Posted in: Disc Reviews by Gino Sassani on November 25th, 2003
Ben Franklin once said that two things one should never see being made are sausages and laws. So far there haven’t been any pilots occurring in a meat factory. Politics aside, Aaron Sorkin has created a first-rate TV show. The real success here is the casting. I’ve always preached to whoever would listen that its character chemistry that makes for good drama. Star Trek was successful not because of the f/x. The character triumvirate of Kirk, Spock, and McCoy was everything. Sorkin appears to know that lesson.
Posted in: Disc Reviews by Gino Sassani on November 25th, 2003
Law and Order was never really driven by the actors and their roles. The “ripped from the headlines” stories, along with a decision to avoid the relationship clutter of most cop shows, was the defining edge. Note that not one actor or character from the original series’ first season remains. Criminal Intent is vastly different. Dick Wolf readily admits that the third Law and Order series was intended as a modern day Sherlock Holmes. Vincent D’Onofrio was enticed away from a successful film career by the opportunity to create a unique character.
Posted in: Disc Reviews by David Annandale on November 23rd, 2003
Synopsis
In a lush Hawaiian resort, someone is killing off strippers and nude models. Security officerTraci Bingham investigates. You don’t really care about the plot, do you? Because no oneinvolved with this film did. The lackluster investigation fills in time between numbingly dullsoftcore couplings. Bad Bizness even has the nerve to recycle at least one sex scene fromFinal Examination, never mind that it has nothing to do with anything. Fred Olen Raydirected ...
Posted in: Disc Reviews by David Annandale on November 23rd, 2003
Synopsis
Uma Thurman plays Laura, a young woman who picks older men, drugs them, and robsthem. Her little schemes go awry, however, when she starts being stalked. There is more,involving a relationship with a loser played by Paul (brother of Matt) Dillon, but none of it isinteresting. Deeply, deeply dull.
Audio
The sound is, apparently, 2.0 stereo, but it certainly isn’t surround. What it sounds like isextremely muzzy mono. The music is muddy and unex...
Posted in: Disc Reviews by Archive Authors on November 23rd, 2003
So, it’s like a… Space Western?
Having never seen this show, this was the question posed to me by my wife halfway through the pilot episode. Honestly, I wasn’t sure myself. It certainly appeared to be a space western, but the characters were randomly speaking in Chinese. It was drama, yet it was dark humor. This was a truly odd program indeed.
By the third episode, however, we were both hooked. The genius of this show is that it was a typical sci-fi show with one major twist; sitcom-quality...
Posted in: Disc Reviews by Archive Authors on November 22nd, 2003
Who wants to see the middle of a movie, anyway? The beginning of the movie introduces the characters and presents the conflict. The ending holds the resolution and the conclusion. But the middle? Who wants to just see the middle? Nobody comes late and leaves early at the Cineplex. Nobody sane, anyway. This is not just any film, though. This is an Epic. Literally everything about this production is huge. The original text of the story was actually so long that it had to be divided into three volumes. The companion fil...
Posted in: Disc Reviews by David Annandale on November 22nd, 2003
Synopsis
In contemporary New York City, a young man named Edge breaks into an old woman’sapartment. Far from helpless, she wallops him and, at gunpoint, forces him to listen to her tale.She wants him to bury her where she was born. Her story is of two brothers at the start of the 20thCentury: the violent Luke (David Wenham) and the religious Elijah (Joseph Fiennes). A fightover a woman leads Luke to leave the States, and he winds up in Macedonia, a member of aviolent gang of ...
Posted in: Disc Reviews by David Annandale on November 21st, 2003
Synopsis
Pauly Shore is a lazy, terminal loser who needs to find a home while his parents are offgetting married. Summoned for jury duty, he seeks out the trial that will last the longest andinvolve sequestering. He lands the trial of “the Drive-Thru Killer.” Also on the jury are hisformer principal and lust-interest Tia Carrere. Let me put it this way: Schindler’s List isfunnier.
Audio
The soundtrack is clear enough, but limited to 2.0 (get th...
Posted in: Disc Reviews by Gino Sassani on November 21st, 2003
Roy Orbison’s career spanned 5 decades of music. Predominantly a 50’s artist, his catchy ballads became standards in the 60’s and 70’s. By the 90’s ELO master Jeff Lynne used his skills to give Orbison a tremendous comeback and a new modern sound. Orbison sadly passed away during the peak of this newfound fame and never saw the release of his last hit album.
Audio
There is a great deal of inconsistency in the audio of this DVD. Many of the clips are taken from 40 years or older source tape...
Posted in: Disc Reviews by David Annandale on November 21st, 2003
Synopsis
Ben Affleck plays the title character, a none-too-bright mob goon ordered to kidnap theautistic son of a federal prosecutor. Jennifer Lopez is the considerably brighter and lesbian mobenforcer ordered to team up with Gigli to make sure nothing goes wrong. Sound like a promisingset up for a romantic comedy? Apparently, the movie doesn’t think so either, as it doesn’t playlike a romantic comedy. In fact, the film doesn’t seem to have to the faintest idea as to what the...
