Posted in: Disc Reviews by David Annandale on September 15th, 2002
Miranda flits between four men, trying to find the right lover and husband (to replace the onewho died in during WWII). And so we move from one nicely dressed set to another, for onebadly dubbed sexual encounter after another. Pretty, but dull.Audio
The sound is mono, and gets off to a rocky start, with a lot of hiss and static in thebackground as the credit music plays. The hiss diminishes afterwards, but you will have to put upwith the dubbing and wildly anachronistic dialogue.
Posted in: Disc Reviews by Gino Sassani on September 15th, 2002
Synopsis
Posted in: Disc Reviews by Gino Sassani on September 15th, 2002
Synopsis
Posted in: Disc Reviews by David Annandale on September 11th, 2002
Synopsis
I'll confess, I saw Maiden myself, lo these many years ago on their Powerslave tour, so I was sort of partial to this disc. The big favourites ("Number of the Beast" and "Run to the Hills" among them) are present and correct. As with all concert films, there are only so many ways of filming largely motionless people and making them look interesting, but the main point is the sound, when you get down to it.
Posted in: Disc Reviews by David Annandale on September 10th, 2002
Synopsis
Young Alex O'Connel accidentally brings the Mummy back to life, and has the manacle of Osiris stuck to his wrist. With the help of his parents, and wielding the power of the manacle, he must find the lost scrolls (scattered hither and yon around the world) in order to defeat the Mummy. The animation is strictly Saturday-morning level, and calling these three episodes a feature at 65 minutes is stretching it a bit.
Posted in: Disc Reviews by Gino Sassani on September 10th, 2002
Synopsis
Frankie Muniz is the liar of the title, and so is already in plenty of trouble. Then he meets someone even worse than the truth than he is: Paul Giamatti, playing a completely sleazy Hollywood producer, who steals Muniz' creative writing paper and makes a movie from it. Muniz and best friend Amanda Bynes head off for Hollywood to exact revenge -- some of which, I must confess, is pretty damn funny.
Posted in: Disc Reviews by Gino Sassani on September 7th, 2002
Synopsis
Stockard Channing is top-flight executive, and has been in the game long enough to become a hardened, battle-scarred veteran. When Julia Stiles arrives late, screwing up a presentation, Channing initially comes down on her like a ton of bricks. Later she apologizes, and the two, becoming friends, plot revenge on a mutual acquaintance who has apparently done them both wrong. But there are plenty of twists ahead (some easier to swallow than others).
Posted in: Disc Reviews by Gino Sassani on September 7th, 2002
Nicholas Cage did this film in 1989, long before most of the more famous films he places high atop his resume. He admits this is a film he would not be able to do today but is damn glad he did. Director Robert Bierman was also pretty much a novice when he created this quirky dark comedy.
To be honest I never saw the film when it was originally released and approached the DVD with a lot of skepticism. Most of the performances are way over the top and the cinematography is simple, often resorting to what Hollywood calls "stolen shots" (filming done without any set-up in a public area using real people.) Still, I found a lot to like about the picture. The casting was pure genius, particularly Jennifer Beals' haunting vampire.
Posted in: Disc Reviews by David Annandale on September 4th, 2002
Synopsis
The film is basically about the four manic days of a Punjabi wedding. We have a plethora of characters, all involved in different kinds of relationships. At the centre we have the reluctant bride (still carrying on an affair with a married man). Sharp, clever, warm, this one's a keeper.
Posted in: Disc Reviews by David Annandale on September 3rd, 2002
Synopsis
It is World War II, and Wendy's daughter Jane, living in a constantly bombed London, has given up on childhood dreams. Her disillusion ends when she is kidnapped by Captain Hook and brought to Never Land. The animation is in no way up to Disney's current theatrical standard, but is leaps and bounds beyond other direct-to-video fare. The problem is, this WAS released theatrically. Anyway, the London sequences are nicely atmospheric, but things go rather flat and ordinary once we reach Never L...nd.
