Posted in: Disc Reviews by David Annandale on September 13th, 2004
Synopsis
Posted in: Disc Reviews by David Annandale on September 11th, 2004
Synopsis
In a totally enclosed dystopia, THX 1138 (Robert Duvall) gradually begins to rebel againstthe completely controlled and drug-managed existence. He dares to think, and to have an affair,and, after a nightmarish imprisonment in a featureless white limbo, he attempts an escape.
Posted in: Disc Reviews by David Annandale on September 10th, 2004
Synopsis
Posted in: Disc Reviews by David Annandale on September 9th, 2004
Synopsis
Posted in: Disc Reviews by David Annandale on September 8th, 2004
Synopsis
Posted in: Disc Reviews by David Annandale on September 8th, 2004
Synopsis
Posted in: Disc Reviews by David Annandale on September 7th, 2004
Synopsis
Let’s start with the two biggest titles in the collection, which have a life outside thiscollection. North by Northwest is arguably Hitchcock’s greatest exercise in sheer roller-coaster thriller entertainment. As in so many of the director’s films, an insane chain of eventsis set in motion by the smallest of actions, in this case Cary Grant signalling a bell boy just asthe latter is calling out a name. Grant is thus misidentified by the villains, and he is suddenlyrunning fo... his life with no idea why people are trying to kill him. The crop-duster scene is oneof the most famous in all of Hitchcock’s oeuvre.
Posted in: Disc Reviews by David Annandale on September 4th, 2004
Synopsis
Posted in: Disc Reviews by David Annandale on September 4th, 2004
Synopsis
Posted in: Disc Reviews by Archive Authors on September 3rd, 2004
Sometimes, when I am writing my review and I come to the “genre” section, I wish I could find an entry marked “crap”. If there was ever a serious film effort that deserved such an entry, this is it. Let’s be honest… made for TV movies have a bad reputation for a reason. For that matter, so do films that have child actors as their star. This film suffers from the unenviable fate of being both. Mary Tyler Moore and Burt Reynolds may be on the cover, but the kid is in nearly every frame of the film.
This is on... of those sickly-sweet TNT movies that have been produced time and time again (though they usually seem to show up on CBS). The plot is a familiar one. An older divorced woman (Moore) takes in her free-spirited granddaughter, and the little girl’s presence melts her hardened heart. The point is a simple one, but it takes this meandering film a long, long time to get there. I have heard of films that go nowhere fast, but this one goes nowhere slow. The pace is even more broken up with the added necessity of commercial breaks, which sometimes show up at awkward times.
