th, 2005
Synopsis
After the death of a popular commander, the stern and inflexible Richard Widmark steps in to take charge of a group of a Navy underwater demolition team. His command gets off to a rocky start, as he is seen as heartless and unwilling to take risks himself. But he eventually proves himself to his men (and old hand Dana Andrews), just in time for a particularly dangerous mission.
Posted in: Disc Reviews by Archive Authors on November 30th, 2005
Mad Hot Ballroom is the sort of live action family entertainment with which I can get on board. Too often, the desire for a good family film is quickly hampered by third-rate idiocy that only appeals to the youngest in the family. We the adults plod dutifully along for the good of the kids, hoping and praying it will all be over soon. And even though running times on family films are often shorter than a standard feature, it still seems like you've watched twice the length of that standard feature by the time ...he credits roll.
But not with Mad Hot Ballroom. First and foremost, I've never been a dancer nor considered myself interested in it, but with this piece from Paramount and Nickelodeon Films, that doesn't matter. Just like a love for boxing is not essential to adore the first Rocky film, Mad Hot Ballroom will thouroughly involve you in its story and characters and make its major platform of ballroom dancing seem incidental compared to the immersing quality of its narrative.
Posted in: Disc Reviews by Archive Authors on November 28th, 2005
Baseball, basketball, football... boat racing. While it’s not one of the premiere sports in America, the people of Madison, Indiana sure loved boat racing during the summer of 1971. As the town of Madison was dealing with layoffs and closures, the people looked to Jim McCormick (Jim Caviezel) and their boat, the Miss Madison, to be their saving grace.
Although it’s framed as a coming of age story, seen through the eyes of McCormick’s son, Mike (Jake Lloyd), Madison is a sports film through and throu...h. While it doesn’t come close to reaching the level of greatness that true story sports films like Eight Men Out, Hoosiers, and Rudy reached - Madison does occasionally score a moment or two of success, especially during the final race scene. Plus, the actors are professional, for the most part, and Bindley doesn’t get too fancy with the racing scenes.
